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Formalism (art)
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance. History The historical origin of the modern form of the question of aesthetic formalism is usually dated to Immanuel Kant and the writing of his third Critique where Kant states: "Every form of the objects of sense is either ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to art. Art history is a broad discipline encompassing many branches. Some focus on specific time periods, while others concentrate on particular geographic regions, such as the Art of Europe, art of Art of Europe, Europe. Thematic categorizations include feminist art history, iconography, the analysis of symbols, and Design history, design history. Studying the history of art emerged as a means of documenting and critiquing artistic works, with influential historians and methods originating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to art. Art history is a broad discipline encompassing many branches. Some focus on specific time periods, while others concentrate on particular geographic regions, such as the Art of Europe, art of Art of Europe, Europe. Thematic categorizations include feminist art history, iconography, the analysis of symbols, and Design history, design history. Studying the history of art emerged as a means of documenting and critiquing artistic works, with influential historians and methods originating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Arts Theory
The visual system is the physiological basis of visual perception (the ability to perception, detect and process light). The system detects, phototransduction, transduces and interprets information concerning light within the visible range to construct an imaging, image and build a mental model of the surrounding environment. The visual system is associated with the eye and functionally divided into the optics, optical system (including cornea and crystalline lens, lens) and the nervous system, neural system (including the retina and visual cortex). The visual system performs a number of complex tasks based on the ''image forming'' functionality of the eye, including the formation of monocular images, the neural mechanisms underlying stereopsis and assessment of distances to (depth perception) and between objects, motion perception, pattern recognition, accurate motor coordination under visual guidance, and colour vision. Together, these facilitate higher order tasks, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste (sociology), taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , accessed on 15 September 2024. Aesthetics examines values about, and Critical thinking, critical judgments of, artistic taste and preference. It thus studies how Artist, artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people consider certain things beautiful and not others, as well as how objects of beauty and art can affect our moods and our beliefs. Aesthetics tries to find answers to what exactly is art and what makes good art. It considers what happens in our minds when we view Visual arts, visual art, listen to music, read poetry, enjoy delicious food, and engage in large artistic projects like creating and experiencing plays, fashion shows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washington Color School
The Washington Color School, also known as the Washington, D.C., Color School, was an art movement starting during the 1950s–1970s in Washington, D.C., in the United States, built of abstract expressionist artists. The movement emerged during a time when society, the arts, and people were changing quickly. The founders of this movement are Morris Louis and Kenneth Noland, however four more artists were part of the initial art exhibition in 1965. Overview The Washington Color School, a visual art movement, describes a form of image making concerned primarily with color field painting, a form of non-objective or non-representational art that explored ways to use large solid areas of paint. The Washington Color School artists painted largely non-representational works, and were central to the larger color field movement. Though not generally considered abstract expressionists due to the orderliness of their works and differing motivating philosophies, many parallels can be dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-modernism
Postmodernism encompasses a variety of artistic, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world. Still, there is disagreement among experts about its more precise meaning even within narrow contexts. The term began to acquire its current range of meanings in literary criticism and architectural theory during the 1950s–1960s. In opposition to modernism's alleged self-seriousness, postmodernism is characterized by its playful use of eclectic styles and performative irony, among other features. Critics claim it supplants moral, political, and aesthetic ideals with mere style and spectacle. In the 1990s, "postmodernism" came to denote a general – and, in general, celebratory – response to cultural pluralism. Proponents align themselves with feminism, multiculturalism, and postcolonialism. Building upon poststructural theory, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Op Art
Op art, short for optical art, is a style of visual art that uses distorted or manipulated geometrical patterns, often to create optical illusions. It began in the early 20th century, and was especially popular from the 1960s on, the term "Op art" dating to 1964. Op artworks are normally abstract, with some better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping. In contrast, the much older '' trompe-l'œil'' style always represents figurative subjects, which are shown with deceptive three-dimensionality. History Illusionism, focused on the perception of extended space within a flat picture, is found from the earliest points of art history. However, the antecedents of op art, in terms of graphic effects and concern for exotic optical illusions, can be traced back to Neo-Impressionism, Cubism, Futurism, Constructivism, and Dada. The Divisionis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalism
In visual arts, music, and other media, minimalism is an art movement that began in the post-war era in western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. Minimalism's key objectives were to strip away conventional characterizations of art by bringing the importance of the object or the experience a viewer has for the object with minimal mediation from the artist. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt, and Frank Stella. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman, and John Adams. The term has also been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrical Abstraction
Lyrical abstraction arose from either of two related but distinct art movement, trends in Post-war Modernist painting: * European ''Abstraction Lyrique'': a movement that emerged in Paris, with the French art critic Jean José Marchand being credited with coining its name in 1947; considered a component of Tachisme when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne (author of ''L'Art à Paris 1945–1966''); and * American ''Lyrical Abstraction'': a movement described by Larry Aldrich (founder of the Aldrich Contemporary Art Museum in Ridgefield, Connecticut) in 1969.Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp.104–113. A second definition is the usage as a descriptive term. It is a descriptive term characterizing a type of abstract painting related to Abstract Expressionism; in use since the 1940s. Many well known abstract expressionist painters such as Arshile Gorky seen in context have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
