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Feydeau
Georges-Léon-Jules-Marie Feydeau (; 8 December 1862 – 5 June 1921) was a French playwright of the Belle Époque era, remembered for his farces, written between 1886 and 1914. Feydeau was born in Paris to middle-class parents and raised in an artistic and literary environment. From an early age he was fascinated by the theatre, and as a child he wrote plays and organised his schoolfellows into a drama group. In his teens he wrote comic monologues and moved on to writing longer plays. His first full-length comedy, ' (), was well received, but was followed by a string of comparative failures. He gave up writing for a time in the early 1890s and studied the methods of earlier masters of French comedy, particularly Eugène Labiche, Alfred Hennequin and Henri Meilhac. With his technique honed, and sometimes in collaboration with a co-author, he wrote seventeen full-length plays between 1892 and 1914, many of which have become staples of the theatrical repertoire in France and abroa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Dame De Chez Maxim (play)
''La Dame de chez Maxim'' (English:''The Lady from Maxim's'', ''The Girl from Maxim's'') is a three-act farce by Georges Feydeau, first produced in Paris in 1899. It depicts the complications ensuing when a respectable citizen becomes mixed up with a Moulin Rouge dancer after drinking too much champagne at Maxim's restaurant. In the central role, Feydeau cast a newcomer, Armande Cassive, who became his preferred leading lady, with new roles written with her in mind. The original run of the play, 579 performances, was the longest first run for any of Feydeau's plays. The piece was twice revived in his lifetime and many times since. Background and premiere By the late-1890s Georges Feydeau had established himself as the leading writer of ''vaudeville'' – known in English-speaking countries as French farce. At a time when a run of 100 performances was regarded in Parisian theatres as a success, Feydeau had enjoyed runs of 434 for ''Champignol malgré lui'' (1892) and 371 for ''L'H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest-Aimé Feydeau
Ernest-Aimé Feydeau (; 16 March 182127 October 1873) was a French writer and the father of the noted comic playwright Georges Feydeau. Biography Feydeau was born in Paris, and he began his literary career in 1844, by the publication of a volume of poetry, ''Les Nationales''. Either the partial failure of this literary effort, or his marriage soon afterwards to a daughter of the economist, Blanqui, caused him to devote himself to finance and to archaeology. He gained a great success with his novel ''Fanny'' (1858), a success due chiefly to the cleverness with which it depicted and excused the corrupt manners of a certain portion of French society. In 1861 he married Léocadie Bogaslawa, ''née'' Zelewska (1838–1924). This was followed in rapid succession by a series of fictions, similar in character, but wanting the attraction of novelty; none of them enjoyed the same vogue as ''Fanny''. Besides his novels Feydeau wrote several plays, and he is also the author of ''Histoir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Puce à L'oreille
''A Flea in Her Ear'' () is a play by Georges Feydeau written in 1907, at the height of the Belle Époque. The author called it a vaudeville, but in Anglophone countries, where it is the most popular of Feydeau's plays, it is usually described as a farce. The plot hinges on the central characters having a double: a middle class businessman is indistinguishable from the hall porter of a shady hotel, and the two are persistently mistaken for each other, to the bafflement of both. Premiere The play was first performed at the Théâtre des Nouveautés, Paris, on 2 March 1907. ''Les Annales du théâtre et de la musique'' said of the play, "It is a piece for which we need to invent a new description: funny, pleasing, comical, frenzied, dizzying, it is all those, and more. The action goes forward with such velocity, explosiveness, ''prestissimo'', from start to finish that the actors and the audience cannot catch their breath for even a second." The play seemed set to rival the run o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
