Eugène Leterrier
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Eugène Leterrier
Eugène Leterrier (; 1843 – 22 December 1884 in Paris) was a French librettist. Leterrier worked at the Hôtel de Ville in Paris but then turned to the theatre. He mainly collaborated in writing libretti with Albert Vanloo. Their working relationship was productive and stress-free. In collaboration with Vanloo success first came with ''Giroflé-Girofla'' and ''La petite mariée'' for Lecocq. The pair went on to provide libretti for Potier, Jacob, de Villebichet, Offenbach, Chabrier, Lacome and Messager. Chabrier was particularly pleased with the honest and hard work he enjoyed with the librettists for his first staged works.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. List of libretti With Albert Vanloo *''Giroflé-Girofla'' (1874) *'' La petite mariée'' for Lecocq (1875) *''Le voyage dans la lune'' (1875) *'' La Marjolaine'' for Lecocq (1877) *'' L'étoile'' (1877) *'' La Camargo'' for Lecocq (1878) *'' Une éducation manquée'' (1879) *''La jolie Persane'' for Leco ...
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Leterrier
Leterrier is a surname. Notable people with the surname include: * Catherine Leterrier (born 1942), French costume designer * Eugène Leterrier (1843–1884), French librettist * François Leterrier (1929–2020), French film director and actor * Louis Leterrier Louis Leterrier (; born 17 June 1973) is a French film and television director. Best known for his work in action films, he directed the first two '' Transporter'' films (2002–2005), '' The Incredible Hulk'' (2008), '' Clash of the Titans'' (2 ...
(born 1973), French film director {{surname ...
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Le Jour Et La Nuit (opera)
''Le jour et la nuit'' (, ''Day and Night'') is an opéra-bouffe with a libretto by Albert Vanloo and Eugène Leterrier and music by Charles Lecocq. It was first performed in Paris in 1881, ran for 193 performances and was subsequently staged at other theatres in Europe, North America and Australia. It has not remained in the regular international operatic repertoire. The opera depicts the confused events and various assumed identities surrounding the wedding night of a Portuguese aristocrat. Background and first performances Since ''La fille de Madame Angot'' (1872), Lecocq had been successful throughout the 1870s in what the critic Robert Pourvoyeur calls "the same elegantly risqué mould – the wedding night more or less thwarted".Pourvoyeur, Robert"Jour et la nuit (Le)" ''Opérette – Théâtre musical'', Académie Nationale de l'Opérette. Retrieved 28 October 2018 A list of the gross takings of productions in Paris during the two decades from 1870, published in 1891, showe ...
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