Fantasio (Offenbach)
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Fantasio (Offenbach)
''Fantasio'' is an 1872 opéra comique in 3 acts, 4 tableaux, with music by Jacques Offenbach. The French libretto by Paul de Musset was closely based on the 1834 play of the same name by his brother Alfred de Musset. The opera found little success in Offenbach's lifetime, was occasionally revived until the preparation of a critical edition in the 2000s. Background The Musset play was published in the Revue des deux Mondes in 1834 and first performed at the Comédie-Française, Paris in 1866 where it was seen 30 times. Yon, Jean-Claude. ''Jacques Offenbach.'' Éditions Gallimard, Paris, 2000. Two "new" works were scheduled for the Salle Favart (Opéra-Comique) in 1872 as it regained momentum after the Franco-Prussian War and the Commune; ''Fantasio'' by Offenbach and '' les Noces de Figaro'', Mozart's opera after Beaumarchais, which entered the Opéra Comique repertoire that February.Soubies A, Malherbe C. ''Histoire de l'opéra comique — La seconde salle Favart 1840–188 ...
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Jacques Offenbach By Nadar
Jacques or Jacq are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname comes from the Latin 'Jacob (name), Iacobus', associated with the biblical patriarch Jacob. Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, at this time, the use of biblical name, biblical, Christian name, Christian, or Hebrew names and surnames became very popular, and entered the Eur ...
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Victor Capoul
Joseph Victor Amédée Capoul (27 February 1839 – 18 February 1924) was a French operatic lyric tenor renowned for his graceful singing style as well as his wonderful acting skills. Forbes E., Steane J.B., "Victor Capoul". In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Early life Capoul was born in Toulouse on 27 February 1839. Career Victor Capoul began his studies in Toulouse. He was admitted to the Conservatoire de Paris in 1859, where, as a pupil of Révial (singing) and Mocker (opéra comique), he won a first prize for the latter in 1861. He was engaged at the Opéra-Comique the same year and made his debut on 26 August as Daniel in Adolphe Adam's ''Le Chalet''. He sang other roles in the repertoire such as in ''La fille du régiment'', '' La part du diable'', '' La dame blanche'', ''Le pré aux clercs'' and '' L'étoile du nord'', until leaving in 1870. He also created the roles of Renaud in Lefébure-Wély's 1861 opera ''Les Recrut ...
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Opéra De Rennes
The Opéra de Rennes (Rennes Opera House) is an Italian-style opera house located in downtown Rennes, France. It was designed by Charles Millardet and built by Pierre Louise. It was inaugurated in 1836. It is located on Place de la Mairie, forming the main eastern side of the square opposite the town hall. Today, the building mainly hosts opera performances and organizes a number of local events, such as the "Opéra en plein air". It has been listed as a historic monument since October 29, 1975. References

Opera houses in France Buildings and structures in Rennes 1836 establishments in France {{opera-stub ...
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Carpentras
Carpentras (, formerly ; Provençal dialect, Provençal Occitan language, Occitan: ''Carpentràs'' in classical norm or ''Carpentras'' in Mistralian norm; ) is a Communes of France, commune in the Vaucluse Departments of France, department in the Provence-Alpes-Côte d'Azur Regions of France, region in southeastern France. As capital of the Comtat Venaissin, it was frequently the residence of the Avignon papacy, Avignon popes; the Papal States retained possession of the Venaissin until the French Revolution. Nowadays, Carpentras is a commercial center for Comtat Venaissin and is famous for the Truffle, black truffle markets held from winter to early spring. Carpentras briefly held France's all-time high-temperature record, during the June 2019 European heat wave, heatwave of June 2019. History Classical antiquity Carpentras was a commercial site used by Greece, Greek merchants in ancient times, and known to Romans at first as Carpentoracte Meminorum, mentioned by Pliny the Eld ...
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Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien (river), Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the Ronacher. History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Wolfgang Amadeus Mozart, Mozart's libretto, librettist and collaborator on the opera ''Th ...
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Eduard Hanslick
Eduard Hanslick (11 September 18256 August 1904) was an Austrian music critic, aesthetician and historian. Among the leading critics of his time, he was the chief music critic of the '' Neue Freie Presse'' from 1864 until the end of his life. His best known work, the 1854 treatise ''Vom Musikalisch-Schönen'' (''On the Musically Beautiful''), was a landmark in the aesthetics of music and outlines much of his artistic and philosophical beliefs on music. Hanslick was a conservative critic and championed absolute music over programmatic music for much of his career. As such, he sided with and promoted the faction of Robert Schumann and Johannes Brahms in the so-called " War of the Romantics", often deriding the works of composers such as Franz Liszt and Richard Wagner. Life and career Eduard Hanslick was born in Prague (then in the Austrian Empire), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupi ...
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Jean-Christophe Keck
Jean-Christophe Keck is a French musicologist and conductor, born in Briançon, in 1964. He is particularly noted as a specialist in the works of Jacques Offenbach, and is the director of the complete critical edition in progress, named after both, Offenbach Edition Keck (OEK).Keck, Jean-Christophe. Biographical note in CD 442 8964, Association des Concerts Pasdeloup/Universal, 2007. Biography As a child he played tuba in the Briançon town bandUne tranche de Keck? ''Lyre'' #02 Lettre d'information des Musiciens du Louvre, Grenoble, March–April–May 2006, p6-7. and after early studies at the école de musique de Briançon he attended for two years the Conservatoire de Marseille before entering the Conservatoire national supérieur de musique de Paris. There he followed courses in conducting with Jean-Sébastien Bérault, musicology and composition with Pierre Villette, vocal studies (tenor) with Christiane Eda-Pierre, and piano. He was struck early by a passion for the musi ...
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The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon-Théâtre de l'Europe, Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which Hector Salomon had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his han ...
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