Festejo De Diego Forlán - 160329-9363-jikatu (25554950004)
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Festejo De Diego Forlán - 160329-9363-jikatu (25554950004)
''Festejo'' (from Spanish 'fiesta') is a festive form of Afro-Peruvian music. The dance is a staple in the Black coastal populations and it celebrates the emancipation of slaves. Festejo is recognized for its high energy and the improvisation carried out by the dancers. Some believe that its origins trace back to competitive dance circles performed by individuals playing cajóns. Despite its African origins, people of all different backgrounds participate in the dance that many regard as one of the greatest representations of Peruvian culture. It is currently performed, in its most traditional form, in San Luis de Cañete and El Carmen District, Chincha. History There are theories that describe the Festejo as a dance that began in Lima in the mid-17th century, but they do not provide evidence to support these hypotheses. No musical example has yet been established to show that this musical form existed before 1800. However, some Festejos dating from the 19th century have been ...
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DANZAS PERUANAS DELEITARON A ECUATORIANOS DURANTE FESTEJOS EN MACHALA (5081328647)
DHL Global Forwarding, formerly known as DHL Danzas Air & Ocean, is a division of Deutsche Post DHL providing air and ocean freight forwarding services. It also plans and undertakes major logistics projects under the brand name DHL Industrial Projects. Together with DHL Freight, it forms Deutsche Post's Freight/Forwarding department. The Forwarding division carries goods by rail, road, air and sea under the DHL brand and includes the DHL Freight operation which runs a ground-based freight network covering Europe, Russia and traffic into the Middle East. In 2016, this division's revenue declined by 7.7 percent to €13.7 billion, but earnings before interest and taxes (EBIT) improved from -€181 million in 2015 to +€287 million. History Danzas was founded in 1815 and was originally based in Saint-Louis, Alsace, France. Louis Danzas fought at Waterloo for Napoleon. After that battle, he joined a transport company owned by Michel l'Eveque and by 1840 became joint owner. ...
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Peruvian Culture
Peruvians (''/peruanas'') are the citizens of Peru. What is now Peru has been inhabited for several millennia by cultures such as the Caral before the Spanish conquest in the 16th century. Peruvian population decreased from an estimated 5–9 million in the 1520s to around 600,000 in 1620 mainly because of infectious diseases carried by the Spanish. Spaniards and Africans arrived in large numbers in 1532 under colonial rule, mixing widely with each other and with Native Peruvians. During the Republic, there has been a gradual immigration of European people (especially from Spain and Italy, and to a lesser extent from Germany, France, Croatia, and the British Isles). Chinese and Japanese arrived in large numbers at the end of the 19th century. With 31.2 million inhabitants according to the 2017 Census. Peru is the fourth most populous country in South America. Its demographic growth rate declined from 2.6% to 1.6% between 1950 and 2000, and its population is expected to reach ...
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Music Of Peru
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean music, Andean, Music of Spain, Spanish, and Music of Africa, African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian era, Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic scale, tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales. History Peruvian music reflects the country’s rich cultural heritage, blending Indigenous, Spanish, and African influences. Pre-Columbian traditions, characterized by instruments like pan flutes and drums, were later infused with Spanish stringed instruments such as the guitar and harp. During ...
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Bongo Drums
Bongos ( Spanish: ''bongó'') are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. These older, larger bongos are known as ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thou ...
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Jawbone (instrument)
The quijada, charrasca, or jawbone (in English) is an idiophone percussion instrument made from the jawbone of a donkey, horse, mule, or cattle, producing a powerful buzzing sound. The jawbone is cleaned of tissue and dried to make the teeth loose and act as a rattle. It is used in music in most of Latin America, including Mexico, Peru, El Salvador, Ecuador, and Cuba. It was also historically used in the early American minstrel show. Technique To play it, a musician holds one end in one hand and strikes the other with either a stick or their hand; this causes the teeth to rattle against the bone creating a loud, untuned sound, specific to this instrument. The stick can also be pulled along the teeth which act as a rasp. These ingredients provide the basis for a wide variety of combinations and rhythms. Historical and cultural content While it is used in most of Latin America, the quijada originated from the Africans that were brought to the Americas during the colonial ...
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