Epitasis
In classical drama, the epitasis () is the main action of a play, in which the trials and tribulations of the main character increase and build toward a climax and dénouement. It is the third and central part when a play is analyzed into five separate parts: prologue, protasis, epitasis, catastasis and catastrophe. In modern dramatic theory, the dramatic arc is often referred to, which uses somewhat different divisions but is substantially the same concept overall. External links "Epitasis"definition by Merriam-Webster Merriam-Webster, Incorporated is an list of companies of the United States by state, American company that publishes reference work, reference books and is mostly known for Webster's Dictionary, its dictionaries. It is the oldest dictionary pub ... Drama Ancient Greek theatre {{drama-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Catastasis
In classical tragedies, the catastasis (pl. ''catastases'') is the fourth part of an ancient drama, in which the intrigue or action that was initiated in the epitasis, is supported and heightened, until ready to be unravelled in the catastrophe. It also refers to the climax of a drama. In rhetoric, the catastasis is that part of a speech, usually the exordium, in which the orator sets forth the subject matter to be discussed. The term is not a classical one; it was invented by Scaliger in his ''Poetics'' (published posthumously in 1561). It "is more or less equivalent to the ''summa epitasis'' of Donatus and Latomus and to what Willichius sometimes called the ''extrema epitasis''," and was first used in 1616 in England.Frank N. Magill, ''Critical Survey of Literary Theory: Authors, A-Sw'' (Salem Press, 1987: ), p. 1284. See also Apocatastasis In theology, apokatastasis (, also spelled apocatastasis) is the restoration of creation to a condition of perfection. In Christian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Protasis
In drama, a protasis is the introductory part of a play, usually its first act. The term was coined by the fourth-century Roman grammarian Aelius Donatus. He defined a play as being made up of three separate parts, the other two being epitasis and catastrophe. In modern dramatic theory Dramatic theory attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. Dramatic theory is studied as part of theatre studies. Drama creates a sensory impre ... the term dramatic arc has substantially the same meaning, though with slightly different divisions. References Drama Ancient Greek theatre {{drama-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Catastrophe (drama)
In drama, particularly the tragedies of classical antiquity, the ''catastrophe'' is the final resolution in a poem or narrative plot, which unravels the intrigue and brings the piece to a close. In comedies, this may be a marriage between main characters; in tragedies, it may be the death of one or more main characters. It is the final part of a play, following the protasis, epitasis, and catastasis. The catastrophe is either simple or complex, for which also the fable and action are denominated. In a simple catastrophe, there is no change in the state of the main characters, nor any discovery or unravelling; the plot being only a mere passage out of agitation, to quiet and repose. This catastrophe is rather accommodated to the nature of the epic poem, than of the tragedy. In a complex catastrophe, the main character undergoes a change of fortune, sometimes by means of a discovery, and sometimes without. The qualifications of this change are that it be probable and necessary: in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theatre Of Ancient Greece
A Theatre, theatrical culture flourished in ancient Greece from 700 BC. At its centre was the Polis, city-state of Classical Athens, Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Greek tragedy, Tragedy (late 500 BC), Ancient Greek comedy, comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Etymology The word , from which the word "tragedy" is derived, is a compound (linguistics), compound of two Greek language, Greek words: or "goat" and meaning "song", from . This etymology indicates a link with th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prologue
A prologue or prolog (from Ancient Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "speech") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek word πρόλογος includes the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek tragedy#Structure, Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dramatic Theory
Dramatic theory attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. Dramatic theory is studied as part of theatre studies. Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry and epics, which evoke imagination in the reader. Dramatic theory was already discussed in the Antiquities p.e. by Aristotle (Poetics (Aristotle), ''Poetics'') in Ancient Greek and Bharata Muni (''Natyasastra'') in Ancient India. Some tried to systematize existent plays based on common traits or to justify them compared to other types of plays. Others created schemes for future plays for them to accomplish political or ethical aims or simply as a guide to create good plays. Modern dramatic theory is based on the idea that drama is a plurimedial form of art. Therefore, a drama cannot be completely comprehended from the text alone. Understanding requir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dramatic Structure
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture. In a play or work of theatre especially, this can be called dramatic structure, which is presented in audiovisual form. Story structure can vary by culture and by location. The following is an overview of various story structures and components that might be considered. Definition Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. Story structures can vary culture to culture and throughout history. The same named story stru ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Merriam-Webster
Merriam-Webster, Incorporated is an list of companies of the United States by state, American company that publishes reference work, reference books and is mostly known for Webster's Dictionary, its dictionaries. It is the oldest dictionary publisher in the United States. In 1831, George Merriam, George and Charles Merriam founded the company as G & C Merriam Co. in Springfield, Massachusetts. In 1843, after Noah Webster died, the company bought the rights to ''Webster's Dictionary#Noah Webster's American Dictionary of the English Language, An American Dictionary of the English Language'' from Webster's estate. All Merriam-Webster dictionaries trace their lineage to this source. In 1964, Encyclopædia Britannica, Inc., acquired Merriam-Webster, Inc., as a subsidiary. The company adopted its current name, Merriam-Webster, Incorporated, in 1982. History 19th century In 1806, Webster published his first dictionary, s:A Compendious Dictionary of the English Language, ''A Compen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drama
Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''Play (theatre), play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |