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Edward A. Shanken
Edward A. Shanken (born 1964) is an American art historian, whose work focuses on the entwinement of art, science and technology, with a focus on experimental new media art and visual culture. Shanken is Professor, Arts Division, at UC Santa Cruz. His scholarship has appeared in numerous journals and anthologies and has been translated into many languages. Shanken is the author of ''Art and Electronic Media'' (Phaidon Press, 2009), among other titles. Background Edward A. Shanken graduated from Haverford College (1986) and then obtained an MA (1999) and Ph.D. (2001) in Art History from Duke University after receiving an MBA from Yale University in 1990. He was the executive director of the Information Science Information Studies program (ISIS) at Duke University from 2001 to 2004. From 2004 to 2007 Shanken was Professor of Art History and Media Theory at Savannah College of Art and Design and Senior Researcher at the UCLA Art , Science Center and Visiting Scholar at the Californ ...
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Technology
Technology is the application of knowledge to reach practical goals in a specifiable and reproducible way. The word ''technology'' may also mean the product of such an endeavor. The use of technology is widely prevalent in medicine, science, industry, communication, transportation, and daily life. Technologies include physical objects like utensils or machines and intangible tools such as software. Many technological advancements have led to societal changes. The earliest known technology is the stone tool, used in the prehistoric era, followed by fire use, which contributed to the growth of the human brain and the development of language in the Ice Age. The invention of the wheel in the Bronze Age enabled wider travel and the creation of more complex machines. Recent technological developments, including the printing press, the telephone, and the Internet have lowered communication barriers and ushered in the knowledge economy. While technology contributes to econom ...
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Cybernetics
Cybernetics is a wide-ranging field concerned with circular causality, such as feedback, in regulatory and purposive systems. Cybernetics is named after an example of circular causal feedback, that of steering a ship, where the helmsperson maintains a steady course in a changing environment by adjusting their steering in continual response to the effect it is observed as having. Cybernetics is concerned with circular causal processes such as steering however they are embodied,Ashby, W. R. (1956). An introduction to cybernetics. London: Chapman & Hall, p. 1. including in ecological, technological, biological, cognitive, and social systems, and in the context of practical activities such as designing, learning, managing, conversation, and the practice of cybernetics itself. Cybernetics' transdisciplinary and "antidisciplinary" character has meant that it intersects with a number of other fields, leading to it having both wide influence and diverse interpretations. Cybernetics ...
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Information Age
The Information Age (also known as the Computer Age, Digital Age, Silicon Age, or New Media Age) is a historical period that began in the mid-20th century. It is characterized by a rapid shift from traditional industries, as established during the Industrial Revolution, to an economy centered on information technology. The onset of the Information Age has been linked to the development of the transistor in 1947, the optical amplifier in 1957, and Unix time, which began on January 1, 1970 and serves as the basis for Coordinated Universal Time and the Network Time Protocol. These technological advances have had a significant impact on the way information is processed and transmitted. According to the United Nations Public Administration Network, the Information Age was formed by capitalizing on computer microminiaturization advances, which led to modernized information systems and internet communications as the driving force of social evolution. Overview of early development ...
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University Of California Press
The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by faculty of the University of California, established 25 years earlier in 1868, and has been officially headquartered at the university's flagship campus in Berkeley, California, since its inception. As the non-profit publishing arm of the University of California system, the UC Press is fully subsidized by the university and the State of California. A third of its authors are faculty members of the university. The press publishes over 250 new books and almost four dozen multi-issue journals annually, in the humanities, social sciences, and natural sciences, and maintains approximately 4,000 book titles in print. It is also the digital publisher of Collabra and Luminos open access (OA) initiatives. The University of California Press publishes in ...
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Roy Ascott
Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott has been a practitioner of interactive computer art, electronic art, cybernetic art and telematic art. Ascott exhibits internationally (including the Biennales of Venice and Shanghai), and is collected by Tate Britain and Arts Council England. He is recognised by Ars Electronica as the "visionary pioneer of media art", and widely seen as a radical innovator in arts education and research, having occupied leading academic roles in England, Europe, North America, and China, and is currently leading his Technoetic Arts studio in Shanghai, and directing the Planetary Collegium. In 2018 he became the subject of ''Cybernetics & Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cybersemiotics'' entitled "A Tribute to the Mess ...
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Savannah College Of Art And Design
Savannah College of Art and Design (SCAD) is a private nonprofit art school with locations in Savannah, Georgia; Atlanta, Georgia; and Lacoste, France. Founded in 1978 to provide degrees in programs not yet offered in the southeast of the United States, the university now operates two locations in Georgia, a degree-granting online education program, and a study abroad location in Lacoste, France. The university enrolls more than 14,000 students from across the United States and around the world with international students comprising up to 17 percent of the student population. SCAD is accredited by the Southern Association of Colleges and Schools Commission on Colleges and other professional accrediting bodies. History Richard G. Rowan, Paula S. Wallace, May L. Poetter and Paul E. Poetter legally incorporated the Savannah College of Art and Design September 29, 1978. In September 1979, the university first began offering classes with four staff members, seven faculty members, ...
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Rhode Island School Of Design
The Rhode Island School of Design (RISD , pronounced "Riz-D") is a private art and design school in Providence, Rhode Island. The school was founded as a coeducational institution in 1877 by Helen Adelia Rowe Metcalf, who sought to increase the accessibility of design education to women. Today, RISD offers bachelor's and master's degree programs across 19 majors and enrolls approximately 2,000 undergraduate and 500 graduate students. The Rhode Island School of Design Museum—which houses the school's art and design collections—is one of the largest college art museums in the United States. The Rhode Island School of Design is affiliated with Brown University, whose campus sits immediately adjacent to RISD's on Providence's College Hill. The two institutions share social and community resources and since 1900 have permitted cross-registration. Together, RISD and Brown offer dual degree programs at the graduate and undergraduate levels. As of 2022, RISD alumni have received ...
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Web 2
Web 2.0 (also known as participative (or participatory) web and social web) refers to websites that emphasize user-generated content, ease of use, participatory culture and interoperability (i.e., compatibility with other products, systems, and devices) for end users. The term was coined by Darcy DiNucci in 1999 and later popularized by Tim O'Reilly and Dale Dougherty at the first Web 2.0 Conference in 2004. Although the term mimics the numbering of software versions, it does not denote a formal change in the nature of the World Wide Web, but merely describes a general change that occurred during this period as interactive websites proliferated and came to overshadow the older, more static websites of the original Web. A Web 2.0 website allows users to interact and collaborate with each other through social media dialogue as creators of user-generated content in a virtual community. This contrasts the first generation of Web 1.0-era websites where people were limited to vie ...
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Peter Weibel
Peter Weibel (; born 5 March 1944 in Odessa, USSR) is an internationally known Austrian post-conceptual artist, curator and new media theoretician. He started out in 1964 as a visual poet but soon jumped from the page to the screen within the sense of post-structuralist methodology. Thanks to this linguistic input into his visual media works, Weibel developed a critical impulse that turned against society and the media, while investigating virtual reality and other digital art forms. Since 1999 he has been director of the ZKM Center for Art and Media Karlsruhe. Biography Raised in Upper Austria he started to study French and cinematography in Paris. In 1964 he began to study medicine in Vienna, but changed soon to mathematics, with an emphasis on logic. Peter Weibel’s oeuvre belong in the following categories: conceptual art, performance, experimental film, video art and computer art. Starting in 1965 from semiotic and linguistic reflections (Austin, Jakobson, Peirce, Wittg ...
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Nicolas Bourriaud
Nicolas Bourriaud (born 1965) is a curator and art critic, who has curated a great number of exhibitions and biennials all over the world. With Jérôme Sans, Bourriaud cofounded the Palais de Tokyo in Paris, where he served as codirector from 1999 to 2006. He was the Paris correspondent for ''Flash Art'' (1987–1995) and the founder and director of the contemporary art magazine ''Documents sur l'art'' (1992–2000). Bourriaud was the Gulbenkian curator of contemporary art from 2007 to 2010 at Tate Britain in London. In 2009 he curated the fourth Tate Triennial, titled Altermodern. He was the Director of the École Nationale Supérieure des Beaux-Arts, an art school in Paris, France, from 2011 to 2015. In 2015 Bourriaud was appointed director of the La Panacée art centre (a.k.a. MO.CO.PANACÉE) and the director of the Contemporary Art Center of Montpellier, France (aka MO.CO.). Writing Bourriaud is best known among English speakers for his publications ''Relational Aesthetics'' ...
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Leonardo (journal)
''Leonardo'' is a peer-reviewed academic journal published by the MIT Press covering the application of contemporary science and technology to the arts and music. History ''Leonardo'' journal was established in 1968 by artist and scientist Frank Malina in Paris, France. ''Leonardo'' has published writings by artists who work with science- and technology-based art media for 50 years. Journal operations were moved to the San Francisco Bay Area by Frank's son Roger Malina, an astronomer and space scientist, who took over operations of the journal upon Frank Malina's death in 1981. In 1982, the International Society for the Arts Sciences and Technology (Leonardo/ISAST) was founded to further the aims of ''Leonardo'' by providing avenues of communication for artists working in contemporary media. The society also publishes ''Leonardo Music Journal'', the ''Leonardo Electronic Almanac'', ''Leonardo Reviews'', and the ''Leonardo Book Series''. All publications are produced in collabor ...
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Editing
Editing is the process of selecting and preparing written, photographic, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organisation, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods. There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product for its final release. The smaller the publication, the more these roles overlap. The top editor ...
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