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Eric Mottram
Eric Mottram (29 December 1924 – 16 January 1995) was a British teacher, critic, editor and poet who was one of the central figures in the British Poetry Revival. Early life and education Mottram was born in London and educated at Purley Grammar School, Croydon, and Blackpool Grammar School, Lancashire. In 1943, he was awarded a scholarship to Pembroke College, Cambridge, but opted to serve in the Royal Navy instead, only taking up the scholarship in 1947. He graduated with honours in 1950, obtaining a first in both parts of the English Literature, Life and Thought tripos (Double First). M.A. in 1951. Over the following decade, Mottram travelled extensively and worked as a lecturer at the University of Zurich Switzerland (1951–52), University of Malaya in Singapore (1952–55), and as Professor at the University of Groningen, Netherlands (1955–60). King's College London In 1960, Mottram returned to London and took a post as Lecturer in English and American Literature at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Poetry Revival
"The British Poetry Revival" is the general name given to a loose poetry movement in Britain that took place in the 1960s and 1970s. The revival was a modernist-inspired reaction to the Movement's more conservative approach to British poetry. The poets included an older generation - Bob Cobbing, Paula Claire, Tom Raworth, Eric Mottram, Jeff Nuttall, Andrew Crozier, Lee Harwood, Allen Fisher, Iain Sinclair—and a younger generation: Paul Buck, Bill Griffiths, John Hall, John James, Gilbert Adair, Lawrence Upton, Peter Finch, Ulli Freer, Ken Edwards, Robert Gavin Hampson, Gavin Selerie, Frances Presley, Elaine Randell, Robert Sheppard, Adrian Clarke, Clive Fencott, Maggie O'Sullivan, Cris Cheek, Tony Lopez and Denise Riley. Beginnings If the Movement poets looked to Thomas Hardy as a poetic model, the poets associated with the British Poetry Revival were more likely to look to modernist models, such as the American poets Ezra Pound, William Carlos Williams and Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Carlos Williams
William Carlos Williams (September 17, 1883 – March 4, 1963) was an American poet, writer, and physician closely associated with modernism and imagism. In addition to his writing, Williams had a long career as a physician practicing both pediatrics and general medicine. He was affiliated with Passaic General Hospital, where he served as the hospital's chief of pediatrics from 1924 until his death. The hospital, which is now known as St. Mary's General Hospital, paid tribute to Williams with a memorial plaque that states "We walk the wards that Williams walked". Life and career Williams was born in Rutherford, New Jersey, in 1883. His father, William George Williams, was born in England but raised from the age of 5 in the Dominican Republic; his mother, Raquel Hélène Hoheb, from Mayagüez, Puerto Rico, was of French extraction. Scholars note that the Caribbean culture of the family home had an important influence on Williams. Jeffrey Herlihy-Mera observes, "English was not h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basil Bunting
Basil Cheesman Bunting (1 March 1900 – 17 April 1985) was a British modernist poet whose reputation was established with the publication of '' Briggflatts'' in 1966, generally regarded as one of the major achievements of the modernist tradition in English. He had a lifelong interest in music that led him to emphasise the sonic qualities of poetry, particularly the importance of reading poetry aloud: he was an accomplished reader of his own work.Schmidt, Michael, ''Lives of the Poets'', Weidenfeld & Nicolson, 1998. Life and career Born into a Quaker family in Scotswood-on-Tyne, near Newcastle-on-Tyne, he studied at two Quaker schools: from 1912 to 1916 at Ackworth School in the West Riding of Yorkshire and from 1916 to 1918 at Leighton Park School in Berkshire. His Quaker education strongly influenced his pacifist opposition to the First World War, and in 1918 he was arrested as a conscientious objector having been refused recognition by the tribunals and refusing to comply wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage
Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an Assemblage (art), assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) A collage may sometimes include Clipping (publications), magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term ''Papier collé'' was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art. History Early precedents Techniques of collage were first used at the time of the Paperm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cut-up Technique
The cut-up technique (or ''découpé'' in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William S. Burroughs. It has since been used in a wide variety of contexts. Technique The cut-up and the closely associated fold-in are the two main techniques: *''Cut-up'' is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, ''TO MAKE A DADAIST POEM''. *''Fold-in'' is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting page, such as in ''The Third Mind''. It is a joi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Poetry
Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning. The resulting poem can be defined as either treated: changed in a profound and systematic manner; or untreated: virtually unchanged from the order, syntax and meaning of the poem. Concepts The concept of found poetry is closely connected to the revision of the concept of authorship, in the 20th century, (as John Hollander put it, "anyone may 'find' a text; the poet is he who names it, 'Text). See Charles Reznikoff's ''Testimony'', whose source material was courtroom testimonies from the Gilded Age, and whose many iterations were aimed at debunking a national U.S. narrative that denied the country's violent, discriminatory past. Types of common forms and practices of found poetry include free form excerpting and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry Of The United States
American poetry refers to the poetry of the United States. It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies (although a strong oral tradition often likened to poetry already existed among Native American societies). Unsurprisingly, most of the early colonists' work relied on contemporary English models of poetic form, diction, and theme. However, in the 19th century, a distinctive American idiom began to emerge. By the later part of that century, when Walt Whitman was winning an enthusiastic audience abroad, poets from the United States had begun to take their place at the forefront of the English-language ''avant-garde''. Much of the American poetry published between 1910 and 1945 remains lost in the pages of small circulation political periodicals, particularly the ones on the far left, destroyed by librarians during the 1950s McCarthy era. Modernist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medievalism
Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles of popular culture. Since the 17th century, a variety of movements have used the medieval period as a model or inspiration for creative activity, including Romanticism, the Gothic revival, the pre-Raphaelite and arts and crafts movements, and neo-medievalism (a term often used interchangeably with ''medievalism''). Renaissance to Enlightenment In the 1330s, Petrarch expressed the view that European culture had stagnated and drifted into what he called the "''Dark Ages''", since the fall of Rome in the fifth century, owing to among other things, the loss of many classical Latin texts and to the corruption of the language in contemporary discourse. Scholars of the Renaissance believed that they lived in a new age that broke f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writers Forum
Writers Forum is a small publisher, workshop and writers' network established by Bob Cobbing. The roots of Writers Forum were in the 1954 arts organisation Group H, and the ''And'' magazine that Cobbing edited. The writers' branch of Group H was called Writers Forum. In 1963 a press with the publishing imprint "Writers Forum" was begun and administered by Cobbing, John Rowan and Jeff Nuttall. Between 1963 and 2002 Writers' Forum published more than one thousand pamphlets and books including works by John Cage, Allen Ginsberg, Brion Gysin, and P. J. O'Rourke, as well as a wide range of British Poetry Revival modernist poets, such as Eric Mottram, Bill Griffiths, Geraldine Monk, Maggie O'Sullivan, Paula Claire and Sean Bonney. While publishing was integral to the Cobbing-led workshop, it also provided an opportunity for poets to read their works in a supportive and non-critical environment. After Cobbing's death Writers Forum was directed by Lawrence Upton and Adrian Clarke until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Cobbing
Bob Cobbing (30 July 1920 – 29 September 2002) was a British sound, visual, concrete and performance poet who was a central figure in the British Poetry Revival. Early life Cobbing was born in Enfield and grew up within the Plymouth Brethren. He attended Enfield Grammar School and then trained as an accountant. He later went to Bognor Training College to become a teacher. During the Second World War, he was a conscientious objector. Early involvement with poetry and performance His involvement with performance began with the Hendon Experimental Art Club and the Hendon-based magazine ''And'' in 1951. This led to his setting up Writers Forum, which began publishing in 1963. In 1964 he published ''ABC in Sound'', a book that combined his interest in sound and concrete poetry in an exploration of the visual and auditory possibilities of the English alphabet. Better Books He left teaching around this time and managed Better Books on Charing Cross Road, London. Better Books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Duncan (poet)
Robert Edward Duncan (January 7, 1919 – February 3, 1988) was an American poet and a devotee of Hilda "H.D." Doolittle and the Western esoteric tradition who spent most of his career in and around San Francisco. Though associated with any number of literary traditions and schools, Duncan is often identified with the poets of the New American Poetry and Black Mountain College. Duncan saw his work as emerging especially from the tradition of Pound, Williams and Lawrence. Duncan was a key figure in the San Francisco Renaissance. Overview Not only a poet, but also a public intellectual, Duncan's presence was felt across many facets of popular culture. His name is prominent in the history of pre- Stonewall gay culture and in the emergence of bohemian socialist communities of the 1930s and '40s, in the Beat Generation, and also in the cultural and political upheaval of the 1960s, influencing occult and gnostic circles of the time. During the later part of his life, Duncan's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Generation
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration. Allen Ginsberg's '' Howl'' (1956), William S. Burroughs' '' Naked Lunch'' (1959), and Jack Kerouac's '' On the Road'' (1957) are among the best known examples of Beat literature.Charters (1992) ''The Portable Beat Reader''. Both ''Howl'' and ''Naked Lunch'' were the focus of obscenity trials that ultimately helped to liberalize publishing in the United States.Ann Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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