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Farnese Gallery, Rome
''The Loves of the Gods'' is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century. Production Cardinal Odoardo Farnese (cardinal), Pope Paul III's great-great grandson, commissioned Annibale Carracci and his workshop to decorate the barrel-vaulted gallery on the ''piano nobile'' of the family palace. Work was started in 1597 and was not entirely finished until 1608, one year before Annibale's death. His brother Agostino Carracci, Agostino joined him from 1597 to 1600, and other artists in the workshop included Giovanni Lanfranco, Francesco Albani, Domenichino, and Sisto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci ( , , ; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother Agostino Carracci, Agostino and cousin Ludovico Carracci, Ludovico (with whom the Carracci, he also worked collectively), Annibale was one of the progenitors, if not founders of a leading strand of the Baroque art, Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino Carracci, Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putti
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent a sort of baby angel in religious art, often called a cherub (plural cherubim), though in traditional Christian theology a cherub is actually one of the most senior types of angel. The same figures were also seen in representations of classical myth, and increasingly in general decorative art. In Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistine Chapel Ceiling
The Sistine Chapel ceiling (), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance Renaissance art, art. The Sistine Chapel is the large papal chapel built within the Vatican City, Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created Raphael Cartoons, a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create ''The Last Judgment (Michelangelo), The Last Judgment'', a large wall fresco situated behind the altar. The chapel's decoration illustrates m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea Mant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illusionistic Ceiling Painting
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which '' trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tondo (art)
A ''tondo'' (: ''tondi'' or ''tondos'') is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian ''rotondo'', "round". The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for sculpture the threshold is rather lower. A circular or oval relief sculpture is also called a roundel. The infrequently-encountered synonym rondoArtlex.com . usually refers to the musical form. History Artists have created ''tondi'' since antiquity. T ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadro Riportato
''Quadro riportato'' (plural ''quadri riportati'') is the Italian phrase for "carried picture" or "transported paintings". It is used in art to describe gold-framed easel paintings or framed paintings that are seen in a normal perspective and painted into a fresco. The final effect is similar to illusionism, but the latter encompasses painted statues, reliefs and tapestries. The ceiling is intended to look as if a framed painting has been placed overhead; there is no illusionistic foreshortening, figures appearing as if they were to be viewed at normal eye level. Mengs' ''Parnassus'' (1761) in the Villa Albani (now Villa Albani-Torlonia) is a famous example — a Neoclassical criticism against Baroque illusionism. Often, however, ''quadri riportati'' were combined with illusionistic elements, as in Annibale Carracci Annibale Carracci ( , , ; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of Naples, province-level municipality is the third most populous Metropolitan cities of Italy, metropolitan city in Italy with a population of 2,958,410 residents, and the List of urban areas in the European Union, eighth most populous in the European Union. Naples metropolitan area, Its metropolitan area stretches beyond the boundaries of the city wall for approximately . Naples also plays a key role in international diplomacy, since it is home to NATO's Allied Joint Force Command Naples and the Parliamentary Assembly of the Mediterranean. Founded by Greeks in the 1st millennium BC, first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope () was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archaeological Museum, Naples
The National Archaeological Museum of Naples (, ) is an important Italian archaeological museum. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as the Royal Bourbon Museum (). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777, it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnificent", and is founded upon gems collected by Cosimo de' Medici and Lorenzo il Magnifico in the 15th century) and the Farnese Marbles. Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capodimonte Museum
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy designed by Giovanni Antonio Medrano. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the list of largest art museums, largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese Collection which he had inherited from his mother, Elisabetta Farnese, last des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Collection
The Farnese Collection is one of the first collections of artistic items from Greco-Roman antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the National Archaeological Museum, Naples, National Archaeological Museum of Naples in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534–1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna family, Colonna collection, and received the collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
