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Ensoniq EPS
The Ensoniq Performance Sampler (EPS) was one of the first few affordable samplers on the market. It was manufactured from 1988 to 1991 by Ensoniq in Malvern, Pennsylvania, US. The EPS is a 13-bit sampler and replaced the Mirage - widely regarded as the first truly affordable sampling keyboard. The EPS has a straightforward interface that is easy to use, with configurable controls geared for live performance. Because it has two processors, it can load and play up to eight instruments simultaneously (with another eight on reserve). The display is a 22-character, single-line vacuum fluorescent display. It boots from an integrated floppy disk drive (sourced from Sony or Matsushita), or from a SCSI drive connected to the expansion bay. The EPS has 256 Kwords of RAM on board. Ensoniq offered both a 2x (512 Kword) Memory Expander and a 4x (1 Mword) Memory Expander with SCSI interface. A company called Maartists offered both 4x and 8x memory expanders, allowing a total of 2 Mwords R ...
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Ensoniq
Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally Sampler (musical instrument), samplers and synthesizers. History In spring 1983, former MOS Technology engineers Robert Yannes, Robert "Bob" Yannes, Bruce Crockett, Charles Winterble, David Ziembicki, and Albert Charpentier formed Peripheral Visions. The team had designed the Commodore 64, and hoped to build another computer. To raise funds, Peripheral Visions agreed to build a computer keyboard for the Atari 2600, but the video game crash of 1983 canceled the project and Commodore sued the new company, claiming that it owned the keyboard project. Renaming itself as Ensoniq, the new company instead designed a music synthesizer. Ensoniq grew rapidly over the next few years with the success of the Mirage and the ESQ-1. The plant in Great Valley, Pennsylvania employed nearly 200 people and housed the manufacturing facility. A number of suc ...
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Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell (carillon), or activating an electronic circuit (synthesizer, digital piano, electronic keyboard). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the piano keyboard or simply piano keys. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale: C, D, E, F ...
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MIDI Instruments
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, Digital electronics, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's Pitch (music), pitch, timing and velocity. One common MIDI application is to play a MIDI Electronic keyboard, keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a Music sequencer, s ...
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Keyboard Instruments
A keyboard instrument is a musical instrument played using a keyboard, a row of levers that are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers and arrangers as well as work-stations. These keyboards typically work by translating the physical act of pressing keys into electrical signals that produce sound. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Modern keyboards, especially digital ones, can simulate a wide range of sou ...
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Synthesizers
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 19 ...
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Samplers (musical Instrument)
Sampler may refer to: * Sampler (signal), a digital signal processing device that converts a continuous signal to a discrete signal * Sampler (needlework), a handstitched piece of embroidery used to demonstrate skill in needlework * Sampler (surname) * A quilt where each block is constructed using a different pattern * Sampler, or hydrocarbon well logging, or mud logger * In sampling (medicine), the instrument used Music * Sampler (musical instrument), a device used to create digital recordings called samples * Sampler (Cardiacs album), ''Sampler'' (Cardiacs album), 1995 * Sampler (Cat Empire EP), ''Sampler'' (Cat Empire EP) * Sampler (Plumb EP), ''Sampler'' (Plumb EP) * Sampler album, a type of compilation album ** ''In Store Jam'', a promotional compilation by Jamiroquai See also

* Sample (other) * Sampling (other) {{disambiguation ...
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Ensoniq Synthesizers
Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally samplers and synthesizers. History In spring 1983, former MOS Technology engineers Robert "Bob" Yannes, Bruce Crockett, Charles Winterble, David Ziembicki, and Albert Charpentier formed Peripheral Visions. The team had designed the Commodore 64, and hoped to build another computer. To raise funds, Peripheral Visions agreed to build a computer keyboard for the Atari 2600, but the video game crash of 1983 canceled the project and Commodore sued the new company, claiming that it owned the keyboard project. Renaming itself as Ensoniq, the new company instead designed a music synthesizer. Ensoniq grew rapidly over the next few years with the success of the Mirage and the ESQ-1. The plant in Great Valley, Pennsylvania employed nearly 200 people and housed the manufacturing facility. A number of successful products followed which all includ ...
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Future Music
''Future Music'' (stylised as ''FutureMusic'') was a monthly music magazine, published by Future plc in the UK between 1992 and 2024. It was aimed primarily at record producers working in the electronic music field. ''Future Music'' included Computer hardware, hardware and software reviews, tutorials, royalty-free Sampling (music), samples and Loop (music), loops, and music by electronic artists. The magazine also had reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees included Aphex Twin, Grimes (musician), Grimes and Gary Numan, who appeared on the cover of the first issue. ''Future Music'' content was reprinted by outlets including ''The Fader'', ''Amiga Format'' and Loopmasters. The journalist and broadcaster Dave Haslam characterised ''Future Music'' as "a specialist mag for techno boffins". Matt Feeney in ''The Lance'' recognised the publication as one of the best within electronic music, saying that it was "int ...
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Palm Products GmbH
Palm Products Gesellschaft mit beschränkter Haftung, GmbH (commonly abbreviated to PPG) was a manufacturer of Synthesizer, audio synthesizers. Founded and owned by Wolfgang Palm, PPG was located in Hamburg, Germany and, for 12 years from around 1975 to 1987, manufactured an acclaimed and eclectic range of electronic musical instruments, all designed by Palm. Beginnings Wolfgang Palm was active as a keyboardist in bands in the Hamburg area before becoming aware of the then-burgeoning synthesizer market. Palm started his company in 1975. Although he had reportedly built many synthesizers on his own, his first commercially available synthesizer was a modular synthesizer, dubbed the 300 Series, which, despite being fairly sophisticated, failed to sell in large quantities. Motivated by his failure and inspired by the design of the popular Minimoog, Palm introduced the 1002 and 1020 synthesizers. Both were portable, Analog circuit, analog, Monophonic (synthesizers), monophonic, and ...
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Creative Technology
Creative Technology Ltd., or Creative Labs Pte Ltd., is a Singaporean multinational electronics company mainly dealing with Audio equipment, audio technologies and products such as speakers, headphones, sound cards and other digital media. Founded by Sim Wong Hoo, Creative was highly influential in the advancement of IBM PC–compatible, PC audio in the 1990s following the introduction of its Sound Blaster card and technologies; the company continues to develop Sound Blaster products including embedding them within partnered mainboard manufacturers and laptops. The company also has overseas offices in Shanghai, Tokyo, Dublin and the Silicon Valley. Creative Technology has been listed on the Singapore Exchange (SGX) since 1994. History 1981–1996 Creative Technology was founded in 1981 by childhood friends and Ngee Ann Polytechnic schoolmates Sim Wong Hoo and Ng Kai Wa. Originally a computer repair shop in Pearl's Centre in Chinatown, Singapore, Chinatown, the company event ...
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Optical Disc Drive
In computing, an optical disc drive (ODD) is a disc drive that uses laser light or electromagnetic waves within or near the visible light spectrum as part of the process of reading or writing data to or from optical discs. Some drives can only read from certain discs, while other drives can both read and record. Those drives are called burners or writers since they physically burn the data onto the discs. Compact discs, DVDs, and Blu-ray discs are common types of optical media which can be read and recorded by such drives. Although most laptop manufacturers no longer have optical drives bundled with their products, external drives are still available for purchase separately. Drive types Some drives can only read data where as others can both read data and write data to writable discs. Drives which can read but not write data are "-ROM" (read-only memory) drives, even if they can read from writable formats such as "-R" and "-RW". Some drives have mixed read and write capa ...
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Sampler (musical Instrument)
A sampler is an electronic musical instrument that records and plays back samples (portions of sound recordings). Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Samples may be loaded or recorded by the user or by a manufacturer. The samples can be played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums). Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation ...
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