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Eupolis
Eupolis (; 446 411 BC) was an Athenian poet of the Old Comedy, who flourished during the time of the Peloponnesian War. Biography Very little is known about Eupolis' life. His father was named Sosipolis. There are few sources on when he first appeared on the stage. A short history of Greek Comedy, written by an anonymous writer of antiquity, reported that Eupolis first produced a play in the year when Apollodorus was the Eponymous archon, which would be 430/429 BC. The same source claims Phrynichus also had his debut that year. However, the Chronicon of Eusebius of Caesarea places Eupolis' debut in 428–27 BC and adds that Aristophanes also produced a play that year. This is the version preserved in the Latin translation by Jerome. But the Armenian translation places the event in 427/426 BC. Cyril of Alexandria placed the debut of Eupolis at some point between 428 and 424 BC, and placed the debuts of Aristophanes and Plato the comic poet during that same period. George Sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspasia
Aspasia (; ; after 428 BC) was a ''metic'' woman in Classical Athens. Born in Miletus, she moved to Athens and began a relationship with the statesman Pericles, with whom she had a son named Pericles the Younger. According to the traditional historical narrative, she worked as a courtesan and was tried for ''asebeia'' (impiety), though modern scholars have questioned the factual basis for either of these claims, which both derive from ancient comedy. Though Aspasia is one of the best-attested women from the Greco-Roman world, and the most important woman in the history of fifth-century Athens, almost nothing is certain about her life. Aspasia was portrayed in Old Comedy as a Prostitution, prostitute and madam, and in ancient philosophy as a teacher and rhetorician. She has continued to be a subject of both visual and literary artists until the present. From the twentieth century, she has been portrayed as both a sexualised and sexually liberated woman, and as a feminist role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Comedy
Ancient Greek comedy () was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC. The philosopher Aristotle wrote in his '' Poetics'' (c. 335 BC) that comedy is a representation of l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperbolus
Hyperbolus (, ''Hyperbolos''; died 412/411 BC) was an Athenian politician active during the first half of the Peloponnesian war, coming to particular prominence after the death of Cleon. In 416 or 415 BC, he was the last Athenian to be ostracised. Life A fragment of a document by 4th-century BC Greek historian Theopompus suggests that Hyperbolus was the son of Chremes, but surviving ostraka prove that his father's name was actually Antiphanes. Some ancient sources claim that Hyperbolus was from a slave family, though the fact that his father had a Greek name makes this unlikely. Hyperbolus was a demagogue, and an allusion in Aristophanes' play '' The Knights'' suggests that he, like Cleon (another demagogue of the late fifth century), supported an ambitious Athenian foreign policy. The precise details of his political career are unknown, but he seems to have been a member of the boule and possibly a trierarch. Hyperbolus was a frequent target of the authors of Old Come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysia
The Dionysia (; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were processions and sacrifices in honor of Dionysus, the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. Rural Dionysia Origins The Dionysia was originally a rural festival in Eleutherae, Attica ( – ''Dionysia ta kat' agrous''), celebrating the cultivation of vines. Archaeological evidence suggests that theatres for the Rural Dionysia had been constructed as early as the 6th century BCE , but the festival is generally believed to have been celebrated even before that. This "rural Dionysia" was held during the winter, in the month of Poseideon (the month straddling the winter solstice, i.e., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Callias III
Callias (, known as Callias III to distinguish him from his grandfather and great-great-grandfather) was an ancient Athenian aristocrat and political figure. He was the son of Hipponicus and an unnamed woman (she later married Pericles), an Alcmaeonid and the third member of one of the most distinguished Athenian families to bear the name of Callias. He was regarded as infamous for his extravagance and profligacy. He apparently inherited his family's fortune in 424 BC. In 371 BC, he was one of the Athenian envoys sent to Sparta to negotiate peace. He is said to have spent his family's enormous wealth on sophists, flatterers, and women, and to have died in poverty. He is a character in several Socratic dialogues: Plato's '' Protagoras'' and Xenophon's '' Symposium '' are set at his house, and he featured in Aeschines of Sphettus's lost ''Aspasia''. Life Callias' family was unusually wealthy: the major part of their fortune came from the leasing of large numbers of slave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Knights
''The Knights'' ( ''Hippeîs''; Attic: ) was the fourth play written by Aristophanes, who is considered the master of Old Comedy. The play is a satire on the social and political life of classical Athens during the Peloponnesian War, and in this respect it is typical of all the dramatist's early plays. It is unique, however, in the relatively small number of its characters, and this was due to its vitriolic preoccupation with one man, the pro-war populist Cleon. Cleon had prosecuted Aristophanes for slandering the polis with an earlier play, ''The Babylonians'' (426 BC), for which the young dramatist had promised revenge in '' The Acharnians'' (425 BC), and it was in ''The Knights'' (424 BC) that his revenge was exacted. ''The Knights'' won first prize at the Lenaia festival when it was produced in 424 BC. Plot ''The Knights'' is a satire on political and social life in 5th-century BC Athens. The characters are drawn from real life, and Cleon is clearly intended to be the villa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clouds
''The Clouds'' (, ''Nephelai'') is a Greek comedy play written by the playwright Aristophanes. A lampooning of intellectual fashions in classical Athens, it was originally produced at the City Dionysia in 423BC and was not as well received as the author had hoped, coming last of the three plays competing at the festival that year. It was revised between 420 and 417BC and was thereafter circulated in manuscript form. No copy of the original production survives, and scholarly analysis indicates that the revised version is an incomplete form of Old Comedy. This incompleteness, however, is not obvious in translations and modern performances. Retrospectively, ''The Clouds'' can be considered the world's first extant "comedy of ideas" and is considered by literary critics to be among the finest examples of the genre. The play also, however, remains notorious for its caricature of Socrates, and is cited by Plato in the ''Apology'' as a contributing factor to the philosopher's trial a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; ; ) was an Ancient Greece, Ancient Greek Ancient Greek comedy, comic playwright from Classical Athens, Athens. He wrote in total forty plays, of which eleven survive virtually complete today. The majority of his surviving plays belong to the genre of comic drama known as Old Comedy and are considered its most valuable examples. Aristophanes' plays were performed at the religious festivals of Athens, mostly the City Dionysia and the Lenaia, and several of them won the first prize in their respective competitions. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes wrote plays that often dealt with real-life figures, including Euripides and Alcibiades, and contemporary events, such as the Peloponnesian War. He has been said to recreate the life of ancient Athens more convincingly than any other author. His plays are characterized by preposterous premises, explicit language, wordplays, and political satire. His powers of ridicule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peace (play)
''Peace'' ( ''Eirḗnē'') is an Athenian Old Comedy written and produced by the Greek playwright Aristophanes. It won second prize at the City Dionysia where it was staged just a few days before the validation of Peace of Nicias, which promised to end the ten-year-old Peloponnesian War, in 421 BC. The play is notable for its joyous anticipation of peace and for its celebration of a return to an idyllic life in the countryside. However, it also sounds a note of caution, there is bitterness in the acknowledgment of lost opportunities, and the ending is not happy for everyone. As in all of Aristophanes' plays, the jokes are numerous, the action is wildly absurd and the satire is savage. Cleon, the pro-war populist leader of Athens, is once again a target for the author's wit, even though he had died in the Battle of Amphipolis just a few months earlier. Plot Short summary: Trygaeus, a middle-aged Athenian, miraculously brings about a peaceful end to the Peloponnesian War, thereby e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parabasis
In Greek comedy, the parabasis (plural parabases; , plural: ) is a point in the play when all of the actors leave the stage and the chorus is left to address the audience directly. The chorus partially or completely abandons its dramatic role, to step forward (parabasis) and talk to the audience on a topic completely irrelevant to the subject of the play. Structure A parabasis usually consists of three songs (S) alternating with three speeches (s) (or recitatives) in the order S-s-S-s-S-s. The first speech, or parabasis proper - generally in anapaest - often ends with a passage which is to be rattled off very quickly (theoretically in one breath - called a ''πνῖγος – pnigos''). Examples *In ''The Knights'', we find Aristophanes offers a survey of the Athenian comic tradition, thereby enhancing his own role: “if one of the old comic poets had tried to force us Knights to address the public in the parabasis he wouldn’t have got away with so lightly. But this time the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plagiarism
Plagiarism is the representation of another person's language, thoughts, ideas, or expressions as one's own original work.From the 1995 ''Random House Dictionary of the English Language, Random House Compact Unabridged Dictionary'': use or close imitation of the language and thoughts of another author and the representation of them as one's own original work qtd. in From the Oxford English Dictionary: The action or practice of taking someone else's work, idea, etc., and passing it off as one's own; literary theft. Although precise definitions vary depending on the institution, in many countries and cultures plagiarism is considered a violation of academic integrity and journalistic ethics, as well as of social norms around learning, teaching, research, fairness, respect, and responsibility. As such, a person or Legal Entity, entity that is determined to have committed plagiarism is often subject to various punishments or sanctions, such as Suspension (punishment), suspension, Expul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ephebos
''Ephebos'' (; pl. ''epheboi'', ), latinized as ephebus (pl. ephebi) and anglicised as ephebe (pl. ephebes), is a term for a male adolescent in Ancient Greece. The term was particularly used to denote one who was doing military training and preparing to become an adult. From about 335 BC, ephebes from Athens (aged between 18–20) underwent two years of military training under supervision, during which time they were exempt from civic duties and deprived of most civic rights. During the 3rd century BC, ephebic service ceased to be compulsory and its time was reduced to one year. By the 1st century BC, the ''ephebia'' became an institution reserved for wealthy individuals and, besides military training, it also included philosophic and literary studies. History Though the word ''ephebos'' (from ''epi'' "upon" + '' hebe'' "youth", "early manhood") can simply refer to the adolescent age of young men of training age, its main use is for the members, exclusively from that age grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
