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Ezio Flagello
Ezio Domenico Flagello (January 28, 1931 – March 19, 2009) was born in New York City to Italian Americans. He sang at the Metropolitan Opera from 1957 to 1984; a bass particularly associated with the Italian repertory. Career Flagello first studied at the Manhattan School of Musicwhere he was a pupil of Friedrich Schorr and John Brownleeand then at the Santa Cecilia Conservatory, Rome, with Luigi Ricci. Flagello made his professional debut at the Empire State Festival, in Ellenville, New York in 1955, as Dulcamara in '' L'elisir d'amore''. He made his Metropolitan Opera debut on November 9, 1957, as the Jailer in ''Tosca''. Four days later, as a last minute replacement, he sang Leporello in Don Giovanni. He quickly became a favorite with the audience in comic roles, such as Bartolo in ''The Barber of Seville'' and Dulcamara in ''Elisir d'amore'', though he also excelled in more lyrical and dramatic repertory. In his 27 seasons with the company, he sang, notably, Rodolfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Americans
Italian Americans ( it, italoamericani or ''italo-americani'', ) are Americans who have full or partial Italian ancestry. The largest concentrations of Italian Americans are in the urban Northeast and industrial Midwestern metropolitan areas, with significant communities also residing in many other major US metropolitan areas. Between 1820 and 2004 approximately 5.5 million Italians migrated from Italy to the United States, in several distinct waves, with the greatest number arriving in the 20th century from Southern Italy. Initially, many Italian immigrants (usually single men), so-called “birds of passage”, sent remittance back to their families in Italy and, eventually, returned to Italy; however, many other immigrants eventually stayed in the United States, creating the large Italian-American communities that exist today. In 1870, prior to the large wave of Italian immigrants to the United States, there were fewer than 25,000 Italian immigrants in America, many of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatiana Troyanos
Tatiana Troyanos (September 12, 1938 – August 21, 1993) was an American mezzo-soprano of Greek and German descent, remembered as "one of the defining singers of her generation" (''Boston Globe''). Her voice, "a paradoxical voice — larger than life yet intensely human, brilliant yet warm, lyric yet dramatic" — "was the kind you recognize after one bar, and never forget", wrote Cori Ellison in ''Opera News''.Ellison, Cori"Tatiana Troyanos: 1938-1993" ''Opera News'', vol. 58, no. 5, November 1993. Troyanos' performances "covered the full range of operatic history" (''New York Times'') in an international career of three decades which also produced a variety of memorable operatic recordings, among them ''Carmen'' (co-starring Plácido Domingo and conducted by Georg Solti), cited by ''Classicalite'' almost four decades later as "the finest of all ''Carmen''s." After ten years based at the Hamburg State Opera, Troyanos became widely known for her work with the Metropolitan O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leontyne Price
Mary Violet Leontyne Price (born February 10, 1927) is an American soprano who was the first African Americans, African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a Prima donna, leading performer. She regularly appeared at the world's major opera houses, the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala, the last at which she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's ''Aida''. Born in Laurel, Mississippi, Price attended Central State University and then Juilliard, where she had her operatic debut as Mistress Ford in Verdi's ''Falstaff (opera), Falstaff''. Having heard the performance, Virgil Thomson engaged her in ''Four Saints in Three Acts'' and she then toured—starring alongside her husband William Warfield—in a successful rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln Center
Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 million visitors annually. It houses internationally renowned performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, and the Juilliard School. History Planning A consortium of civic leaders and others, led by and under the initiative of philanthropist John D. Rockefeller III, built Lincoln Center as part of the "Lincoln Square Renewal Project" during Robert Moses's program of New York's urban renewal in the 1950s and 1960s."Rockefeller Philanthropy: Lincoln Center" ( |
Antony And Cleopatra (opera)
''Antony and Cleopatra'', Op. 40, is an opera in three acts by American composer Samuel Barber. The libretto was prepared by Franco Zeffirelli. It was based on the play '' Antony and Cleopatra'' by William Shakespeare and made use of Shakespeare's language exclusively. The opera was first performed on September 16, 1966, commissioned for the opening of the new Metropolitan Opera House in Lincoln Center for the Performing Arts in New York City. After an unsuccessful premiere, the opera was extensively revised by Barber and Gian Carlo Menotti into an edition first performed in 1975. Performance history For the world premiere—also the opening of the new Metropolitan Opera House—no expense was spared, with the creative team including Zeffirelli himself directing and designing the production. The team included revolutionary choreographer Alvin Ailey, conductor Thomas Schippers, and a top rate cast headed by Leontyne Price as Cleopatra. Condensing Shakespeare's text from five ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the '' Cello Concerto'' (1945) and '' Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Forza Del Destino
' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, with a scene adapted from Friedrich Schiller's '' Wallensteins Lager'' (''Wallenstein's Camp''). It was first performed in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia, on 29 November 1862 O.S. (N.S. 10 November). ' is frequently performed, and there have been a number of complete recordings. In addition, the overture (to the revised version of the opera) is part of the standard repertoire for orchestras, often played as the opening piece at concerts. Performance history Revisions After its premiere in Russia, ''La forza'' underwent some revisions and made its debut abroad with performances in Rome in 1863 under the title ''Don Alvaro''. Performances followed in Madrid (with the Duke of Rivas, the play's author, in attend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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