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Effect Of Reality
The effect of reality (french: effet de réel) is a textual device identified by Roland Barthes, the purpose of which was to establish literary texts as realistic. History Barthes first suggested this concept in his 1968 essay "The Reality Effect," in which he argues that untheorized descriptive "residues" of the text produce effects of reality through their dissembling of the tripartite sign. In the absence of any signified, Barthes argues, the textual signifiers for "real" objects had for their actual signifieds only the concept of realism itself; further, Barthes suggested that the origins of this textual device came through the development of an "aesthetic finality of language" present in the use of the rhetorical device of ecphrasis in "Alexandrian neo-rhetoric of the second century" (''The Reality Effect'' in Barthes 1989). Barthes also showed that this ''effect of reality'' was a key problem of historical analysis and writing in that historical writing proclaimed an unprobl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Barthes
Roland Gérard Barthes (; ; 12 November 1915 – 26 March 1980) was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popular culture. His ideas explored a diverse range of fields and influenced the development of many schools of theory, including structuralism, anthropology, literary theory, and post-structuralism. Barthes is perhaps best known for his 1957 essay collection ''Mythologies'', which contained reflections on popular culture, and 1967 essay "The Death of the Author," which critiqued traditional approaches in literary criticism. During his academic career he was primarily associated with the École des Hautes Études en Sciences Sociales (EHESS) and the Collège de France. Biography Early life Roland Barthes was born on 12 November 1915 in the town of Cherbourg in Normandy. His father, naval officer Louis Barthes, was killed in a battle during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Realism
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature (Stendhal) and Russian literature (Alexander Pushkin). Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences. Background Broadly defined as "the representation of reality", realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in large part a matter of technique and training, and the avoidance of stylization. In the visual arts, illusionistic realism is the accurate depiction of lifeforms, perspective, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecphrasis
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ''ek'' and φράσις ''phrásis'', 'out' and 'speak' respectively, and the verb ἐκφράζειν ''ekphrázein'', 'to proclaim or call an inanimate object by name'. The works of art described, or evoked, may be real or imagined; sometimes it is now hard to tell. Ancient ekphrastic writing can be useful evidence for art historians, especially where paintings are concerned, as virtually no original Greco-Roman examples survive. Ekphrasis has been consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Ankersmit
Franklin Rudolf Ankersmit (born 20 March 1945, Deventer, Netherlands) is professor of intellectual history and historical theory at the University of Groningen. Ankersmit, member of the family of textile manufacturers Ankersmit, initially studied physics and mathematics in Leiden for three years and then did his military service. He next studied both history and philosophy at the University of Groningen. In 1981 he took his doctoral degree at that same University with a dissertation entitled ''Narrative Logic: A Semantic Analysis of the Historian’s Language''. In 1986 he was elected member of the Royal Netherlands Academy of Arts and Sciences (''KNAW''). He is founder and was until 2017 chief editor of the ''Journal of the Philosophy of History'' promoting a strictly philosophical approach to the reflection on the writing of history. In 1992 he was appointed full professor for intellectual history and philosophy of history at the University of Groningen. His main interests, apar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discursive Psychology
Discursive psychology (DP) is a form of discourse analysis that focuses on psychological themes in talk, text, and images. As a counter to mainstream psychology's treatment of discourse as a "mirror" for people's expressions of thoughts, intentions, motives, etc., DP's founders made the case for picturing it instead as a "construction yard" wherein all such presumptively prior and independent notions of thought and so on were built from linguistic materials, topicalised and, in various less direct ways, handled and managed. Here, the study of the psychological implies commitment not to the inner life of the mind, but rather, to the written and spoken practices within which people invoked, implicitly or explicitly, notions precisely like "the inner life of the mind". Discursive psychology therefore starts with psychological phenomena as things that are constructed, attended to, and understood in interaction. An evaluation, say, may be constructed using particular phrases and idioms, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Potter
Jonathan Potter (born 8 June 1956) is Dean of the School of Communication and Information at Rutgers University and one of the originators of discursive psychology. Life Jonathan Potter was born in Ashford, Kent, and spent most of his childhood in the village of Laughton, East Sussex; his father was a school teacher and his mother was a batik artist. He went to School in Lewes and then on to a degree in Psychology at the University of Liverpool in 1974 where he was exposed to the radical politics of the city, became (briefly) interested in alternative therapies, and responded to the traditional British empirical psychology that was the mainstay of the Liverpool psychology degree programme at the time. He read the work of John Shotter, Kenneth Gergen and Rom Harré and became excited by the so-called crisis in social psychology. This critical work led him to a master's degree in philosophy of science at the University of Surrey where he worked on speech act theory and had a fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historiography
Historiography is the study of the methods of historians in developing history as an academic discipline, and by extension is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic using particular sources, techniques, and theoretical approaches. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, that of WWII, the British Empire, early Islam, and China—and different approaches and genres, such as political history and social history. Beginning in the nineteenth century, with the development of academic history, there developed a body of historiographic literature. The extent to which historians are influenced by their own groups and loyalties—such as to their nation state—remains a debated question. In the ancient world, chronological annals were produced in civilizations such as ancient Egypt and Mesopotamia. However, the discipline of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
