Frédéric Bazille
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Frédéric Bazille
Jean Frédéric Bazille (; December 6, 1841 – November 28, 1870) was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted '' en plein air''. Life and work Frédéric Bazille was born in Montpellier, Hérault, Languedoc-Roussillon, France, into a wealthy wine merchant Protestant family. Bazille grew up in the Le Domaine de Méric, a wine-producing estate in Castelnau-le-Lez, near Montpellier, owned by his family. He became interested in painting after seeing some works of Eugène Delacroix. His family agreed to let him study painting, but only if he also studied medicine. Bazille began studying medicine in 1859, and moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his medical exam in 1864, he began painting ful ...
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The Pink Dress
''The Pink Dress'' (''La robe rose'') is an oil-on-canvas painting by Frédéric Bazille, produced in 1864 when he was aged 23. The work is now in the Musée d'Orsay, in Paris. Dimensions and conservation The dimensions of the canvas, kept at the Musée d'Orsay, are a height of 147 cm by a width of 110 cm. Overview The painting is an ''en plein air'' painting of Bazille's cousin Thérèse des Hours, sitting on the stone ledge around the family property of Le Domaine de Méric in Montpellier, facing the village of Castelnau-le-Lez in the Hérault department of southern France. The Bazille and des Hours families used to spend every summer on the estates which overlooked the village. Thérèse is sitting on the terrace at the far end of the garden, facing away from the viewer. She is wearing a dress with vertical pink and silver stripes, with a black apron. Bazille frames the middle ground with trees, a typical technique of the Barbizon School, using darkness of t ...
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Art Institute Of Chicago
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. The museum is based in the Art Institute of Chicago Building in Chicago's Grant Park (Chicago), Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte, ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's ''Nighthawks (Hopper), Nighthawks'', and Grant Wood's ''American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and Ryerson & Burnham Libraries, Ryerson and Burnham Libraries, one of the nation's largest art history and ar ...
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Aigues-Mortes
Aigues-Mortes (; ) is a Communes of France, commune in the Gard Departments of France, department in the Occitania (administrative region), Occitania region of southern France. The medieval Ramparts of Aigues-Mortes, city walls surrounding the city are well preserved. Situated on the junction of the Canal du Rhône à Sète and the Chenal Maritime to Le Grau-du-Roi, the town is a transit center for canal craft and Dutch barges. Name The name "Aigues-Mortes" was attested in 1248 in the Latinized form ', which means "dead water", or "stagnant water". The name comes from the marshes and ponds that surround the village (which has never had drinking water, potable water). The inhabitants of the commune are known as ''Aigues-Mortais'' or ''Aigues-Mortaises'' in French. The Occitan language, Occitan ' is equivalent to toponymic types in the Morteau Langues d'oïl, Oil dialect cf. Morteau, Morteau (Doubs): ''mortua Aqua'' (1105, VTF521) and Cirey-lès-Mareilles, Morteaue (Haute-M ...
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Musée Fabre
The Musée Fabre is a museum in the southern French city of Montpellier, capital of the Hérault ''département''. The museum was founded by François-Xavier Fabre, a Montpellier painter, in 1825. Beginning in 2003, the museum underwent a 61.2 million euro renovation, which was completed in January 2007. It is one of the main sights of Montpellier and close to the city's main square, the Place de la Comédie. The museum's national importance is recognised by it being classified as a '' Musée de France'' by the French Ministry of Culture. History The town of Montpellier was given thirty paintings in 1802 which formed the basis of a modest municipal museum under the Empire, moving between various temporary sites. In 1825, the town council accepted a large donation of works from Fabre and the museum was installed in the refurbished ''Hôtel de Massillian'', officially opened on 3 December 1828. Fabre's generosity led others to follow his example, notably Antoine Valedau who don ...
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Studio On Rue Furstenberg
''Atelier de la rue Furstenberg'' (''Studio on Rue Furstenberg'') is an 1866 oil-on-canvas painting by the 19th century French impressionist artist Frédéric Bazille, which has been in the collection of the Musée Fabre in Montpellier, France since 1985. Overview Depictions of artist's studios was a popular genre of the early 19th century. This 1866 painting depicts the studio Bazille was sharing with Claude Monet at 6 Place de Furstenburg in the 6th arrondissement of Paris in January 1866. It was located near the center of Paris, on the Left Bank, near the Ecole des Beaux-Arts and within walking distance of the Louvre. After Bazille arrived in Paris in 1864, he initially had no studio of his own and had to borrow from a friend and lodge elsewhere. However, with financial support from his parents, he found a studio with two attached bedrooms which would allow him to save time and money by living and working at the same place. Monet was already familiar with the place having pai ...
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The Gay & Lesbian Review
''The Gay & Lesbian Review Worldwide'' (formerly ''The Harvard Gay & Lesbian Review'') is a bimonthly, nationally distributed magazine of history, culture, and politics for LGBT people and their allies who are interested in the gamut of social, scientific, and cultural issues raised by same-sex sexuality. ''Library Journal'' (in its July 1995 issue) described it as "the journal of record for LGBT issues." In 2011, the magazine received the Michele Karlsberg Leadership Award from the Publishing Triangle. History Initially ''The Harvard Gay & Lesbian Review'' was published by the Harvard Gay & Lesbian Caucus. In 1996 the magazine was organized as a 501(c)(3) educational corporation. In 2000, the magazine's name was changed to ''The Gay & Lesbian Review Worldwide'' to reflect its independent status, and in 2001 the Review started to publish on a bimonthly basis. Since around 2017 December, the Review says it has a circulation of about 9,000 regular subscribers. Current status ...
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Ego-dystonic Sexual Orientation
Ego-dystonic sexual orientation is a highly controversial mental health diagnosis that was included in the American Psychiatric Association's ''Diagnostic and Statistical Manual of Mental Disorders'' (DSM) from 1980 to 1987 (under the name ego-dystonic homosexuality) and in the World Health Organization's (WHO) ''International Classification of Diseases'' (ICD) from 1990 to 2019. Individuals could be diagnosed with ego-dystonic sexual orientation if their sexual orientation or attractions were at odds with their idealized self-image, causing anxiety and a desire to change their orientation or become more comfortable with it. It describes not innate sexual orientation itself, but a conflict between the sexual orientation a person wishes to have and their actual sexual orientation. The addition of ego-dystonic homosexuality to the DSM-III in 1980 constituted a political compromise between those who believed that homosexuality was a pathological condition and those who believed it ...
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Homoeroticism
Homoeroticism is sexual attraction between members of the same sex, including both male–male and female–female attraction. The concept differs from the concept of homosexuality: it refers specifically to the desire itself, which can be temporary, whereas "homosexuality" implies a more permanent state of identity or sexual orientation. It has been depicted or manifested throughout the history of the visual arts and literature and can also be found in performative forms; from theatre to the theatricality of uniformed movements (e.g., the Wandervogel and Adolf Brand, Gemeinschaft der Eigenen). According to the ''Oxford English Dictionary'', it is "pertaining to or characterized by a tendency for erotic emotions to be centered on a person of the same sex; or pertaining to a homo-erotic person." This is a relatively recent dichotomyFlood, 2007, p. 307. that has been studied in the earliest times of History of poetry, ancient poetry to Drama#Modern and postmodern, modern drama by mo ...
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Edmond Maître
Edmond Maître (April 23, 1840 – May 29, 1898) was a French writer, musician, and art collector, best known for his support and association with the Impressionists and his close friendship with Frédéric Bazille and Pierre-Auguste Renoir Pierre-Auguste Renoir (; ; 25 February 1841 – 3 December 1919) was a French people, French artist who was a leading painter in the development of the Impressionism, Impressionist style. As a celebrator of beauty and especially femininity, fe .... His partner, Rapha Maître, was a model for several works by Renoir. Davis, J., Leshko, J., & S. (2000). "Pierre-Auguste Renoir". In ''Smith College Museum of Art: European and American Painting and Sculpture, 1760–1960'' (1st ed., pp. 106–107). Hudson Hills. References 1840 births 1898 deaths Impressionism French art collectors {{France-bio-stub ...
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Protestant Cemetery, Montpellier
The Protestant cemetery of Montpellier () is a historic, church-owned and operated United Protestant Church of France, Protestant cemetery located in the city of Montpellier, in France. The triangular-shaped cemetery surrounded by high walls on Palavas avenue is the fourth and only existing Protestant cemetery in Montpellier, as well as being the oldest active cemetery in the city. History and description At the start of the Reformation in Montpellier, followers of the Huguenots, new faith and converts to Protestantism were buried in the Catholic cemeteries. But in 1565, the Catholic officials applied to the governor of Languedoc, Henri de Montmorency, 3rd Duke of Montmorency, Henri de Montmorency for securing an injunction against Protestants from using the Roman Catholic cemeteries, and the new law prohibited the burial of Protestants on consecrated ground. Therefore, Protestants had to bury their deceased brethren clandestinely on private property until the Edict of Nantes gran ...
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Battle Of Beaune-la-Rolande
The Battle of Beaune-la-Rolande on 28 November 1870 took place during the Franco-Prussian War, which was won by Prussia. In an attempt to relieve the Siege of Paris, French General Crouzat's XX Corps launched an attack against three Prussian brigades resting in Beaune-la-Rolande. These brigades were from the Prussian X Corps which was detailed to guard the flanks and rear of the force besieging Paris and provide early warning of any French counter-attacks. The French committed a force of 60,000 men, largely conscripts of the Garde Mobile, and 140 guns against the Prussians' 9,000 men and 70 guns, mostly drawn from regular troops, although military historian Gaston Bodart estimated their strength at 40,000 men and 174 guns. Despite the superiority of numbers the French attack failed to take the village and was ultimately forced to retreat by Prussian reinforcements. Prussian losses amounted to 817 soldiers and 37 officers with the French losing between 4,000 and 8,000 men. The ...
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Franco-Prussian War
The Franco-Prussian War or Franco-German War, often referred to in France as the War of 1870, was a conflict between the Second French Empire and the North German Confederation led by the Kingdom of Prussia. Lasting from 19 July 1870 to 28 January 1871, the conflict was caused primarily by France's determination to reassert its dominant position in continental Europe, which appeared in question following the decisive Austro-Prussian War, Prussian victory over Austria in 1866. According to some historians, Prussian chancellor Otto von Bismarck deliberately provoked the French into declaring war on Prussia in order to induce four independent southern German states—Grand Duchy of Baden, Baden, Kingdom of Württemberg, Württemberg, Kingdom of Bavaria, Bavaria and Grand Duchy of Hesse, Hesse-Darmstadt—to join the North German Confederation. Other historians contend that Bismarck exploited the circumstances as they unfolded. All agree that Bismarck recognized the potential for new ...
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