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Freak Out!
''Freak Out!'' is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It is often incorrectly cited as the second rock music double album ever released, following the release of Bob Dylan's '' Blonde on Blonde'' just one week earlier. In fact, both were preceded by Jimmy Clanton's ''Jimmy's Happy/Jimmy's Blue'', released in 1960, and by several double album compilations. However, ''Freak Out!'' does seem to have been the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc. The album was produced by Tom Wilson, who signed the Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the band to a record deal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mothers Of Invention
The Mothers of Invention (also known as the Mothers) were an American rock music, rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows. Originally an R&B band called the Soul Giants, the band's first lineup comprised Ray Collins (rock musician), Ray Collins, David Coronado, Ray Hunt, Roy Estrada, and Jimmy Carl Black. Frank Zappa was asked to take over as the guitarist when a fight between Collins and Hunt led to the latter's being fired. Zappa insisted they perform his original material—a decision that resulted in Coronado's leaving because he did not agree to the change—and on Mother's Day (United States), Mother's Day in 1965 the band changed its name to the Mothers. Record executives demanded the name be changed again, and so, "out of necessity", Zappa later said, "We became the Mothers of Invention", referencing the proverb "Necessity is the mother of invention". After early s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blonde On Blonde
''Blonde on Blonde'' is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—" One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. ''Blonde on Blonde'' completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with '' Bringing It All Back Home'' and ''Highway 61 Revisited'' (both 1965). Critics often rank ''Blon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Collage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or Musical composition, compositions, including songs, are created from collage, also known as musique concrète. This is often done through the use of sampling (music), sampling, while some sound collages are produced by gluing together sectors of different vinyl records. Like its visual cousin, sound collage works may have a completely different effect than that of the component parts, even if the original parts are recognizable or from a single source. Audio collage was a feature of the audio art of John Cage, Fluxus, postmodern music, postmodern hip-hop and postconceptual digital art. History The origin of sound collage can be traced back to the works of Heinrich Ignaz Biber, Biber's programmatic sonata ''Battalia'' (1673) and Wolfgang Amadeus Mozart, Mozart's ''Don Giovanni'' (1789), and certain passages in Gustav Mahler, Mahler symphonies as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was commercially viable until the early 1960s and continued to influence performers in other genres. Origins Doo-wop has complex musical, social, and commercial origins. Musical precedents Doo-wop's style is a mixture of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Session Musicians
A session musician (also known as studio musician or backing musician) is a musician hired to perform in a recording session or a live performance. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres, and styles. Examples of "doubling" include double bass and electric bass, acoustic guitar and mandolin, piano and accordion, and saxophone and other woodwind instruments. Session musicians are used when musical skills are needed on a short-term basis. Typically, session musicians are used by recording studios to provide backi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliot Ingber
Elliot Ingber (August 24, 1941 – January 21, 2025) was an American guitarist, best known as a member of Frank Zappa's Mothers of Invention (1965-66), founder of the Fraternity of Man (1968-69), and then a member of Captain Beefheart's Magic Band in 1972-73. Biography Ingber grew up in Los Angeles, where he attended Fairfax High School alongside such musicians and later music business figures as Phil Spector, Lou Adler, Bruce Johnston and Sandy Nelson. He played guitar in local bands including Kip Tyler and the Flips, and The Gamblers. Gary Lucas, "In Memoriam Elliot Ingber", ''CultureCatch'', January 31, 2025 Retrieved February 28, 2025 In 1966, he joined |
Jimmy Carl Black
James Inkanish, Jr. (February 1, 1938 – November 1, 2008), known professionally as Jimmy Carl Black, was an original member of the Mothers of Invention, providing drums and vocals. He is known for introducing the songs “ Are you Hung Up?” and “ Concentration Moon” from the Mothers album '' We're Only in It for the Money'' saying “hi boys and girls, my name is Jimmy Carl Black and I’m the Indian of the Group.” Background and early career: 1960s–1990s Born in El Paso, Texas, Black was Cheyenne; both his father James Inkanish Sr. and his mother Jennie Inkanish (née Dorris) were citizens of the Cheyenne and Arapaho Tribes. His trademark line was "Hi boys and girls, I'm Jimmy Carl Black, and I'm the Indian of the group." The line can be heard several times on The Mothers of Invention's album '' We're Only in It for the Money'' (for example, on the tracks " Are You Hung Up?" and "Concentration Moon"). The line can also be heard in Haskell Wexler's 1969 movie ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Estrada
Roy Estrada (also known as "Roy Ralph Moleman Guacamole Guadalupe Hidalgo Estrada" and "Orejón"; born April 17, 1943) is an American former musician. He is best known for being the original bassist of both the Mothers of Invention and Little Feat. He was also later a member of Captain Beefheart's the Magic Band and occasionally still worked with Frank Zappa in Zappa's solo career following the Mothers' split. Estrada is currently incarcerated in the Texas State Prison System. He was convicted for sex offenses on at least three occasions between 1977 and 2012. He will not be eligible for release until 2037, at which time he will potentially be between 93 and 94 years old. Career With drummer Jimmy Carl Black and vocalist Ray Collins, Estrada was an original member of Frank Zappa's Mothers of Invention. Previously, Estrada had been a founding member of the Soul Giants, the band from which the Mothers of Invention was formed. In addition to playing bass guitar, Estrada sang vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an Electric guitar, electric but with a longer neck (music), neck and scale length (string instruments), scale length. The electric bass guitar most commonly has four strings, though five- and six-stringed models are also built. Since the mid-1950s, the bass guitar has replaced the double bass in popular music due to its lighter weight, smaller size, most models' inclusion of Fret, frets for easier Intonation_(music), intonation, and electromagnetic pickups for amplification. Another reason the bass guitar replaced the double bass is because the double bass is "acoustically imperfect" like the viola. For a double bass to be acoustically perfect, its body size would have to be twice as that of a cello rendering it unplayable, so the double bass is made smaller to make it playable. The elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Collins (musician)
Ray Collins (November 19, 1936 – December 24, 2012) was an American musician. He is best known for being an original member of the Mothers of Invention and the primary lead vocalist on their earliest albums. Early life Collins grew up in Pomona, California singing in his school choir, the son of a local police officer. He quit high school to get married. Career Collins started his musical career singing falsetto backup vocals for various doo-wop groups in the Los Angeles area in the late 1950s and early 1960s, including Little Julian Herrera and the Tigers. In 1963 Collins co-wrote " Memories of El Monte" with Frank Zappa. In 1964, Collins, drummer Jimmy Carl Black, bassist Roy Estrada, saxophonist Dave Coronado, and guitarist Ray Hunt formed The Soul Giants. Hunt was eventually replaced by Zappa, and the group evolved into the Mothers of Invention. Ray was the lead vocalist on most songs for their early albums, including ''Freak Out!'', ''Absolutely Free'', ''Cruising with R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
