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Edmond Audran
Achille Edmond Audran (12 April 184017 August 1901) was a French composer best known for several internationally successful comic operas and operettas. After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, ''Le grand mogol'' (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including ''Les noces d'Olivette'' (1879), ''La mascotte'' (1880), ''Gillette de Narbonne'' (1882), ''La cigale et la fourmi'' (1886), ''Miss Helyett (opera), Miss Helyett'' (1890) and ''La poupée'' (1896). Most of his works are now neglected, but ''La mascotte'' has been revived occasionally and has been recorded for the gramophone. Early life and career Audran was born in Lyon, the son of Marius-Pierre Audran (1816–87), who had a career as a tenor at the Opé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Jules Duprato
Jules Laurent Anacharsis Duprato (20 August 1827 – 20 May 1892) was a 19th-century French composer.Wagstaff 1992. Biography A student of Aimé Leborne at the Conservatoire de Paris, he won first prix de Rome, grand prix de Rome for musical composition in 1848.Pierre 1900p. 775 "Hinard (Jules-Laurent-Anacharsis Duprato)" After the success of his opéra comique ''Les Trovatelles'', performed at Salle Favart in 1854 and his operetta ''M'sieu Landry'', premiered at Théâtre des Bouffes-Parisiens in 1856, expectations were high for the young composer. His following works, however, including the operas ''La Déesse et le Berger'' (1863), ''La Fiancée de Corinthe'' (1867), and ''Le Cerisier'' (1874), rapidly fell into obscurity. He was appointed a professor of harmony at the conservatory in 1871.Pierre 1900p. 442 "Duprato (Jules-Laurent-Anacharsis)" He published several arrangements of ''La Marseillaise'', wrote music for male chorus and one symphony. His pupils included Robert P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Alfred Duru
Henri Alfred Duru (22 November 1829 – 28 December 1889) was a 19th-century French playwright and operetta librettist who collaborated on more than 40 librettos for the leading French composers of operetta:Alfred Duru. In: ''The New Grove Dictionary of Opera''. Macmillan, London & New York, 1997. Hervé, Offenbach, Lecocq and Audran. Biography His father was Jacques Denis Duru (Charonne, 1784 – Paris, 18 September 1863) and his mother Avoye Eugénie Leterrier (Villiers-le-Bel, 10 May 1790 – Paris, 26 January 1871), married in Paris on 29 July 1824. As a boy he was a classmate of his principal future literary collaborator, Henri Chivot. Duru was working as an engraver when in 1857, in collaboration with his friend from the same quartier, Henri Chivot, they wrote “L'Histoire d'un gilet”, a three-act drame-vaudeville.''Paris-capital : journal financier''. 8 January 1890, p2. The piece played at the Folies-Dramatiques of the Boulevard du Temple, and on 14 November 1857 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Henri Chivot
Henri Charles Chivot (; 13 November 1830 – 18 September 1897) was a French writer and playwright, mostly known as an operetta librettist. Biography Henri Chivot was born in Paris on 13 November 1830.O’Connor, Patrick"Chivot, Henri Charles" ''Grove Music Online'', Oxford University Press, 2002 He worked, successively, as a clerk, a lawyer, an employee of the Paris-Lyon-Mediterranean railway, and later the head of that company's Paris office."Theatres" ''Le Figaro'', 19 September 1897, p. 3 He wrote his first play in collaboration with – (A Trilogy of Trousers), a comic one-act |
Light Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to ''opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Mass (liturgy)
Mass is the main Eucharistic liturgical service in many forms of Western Christianity. The term ''Mass'' is commonly used in the Catholic Church, Western Rite Orthodoxy, Old Catholicism, and Independent Catholicism. The term is also used in many Lutheran churches, as well as in some Anglican churches, and on rare occasion by other Protestant churches. Other Christian denominations may employ terms such as '' Divine Service'' or '' worship service'' (and often just "service"), rather than the word ''Mass''. For the celebration of the Eucharist in Eastern Christianity, including Eastern Catholic Churches, other terms such as ''Divine Liturgy'', ''Holy Qurbana'', ''Holy Qurobo'' and ''Badarak'' (or ''Patarag'') are typically used instead. Etymology The English noun ''Mass'' is derived from the Middle Latin . The Latin word was adopted in Old English as (via a Vulgar Latin form ), and was sometimes glossed as ''sendnes'' (i.e. 'a sending, dismission'). The Latin term itself w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Provençal Dialect
Provençal (, , , ; or ) is a variety of Occitan, spoken by people in Provence and parts of Drôme and Gard. The term Provençal used to refer to the entire Occitan language, but more recently it has referred only to the variety of Occitan spoken in Provence. However, it can still be found being used to refer to Occitan as a whole, ''e.g.'' Merriam-Webster states that it can be used to refer to general Occitan, though this is going out of use. Provençal is also the customary name given to the older version of the Occitan language used by the troubadours of medieval literature, when Old French or the ' was limited to the northern areas of France. Thus, the ISO 639-3 code for Old Occitan is [pro]. In 2007, all the ISO 639-3 codes for Occitan dialects, including [prv] for Provençal, were retired and merged into [oci] Occitan. The old codes ([prv], [auv], [gsc], ms nc are no longer in active use, but still have the meaning assigned to them when they were established in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Meyer Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Wolfgang Amadeus Mozart, Mozart and Richard Wagner, Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard that helped to maintain Paris as the opera capital of the nineteenth century. Born to a wealthy Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera ''Il crociato in Egitto'' was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Comédie En Vaudevilles
The ''comédie en vaudevilles'' () was a theatrical entertainment which began in Paris towards the end of the 17th century, in which comedy was enlivened through lyrics using the melody of popular vaudeville (song), vaudeville songs.Barnes 2001. Evolution The annual fairs of Paris at St. Germain and St. Laurent had developed theatrical variety entertainments, with mixed plays, acrobatics, acrobatic displays, and pantomimes, typically featuring vaudevilles (see Théâtre de la foire). Gradually these features began to invade established theatres. The ''Querelle des Bouffons'' (War of the Clowns), a dispute amongst theatrical factions in Paris in the 1750s, in part reflects the rivalry of this form, as it evolved into ''opéra comique'', with the Italian ''opera buffa''. ''Comédie en vaudevilles'' also seems to have influenced the English ballad opera and the German Singspiel. Vaudeville final One feature of the ''comédie en vaudevilles'' which later found its way into opera w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
