|
Envelope Generator
In sound and music, an envelope describes how a sound changes over time. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. An envelope may relate to elements such as amplitude (volume), frequency (with the use of filters) or pitch. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). Envelope generators Development The envelope generator was created by the American engineer Robert Moog, the creator of the Moog synthesizer, in the 1960s. The composer Herbert Deutsch suggested Moog find a way to articulate his synthesizer so notes did not simply trigger on and off. Moog wired a doorbell button to the synthesizer and used a capacitor to store and slowly release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound
In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequency, frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges, allowing some to even hear ultrasounds. Definition Sound is defined as "(a) Oscillation in pressure, stress, particle displacement, particle velocity, etc., propagated in a medium with internal forces (e.g., elastic or viscous), or the superposition of such propagated oscillation. (b) Auditory sen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia-Princeton Electronic Music Center
The Computer Music Center (CMC) at Columbia University is the oldest center for electronic and computer music research in the United States. It was founded in the 1950s as the Columbia-Princeton Electronic Music Center. Location The CMC is housed in Prentis Hall, 632 West 125th Street, New York City, across the street from Columbia's 17-acre Manhattanville campus. The facility consists of a large graduate research facility specializing in computer music and multimedia research, as well as composition and recording studios for student use. Projects to come out of the CMC since the 1990s include: * ArtBots * dorkbot * PeRColate * Real-Time Cmix The director of the CMC is Seth Cluett, and the CMC offers classes taught by George E. Lewis, Seth Cluett, David Soldier, Anna Meadors, and Ben Holtzman, as well as visiting faculty who give seminars every year. In collaboration with the Visual Arts Program in the Columbia University School of the Arts, the Computer Music Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envelope Detector
An envelope detector (sometimes called a peak detector) is an electronic circuit that takes a (relatively) high-frequency signal as input and outputs the '' envelope'' of the original signal. Diode detector A simple form of envelope detector used in detectors for early radios is the diode detector. Its output approximates a voltage-shifted version of the input's upper envelope. Between the circuit's input and output is a diode that performs half-wave rectification, allowing substantial current flow only when the input voltage is around a diode drop higher than the output terminal. The output is connected to a capacitor of value C and resistor of value R in parallel to ground. The capacitor is charged as the input voltage approaches its positive peaks. At other times, the capacitor is gradually discharged through the resistor. The resistor and capacitor form a 1st-order low pass filter, which attenuates higher frequencies at a rate of -6 dB per octave above its cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envelope (waves)
In physics and engineering, the envelope of an oscillating signal is a smooth curve outlining its extremes. The envelope thus generalizes the concept of a constant amplitude into an instantaneous amplitude. The figure illustrates a modulated sine wave varying between an ''upper envelope'' and a ''lower envelope''. The envelope function may be a function of time, space, angle, or indeed of any variable. In beating waves A common situation resulting in an envelope function in both space ''x'' and time ''t'' is the superposition of two waves of almost the same wavelength and frequency: : \begin F(x, \ t) & = \sin \left[ 2 \pi \left( \frac - ( f + \Delta f )t \right) \right] + \sin \left[ 2 \pi \left( \frac - ( f - \Delta f )t \right) \right] \\[6pt] & \approx 2\cos \left[ 2 \pi \left( \frac - \Delta f \ t \right) \right] \ \sin \left[ 2 \pi \left( \frac - f \ t \right) \right] \end which uses the trigonometric formula for the Trigonometric identity#Product-to-sum an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscillator Sync
Oscillator sync is a feature in some synthesizers with two or more VCOs, DCOs, or "virtual" oscillators. As one oscillator finishes a cycle, it resets the period of another oscillator, forcing the latter to have the same base frequency. This can produce a harmonically rich sound, the timbre of which can be altered by varying the synced oscillator's frequency. A synced oscillator that resets other oscillator(s) is called the leader; the oscillators which it resets are called followers. There are two common forms of oscillator sync which appear on synthesizers: Hard Sync and Soft Sync. According to ''Sound on Sound'' journalist Gordon Reid, oscillator sync is "one of the least understood facilities on any synthesizer". Hard Sync The leader oscillator's pitch is generated by user input (typically the synthesizer's keyboard), and is arbitrary. The follower oscillator's pitch may be tuned to (or detuned from) this frequency, or may remain constant. Every time the leader oscillator' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FL Studio
FL Studio (known as FruityLoops before 2003) is a digital audio workstation (DAW) developed by the Belgian company Image-Line. It features a graphical user interface with a pattern-based music sequencer. It is available in four different editions for Microsoft Windows and macOS. After their initial purchase, lifetime updates of the software are free to registered users. Image-Line also develops FL Studio Mobile for Android, iOS, macOS, and Universal Windows Platform devices. FL Studio can be used as either a Virtual Studio Technology (VST) or Audio Unit (AU) instrument in other audio workstation programs, and as a ReWire client. Image-Line offers its own VST and AU instruments and audio applications. FL Studio has been used by many notable hip hop and EDM producers, including 9th Wonder, Cardo, Basshunter, Metro Boomin, Hit-Boy, Porter Robinson, Alan Walker, Madeon, Soulja Boy, Southside, Martin Garrix, Avicii, Imanbek, Lex Luger, Deadmau5, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio Workstation
A digital audio workstation (DAW ) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly every other kind of complex recorded audio. History Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, Soundstream, who had made one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Software Synthesizers
A software synthesizer or softsynth is a computer program that generates digital audio, usually for music. Computer software that can create sounds or music is not new, but advances in processing speed now allow softsynths to accomplish the same tasks that previously required the dedicated hardware of a conventional synthesizer. Softsynths may be readily interfaced with other music software such as music sequencers typically in the context of a digital audio workstation. Softsynths are usually less expensive and can be more portable than dedicated hardware. Types Softsynths can cover a range of synthesis methods, including subtractive synthesis (including analog modeling, a subtype), FM synthesis (including the similar phase distortion synthesis), physical modelling synthesis, additive synthesis (including the related resynthesis), and sample-based synthesis. Many popular hardware synthesizers are no longer manufactured but have been emulated in software. The emulation can ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prophet '08
The Prophet '08 is a polyphonic analog synthesizer released by Dave Smith Instruments (DSI) in 2007. As with DSI's other instruments, the Prophet '08 uses analog subtractive synthesis. Similar in functionality to the renowned Sequential Circuits Prophet-5 popularized in the 1970s (also designed by Dave Smith), the Prophet '08 has an all analog signal path; however its envelopes are generated digitally. In 2017, the Prophet '08 was superseded by the Prophet Rev2, which is available in 8-voice and 16-voice versions as well as keyboard and module variants. The Prophet Rev2 added waveshape modulation, improved onboard effects, a sub oscillator and a polyphonic sequencer. Sound architecture The Prophet '08 is an eight-voice analog synthesizer featuring all-analog audio paths with digital parameter control. It offers three playing modes: uniform eight-voice, a split mode dividing the keyboard between two different sounds, and a stacked mode for layered four-voice textures. Each voi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Chip
A sound chip is an integrated circuit (chip) designed to produce audio signals through digital, analog or mixed-mode electronics. Sound chips are typically fabricated on metal–oxide–semiconductor (MOS) mixed-signal chips that process audio signals ( analog and digital signals, for both analog and digital data). They normally contain audio components such as oscillators, envelope controllers, samplers, filters, amplifiers, and envelope generators. History A number of sound synthesis methods for electronically producing sound were devised during the late 20th century. These include programmable sound generators (PSG), wavetable synthesis, and frequency modulation synthesis (FM synthesis). Such sound chips were widely used in arcade game system boards, video game consoles, home computers and digital synthesizers. Since the late-1990s, pulse-code modulation (PCM) sampling has been the standard for many sound chips, as used in the Intel High Definition Audio (IHD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
General Instrument AY-3-8910
The AY-3-8910 is a 3-voice programmable sound generator (PSG) designed by General Instrument (GI) in 1978, initially for use with their 16-bit computing, 16-bit General Instrument CP1600, CP1610 or one of the PIC microcontrollers, PIC1650 series of 8-bit computing, 8-bit microcomputers. The AY-3-8910 and its variants were used in many arcade games—Konami's ''Gyruss'' contains five—and Bally pinball machines as well as being the sound chip in the Intellivision and Vectrex video game consoles, and the Amstrad CPC, Oric-1, Colour Genie, Elektor TV Games Computer, MSX, Tiki 100 and later ZX Spectrum home computers. It was also used in the Mockingboard and Cricket sound cards for the Apple II and the Speech/Sound Cartridge for the TRS-80 Color Computer. After GI's spinoff of Microchip Technology in 1987, the chip was sold for a few years under the Microchip brand. It was also manufactured under license by Yamaha Corporation, Yamaha (with a selectable clock divider pin a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg MS-20
The Korg MS-20 is a patchable semi-modular monophonic analog synthesizer which Korg released in 1978 and which was in production until 1983. It was part of Korg's MS series of instruments, which also included the single oscillator MS-10, the keyboardless MS-50 module, the SQ-10 sequencer, and the VC-10 Vocoder. Additional devices included the MS-01 Foot Controller, MS-02 Interface, MS-03 Signal Processor, and MS-04 Modulation Pedal. Although the MS-20 follows a conventional subtractive synthesis architecture with oscillators, filter, and VCA, its patch panel allows some rerouting of both audio and modulation signals, alongside an external signal processor. This flexibility led to its resurgence during the analog revival of the late 1990s. In response to a revived interest in monophonic analog synthesizers, Korg has reintroduced the MS-20 in various formats: the scaled-down MS-20 Mini, unassembled desktop and full-sized versions, and, in 2020, a full-sized reissue known as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
