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Einstürzende Neubauten
(, 'Collapsing New Buildings') is a German experimental music group, formed in West Berlin in 1980. The band currently comprises founding members Blixa Bargeld (lead vocals, guitar, keyboard) and N.U. Unruh (custom-made instruments, percussion, vocals), plus Jochen Arbeit (guitar, vocals), and Rudolph Moser (custom-built instruments, percussion, vocals), who both joined the line-up in 1997. One of their trademarks is the use of custom-built instruments, predominantly made out of scrap metal and building tools, and noises, in addition to standard musical instruments. Their early albums were unremittingly harsh, with Bargeld's vocals shouted and screamed above a din of banging and scraping metal percussion. Subsequent recordings found the group's sound growing somewhat more conventional, yet still containing many unorthodox elements. History 1980s On 1 April 1980, made their first appearance, at the Moon Club in West Berlin. This first lineup featured Beate Bartel and Gudrun Gut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Berlin
West Berlin ( or , ) was a political enclave which comprised the western part of Berlin from 1948 until 1990, during the Cold War. Although West Berlin lacked any sovereignty and was under military occupation until German reunification in 1990, the territory was claimed by the West Germany, Federal Republic of Germany (FRG or West Germany), despite being entirely surrounded by the East Germany, German Democratic Republic (GDR or East Germany). The legality of this claim was contested by the Soviet Union and other Eastern Bloc countries. However, West Berlin de facto aligned itself politically with the FRG from May 1949 and was thereafter treated as a ''de facto'' city-state of that country. After 1949, it was directly or indirectly represented in the institutions of the FRG, and most of its residents were citizens of the FRG. West Berlin was formally controlled by the Western Allies and entirely surrounded by East Berlin and East Germany. West Berlin had great symbolic signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liaisons Dangereuses (band)
Liaisons Dangereuses was founded by Beate Bartel and Chrislo Haas together with vocalist Krishna Goineau in Düsseldorf, West Germany in 1981. Before the Liaisons Dangereuses trio, Chrislo Haas and Beate Bartel were in duo named CHBB. They released an eponymous album earlier the same year as the creation of Liaisons Dangereuses in 1981. A sort of premise before Krishna Goineau joined. As a part of the Neue Deutsche Welle scene (especially ''electropunk'') in Germany they pioneered EBM. After recording four ten-minute cassettes, they released their sole album in 1981. The self-titled album was mixed at Conny Plank's studio in Cologne. The group made several live appearances throughout 1981 and 1982 and were occasionally joined by Anita Lane and Hideto Sasaki. The album carried the single "Los Niños del Parque" that displayed a "step-sequenced" style that became an underground hit and has been cited by many prominent Chicago house and Detroit techno DJs as a crucial influence. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birthday Party (band)
The Birthday Party (originally known as the Boys Next Door) were an Australian post-punk band, active from 1977 to 1983. The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their 1981 single " Release the Bats" was particularly influential on the emerging gothic scene. Despite limited commercial success, the Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." In 1980, the Birthday Party moved from Melbourne to London, where they were championed by broadcaster John Peel. They subsequently released two albums: '' Prayers on Fire'' (1981) and '' Junkyard'' (1982). Disillusioned by their stay in London, the band's sound and live shows became increasingly violent. They broke up soon after relocating to West Berlin in 1982. The creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hansa Tonstudio
Hansa Tonstudio is a recording studio located in the Kreuzberg district of Berlin, Germany. The studio, famous for its Meistersaal recording hall, is situated approximately 150 metres from the former Berlin Wall, giving rise to its former nicknames of "Hansa Studio by the Wall" or "Hansa by the Wall". Today, Hansa Studios' fully-restored Meistersaal is used for recording, as well as for concerts and other events. History In 1962 brothers Peter and Thomas Meisel of Edition Meisel & Co. founded Hansa Musik Produktion company and the Hansa Records label. The label's name (and the name of the related recording studio) was inspired by the Hanseatic League, a medieval Northern European maritime trade network. Beginning in 1965, Hansa rented Ariola Records' production facilities at the historic Meistersaal located within the building at Köthener Straße 38. The company built its own recording studio at its offices in 1969, before establishing ''Hansa Studio I'' on Nestorstrasse in Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fad Gadget
Francis John Tovey (8 September 1956 – 3 April 2002), known also by his stage name Fad Gadget, was a British avant-garde electronic musician and vocalist. He was a proponent of both new wave and early industrial music, fusing pop-structured songs with mechanised experimentation. As Fad Gadget, his music was characterised by the use of synthesizers in conjunction with sounds of found objects, including drills and electric razors. His bleak, sarcastic and darkly humorous lyrics were filled with biting social commentary toward subjects such as machinery, industrialisation, consumerism, human sexuality, mass media, religion, domestic violence and dehumanization, often sung in a deadpan voice. Early years As a child, Frank Tovey lived in Bow. His father, Frank Tovey, Sr. was a porter in Billingsgate Fish Market. At school, Francis tried to learn many different musical instruments. He realised he did not have the co-ordination to be able to play any of them really well. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oswald Tschirtner
Oswald Tschirtner (1920 in Perchtoldsdorf, Lower Austria – 20 May 2007) was an artist from Austria who had schizophrenia. He was known by the "pseudonym" of O.T. Life Oswald Tschirtner was raised by an aunt and uncle in Vienna Vienna ( ; ; ) is the capital city, capital, List of largest cities in Austria, most populous city, and one of Federal states of Austria, nine federal states of Austria. It is Austria's primate city, with just over two million inhabitants. ..., and being very religious, attended a seminary school from the age of ten. He intended to become a priest, but was drafted into the German army in 1937. He fought at Stalingrad, and subsequently spent time in a prison camp in southern France. After the war, he was stricken by periods of religious fervor and violent episodes, and was sent to a psychiatric institute in 1947. In 1957, he was sent to the Klosterneuburg Hospital near Vienna, and it was there that he began to draw, albeit reluctantly, unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Navratil
Leo Navratil (3 July 1921 in Türnitz, Lower Austria – 18 September 2006 in Vienna) was an Austrian psychiatrist and author. He worked in the hospital in Gugging. He called the works, paintings, and texts of his patients " Zustandsgebundene Kunst" (state-bound art). To Navratil, patients make only in the acute stage of their mental illness artistically relevant works. These works have been exhibited in Berlin, Vienna, Salzburg and Heidelberg. Navratil supported the creativity of his patients and showed their works in the art context and published some of their texts. One of his best known artists is Oswald Tschirtner Oswald Tschirtner (1920 in Perchtoldsdorf, Lower Austria – 20 May 2007) was an artist from Austria who had schizophrenia. He was known by the "pseudonym" of O.T. Life Oswald Tschirtner was raised by an aunt and uncle in Vienna Vie ..., also known as ''O.T.'' Books * ''Die Federzeichnungen des Patienten O.T.'' (Munich, 1974) * ''Schizophrenie u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Object
A found object (a calque from the French ''objet trouvé''), or found art, is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. Pablo Picasso first publicly utilized the idea when he pasted a printed image of chair caning onto his painting titled '' Still Life with Chair Caning'' (1912). Marcel Duchamp is thought to have perfected the concept several years later when he made a series of readymades, consisting of completely unaltered everyday objects selected by Duchamp and designated as art. The most famous example is '' Fountain'' (1917), a standard urinal purchased from a hardware store and displayed on a pedestal, resting on its back. In its strictest sense the term "readymade" is applied exclusively to works produced by Marcel Duchamp, who borrowed the term from the clothing industry () while living in New York, and especially to works d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kollaps
''Kollaps'' is the first official LP by Einstürzende Neubauten, released in 1981 on German label ZickZack as #ZZ 65. The songs are a mixture of rough punk tunes as well as industrial noises obtained from self-made music machines, electronics, and found objects such as metal plates. The album was reissued in 2002 with ''Stahldubversions'', originally released in 1982. Blixa Bargeld, N.U. Unruh and F.M. Einheit appear on the album. "Jet'M" is a cover of the Serge Gainsbourg song " Je t'aime... moi non plus". Track 15 of many CD versions of the album is a live recording of "Negativ Nein" from 26 June 1987 at the Tempodrom in Berlin. Reception ''Trouser Press'' described ''Kollaps'' as "one of the most shocking visions ever committed to vinyl." The album is included in the book ''1001 Albums You Must Hear Before You Die''. Track listing # "Tanz Debil" (Debility Dance) – 3:19 # "Steh auf Berlin" (Wake Up Berlin) – 3:45 # "Negativ Nein" (Negative No) – 2:24 # "U-Haft-Muza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP (format)
The LP (from long playing or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records. Format advantages At the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
