Eizō Tanaka
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Eizō Tanaka
was an early Japanese film director, screenwriter, and actor. Life and career Tanaka initially trained as a stage actor in the shingeki movement under Kaoru Osanai, but eventually joined the Nikkatsu film studio in 1917. He debuted as a director in 1918 but mostly had to work with shinpa stories, not the ''shingeki'' techniques he was used to although two early films, ''The Living Corpse'' (''Ikeru shikabane'') and ''The Cherry Orchard'' (''Sakura no sono'') were based on Tolstoy and Chekhov respectively. Working in parallel with the Pure Film Movement, Tanaka made two films, '' Kyōya eirimise'' (1922) and '' Dokuro no mai'' (1923), based on his own screenplays, that were highly praised for their cinematic technique. He remained a rather conservative filmmaker and still used '' oyama'' (male actors) in female roles, including in his masterpiece ''Kyōya eirimise'', a melodrama about a merchant's destructive love for a geisha. He used actresses for the first time in ''Dokuro n ...
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Film Director
A film director or filmmaker is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that Goal, vision. The director has a key role in choosing the Casting (performing arts), cast members, production design and all the creative aspects of filmmaking in cooperation with the Film producer, producer. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, Film producer, producers, Film editing, film editors or actors. Other film directors have attended film school. Directors use different approaches. Some Outline (list), outline a general plotline and let the actors impro ...
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Kenji Mizoguchi
was a Japanese filmmaker who directed roughly one hundred films during his career between 1923 and 1956. His most acclaimed works include '' The Story of the Last Chrysanthemums'' (1939), '' The Life of Oharu'' (1952), '' Ugetsu'' (1953), and '' Sansho the Bailiff'' (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema. Biography Early years Mizoguchi was born in Hongō, Tokyo, as the second of three children, to Zentaro Miguchi, a roofing carpenter, and his wife Masa. The family's background was relatively humble until the father's failed business venture of selling raincoats to the Japanese troops during the Russo-Japanese War. The family was forced to move to the downtown district of Asakusa and gave Mizoguchi's older s ...
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Academic Staff Of Nihon University
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of tertiary education. The name traces back to Plato's school of philosophy, founded approximately 386 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. The Royal Spanish Academy defines academy as scientific, literary or artistic society established with public authority and as a teaching establishment, public or private, of a professional, artistic, technical or simply practical nature. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions ...
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