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Elsie Morison
Elsie Jean Morison AM (15 August 1924 – 5 April 2016) was an Australian operatic soprano. Early life Morison was born in Ballarat, Victoria, to Alexander and Elsie Morison. As a child and teenager, she was interested in piano; however, her mother, who was a singing teacher, encouraged her in her vocal studies. Morison was educated at Clarendon Presbyterian Ladies College, followed by the Albert Street Conservatorium in Melbourne from 1943 to 1945. Her teachers included Clive Carey, a visiting lecturer from England, with whom she continued studies at the Royal College of Music in London from 1947 to 1948. Career Morison won the Dame Nellie Melba Scholarship in 1943, and the Queen's Prize at the Royal College of Music in 1947. She made her English concert debut at the Royal Albert Hall in Handel's '' Acis and Galatea'' in 1948 and that autumn joined Sadler's Wells Opera, appearing regularly there until 1954. She sang Anne Trulove in the first British staging of Stra ...
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Elsie Morison Of Ballarat
Elsie may refer to: People and fictional characters * Elsie (given name), a list of people and fictional characters * Lily Elsie (1886–1952), English actress and singer born Elsie Hodder * Robert Elsie (1950–2017), Canadian expert in Albanian culture and affairs * Hahm Eun-jung (born 1988), South Korean singer and actress known professional as Elsie, a member of T-ara Places United States * Elsie, Kentucky, an unincorporated community * Elsie, Michigan, a village * Elsie, Nebraska, village * Lake Elsie, in North Dakota Canada * Elsie Island, Nunavut * Elsie Lake, in British Columbia Music * ''Elsie'' (album), the 2011 début album by The Horrible Crowes * ''Elsie'' (musical) ** "Elsie", a song from ''Elsie'' (musical) Other uses * USS ''Elsie III'' (SP-708), a United States Navy patrol vessel in commission from 1917 to 1919, later USC&G ''Elsie III'', a United States Coast and Geodetic Survey ship from 1919 to 1944 * Elsie (robot), an autonomous robot built by Will ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Welsh National Opera
Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by ''The New York Times'' as "one of the finest operatic ensembles in Europe". For most of its existence the company lacked a permanent base in Cardiff, but in 2004 it moved into the new Wales Millennium Centre, Cardiff Bay. The company tours nationally and internationally, giving more than 120 performances annually, with a repertoire of eight operas each year, to a combined audience of more than 150,000 people. Its most frequent venues other than Cardiff are Llandudno in Wales and Bristol, Birmingham, Liverpool, Milton Keynes, Oxfo ...
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Menna
The ancient Egyptian official named Menna carried a number of titles associated with the agricultural estates of the temple of Karnak and the king. Information about Menna comes primarily from his richly decorated tomb ( TT 69) in the necropolis of Sheikh Abd al-Qurna at Thebes. Though his tomb has traditionally been dated to the reign of Thutmose IV, stylistic analysis of the decoration places the majority of construction and decoration of the tomb to the reign of Amenhotep III. Titles Menna was unique for the 18th Dynasty because he carried titles associated with both temple and palace administration. Though the pharaoh technically owned both temple and palace agricultural estates, administration of these institutions was traditionally separated. Egyptologist Dr. Melinda Hartwig argues that the high cost of Amenhotep III’s ambitious building projects resulted in a consolidation of temple and royal grain administration in order to pay the workers Amenhotep III utilized ...
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Arwel Hughes
Arwel Hughes OBE (25 August 1909 – 23 September 1988) was a Welsh orchestral conductor and composer. Life and career Hughes was born in Rhosllannerchrugog near Wrexham and was educated at Ruabon Grammar School and at the Royal College of Music, where he studied with Ralph Vaughan Williams and C. H. Kitson. Following his studies at the RCM he became organist at the church of St Philip and St James, Oxford, and in 1935 returned to Wales to join the staff of the BBC's music department. His duties included a great deal of conducting, and he used his position to champion the music of compatriots such as Grace Williams, David Wynne, and Alun Hoddinott; arguably to the detriment of his own musical legacy as a composer, though as a part of his role he was also called upon to compose, arrange and orchestrate music for live radio broadcasts. Hughes became Head of Music at BBC Wales in 1965, holding the post until his retirement in 1971. He was appointed OBE in 1969 for his se ...
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Dialogues Of The Carmelites
' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language version took place in Paris on 21 June 1957. The United States première, in English, followed in San Francisco in September 1957. Development Bernanos had been hired in 1947 to write the dialogue for a film screenplay, through Raymond-Léopold Bruckberger and the scenario writer Ph ...
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Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ...
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The Bartered Bride
''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second ...
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The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ...
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