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Erakeswara Temple, Pillalamarri
Erakeswara Temple is a Saivite Hindu temple located in the western side of Pillalamarri village, Suryapet district of Telangana, India. The temple was built on the banks of the Musi river in by Erakasani, the wife of Bēti Reddi of the Recherla family who were the feudatories of Kakatiyas. Erakeswara Temple is one among the four prominent and intricately carved stone and granite temples located in Pillalamarri village—the other three are about 250 metres east of the Erakeswara temple. These include the double temples next to each other: Parvati-Mahadeva Nameswara Temple and Trikuteshwara Temple (both Shiva); and the third being the Chennakeshava Temple (Vishnu) in ruins that is a few hundred feet southwest of the double temples. They are all from 12th to early 13th century period. Location Pillalamarri is located at a distance of 8 km northwest of Suryapet town, off highway 65. Suryapet is located at a distance of 153 km from Hyderabad on the National Highway 65. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suryapet
Suryapet is a city in the Indian state of Telangana. It is a municipality and the headquarters of its eponymous district. The Government of India announced Suryapet to be developed under the Atal Mission for Rejuvenation and Urban Transformation ( AMRUT) scheme. Suryapet has been awarded the "Cleanest city" in South India by the Ministry of Urban development in Swachh Survekshan 2017. It is also known as "Gateway of Telangana". It is located about east of the state capital, Hyderabad and also it is located about West of Vijayawada. Etymology Previously Suryapet is known as Bhanupuri, which is modernized into the name Suryapet. People also call the town as Suryapeta. Geography Suryapet or Suriapet is located at . It has an area of . History Chalukyas, Kakatiyas, and Nizam dynasties ruled this region. Climate Under the Köppen climate classification, Suryapet experiences Tropical Wet and Dry Climate. The annual mean temperature is 36 °C. Monthly mean te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghulam Yazdani
Ghulam Yazdani, OBE (22 March 1885 – 13 November 1962) was an Indian archaeologist who was one of the founders of the Archaeological Department during the colonial era reign of Nizam of Hyderabad. He also edited the Arabic and Persian Supplement of ''Epigraphia Indica'' from 1913 to 1940. He was instrumental in surveying and documenting Islamic, Buddhist, Hindu and Jain sites in the Hyderabad state, including major mosques in the region, the caves at Ajanta, Ellora caves, Alampur group of temples, Ramappa Temple, Bidar fort, and Daulatabad Fort, among many others. Yazdani led archaeological surveys were periodically published as ''Annual Reports of the Archaeological Department of His Exalted Highness the Nizam's Dominions''. Early life and career Yazdani was born on 22 March 1885 in Delhi. He was educated under Rev. J. Godfrey F. Day and C.F. Andrews. The young Yazdani was also trained under Maulavi Mohammad Ishaq and Shamsul Ulama Maulavi Nazeer Ahmad. In 1903, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva Temples In Telangana
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the '' sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' ('' pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikhara
''Shikhara'' ( IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the '' garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called '' gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *'' Latina''. The ''shikhara'' has four faces, which may incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cruciform
Cruciform is a term for physical manifestations resembling a common cross or Christian cross. The label can be extended to architectural shapes, biology, art, and design. Cruciform architectural plan Christian churches are commonly described as having a cruciform architecture. In Early Christian, Byzantine and other Eastern Orthodox forms of church architecture this is likely to mean a tetraconch plan, a Greek cross, with arms of equal length or, later, a cross-in-square plan. In the Western churches, a cruciform architecture usually, though not exclusively, means a church built with the layout developed in Gothic architecture. This layout comprises the following: *An east end, containing an altar and often with an elaborate, decorated window, through which light will shine in the early part of the day. *A west end, which sometimes contains a baptismal font, being a large decorated bowl, in which water can be firstly, blessed (dedicated to the use and purposes of God) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kota Gullu
Ghanpur temples, popularly known as Kota Gullu, are a group of 12th century stone temples that are located in Ghanpur near Warangal in Telangana, India. They are located 9 km northwest of the more famous Ramappa Temple in Palampet. History Kota Gullu were constructed by King Ganapatideva, the king of Kakatiya dynasty who ruled during the period of 1199–1260 AD. It suffered major damage either through the attacks from the Muslim armies between 14th and 16th centuries CE, or through a major earthquake in the region in 17th century CE. Architecture Kota Gullu comprises about 22 temples, all varying in size and design that exhibits the marvelous architectural work by Kakatiyas. Temples are constructed within a double-walled stone enclosure. Of all these temples, the main temple, dedicated to Lord Shiva, is the most admirable. There is yet another temple that is dedicated to Shiva, to the north of the main temple, that has the same appearance. The other shrine of the temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramappa Temple
Ramappa Temple, also known as the Rudreshwara temple, is a Kakatiya style Hindu temple dedicated to the god Shiva, located in Telangana, India. It is from Mulugu, from Warangal, from Hyderabad. An inscription in the temple says it was constructed in the year by Recharla Rudra alias Recharla Rudri Reddi- a General of Kakatiya ruler Ganapati Deva 1199–1262. Located in the vicinity of Ramappa Lake, the Ramappa Temple complex which consist of three temples was constructed between 1212 and 1234, designed and architect by Ramappa—after whom the temple complex is named. Marco Polo, during his visit to the Kakatiya empire, supposedly called the temple "the brightest star in the galaxy of temples". Ramappa Temple stands majestically on a high star-shaped platform. The hall in front of the sanctum has numerous carved pillars that have been positioned to create an effect that combines light and space wonderfully. The temple is named after the sculptor Ramappa, who built it, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shudra
Shudra or ''Shoodra'' (Sanskrit: ') is one of the four ''Varna (Hinduism), varnas'' of the Hindu caste system and social order in ancient India. Various sources translate it into English as a caste, or alternatively as a social class. Theoretically, class serving other three classes. The word caste comes from the Portuguese word casta. The word ''Shudra'' appears in the ''Rig Veda'' and it is found in other Hindu texts such as the ''Manusmriti'', ''Arthashastra'', ''Dharmashastras'' and ''Jyotish#Zodiac, Jyotishshastra''. In some cases, shudras participated in the coronation of kings, or were Minister (government), ministers and kings according to early Indian texts. History Vedas The term ''śūdra'' appears only once in the ''Rigveda''. This mention is found in the mythical story of creation embodied in the ''Purusha Sukta ("The Hymn of Man").'' It describes the formation of the four varnas from the body of a Purusha, primeval man. It states that the brahmin emerged from h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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