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Edition (printmaking)
In printmaking, an edition is a number of prints struck from one plate, usually at the same time. This may be a ''limited edition'', with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an ''open edition'' limited only by the number that can be sold or produced before the plate wears. Most modern artists produce only limited editions, normally signed by the artist in pencil, and numbered as say 67/100 to show the unique number of that impression and the total edition size. Original or reproduction? An important and often confused distinction is that between editions of original prints, produced in the same medium as the artist worked (e.g., etching, or lithography), and reproduction prints (or paintings), which are photographic reproductions of the original work, essentially in the same category as a picture in a book or magazine, though better printed and on better paper. These may be marketed as "limit ...
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Printmaking
Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (Printer (computing), a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Prints are created by transferring ink from a Matrix (printing), matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates ...
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Intaglio (printmaking)
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally copper, or in recent times zinc, sheets called plates are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. The word "intaglio" describes prints created from plates where the ink-bearing regions are recessed beneath the plate's surface. Though brass, zinc, and other materials are occasionally utilized, copper is the most commo ...
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Printing Terminology
Printing is a process for mass reproducing text and Printmaking, images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing as applied to paper was woodblock printing, which appeared in China before 220 AD for cloth printing. However, it would not be applied to paper until the seventh century.Shelagh Vainker in Anne Farrer (ed), "Caves of the Thousand Buddhas", 1990, British Museum publications, Later developments in printing technology include the movable type invented by Bi Sheng around 1040 AD and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses. History Woodblock printing W ...
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Textual Scholarship
Textual scholarship (or textual studies) is an umbrella term for disciplines that deal with describing, transcribing, editing or annotating text (literary theory), texts and physical documents. Overview Textual research is mainly historically oriented. Textual scholars study, for instance, how writing practices and printing technology have developed, how a certain writer has written and revised his or her texts, how literary documents have been edited, the history of reading culture, as well as censorship and the authenticity of texts. The subjects, methods and theoretical backgrounds of textual research vary widely, but what they have in common is an interest in the genesis and derivation of texts and textual variation in these practices. Many textual scholars are interested in author intention while others seek to see how text is transmitted. Textual scholars often produce their own editions of what they discovered. Disciplines of textual scholarship include, among others, textu ...
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Artist's Multiple
Artist's multiple is a series of identical art objects produced or commissioned by artist according to his or her idea, usually a signed limited edition made specifically for selling. Multiples have been called the most accessible and reasonably priced contemporary art on the market, value for money. They could be multiples of a 2D print, 3D sculpture or installation piece. The multiple offers artists a way of selling work without compromising their artistic integrity and makes their work accessible to a wider market. Multiples are united by their lack of uniqueness, usually regarded as a prerequisite in a work of art. Many are by artists who work solely with the concept of the multiple. The challenge to the artist is in finding ways of realizing an idea that can be repeated time and again. Thus part of the creative challenge comes in researching new methods and sourcing new materials, leading to some unlikely collaborations between artist and fabricators. History Multiples a ...
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Special Edition
The terms special edition, limited edition, and variants such as deluxe edition, collector's edition or expanded edition are used as a marketing incentive for various kinds of products, originally published products related to the arts, such as books, prints, recorded music and films, and video games, but now including clothing, cars, fine wine, and whisky, among other products. A limited edition is restricted in the number of copies produced, although in fact the number may be very low or very high. Suzuki (2008) defines limited edition products as those “sold in a state that makes them difficult to obtain because of companies limiting their availability to a certain period, quantity, region, or channel". A special edition implies there is extra material of some kind included. The term is frequently used on DVD film releases, often when the so-called "special" edition is actually the only version released. Collector's edition Collector's edition may just be another term for ...
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Historical Editions (music)
Historical editions form part of a category of printed music, which generally consists of classical music and opera from a past repertory, where the term can apply to several different types of published music. However, it is principally applied to one of three types of music of this sort: * Scholarly or critical editions are music editions in which careful scholarship has been employed to ensure that the music contained within is as close to the composer's original intentions as possible. Such editions are sometimes called urtext editions. * Collected Works or Complete Works, generally in multi-volume sets, are devoted to a particular composer or to a particular musical repertory. This is sometimes referred to in German as ''Gesamtausgabe'' when containing the works of one particular composer. * Monuments or Monumental Editions (or the German ''Denkmäler'') when containing a repertory defined by geography, time period, or musical genre. The origins of historical editions Up u ...
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Chesley V
Chesley can refer to: Places * Chesley, Ontario Chesley (originally Sconeville) is a community in Bruce County, Ontario, Canada, located within the municipality of Arran–Elderslie. The name Sconeville was replaced in 1868 to mark the career of Solomon Yeomans Chesley, Solomon Chesley, an of ..., Canada, a community * Chesley, Aube, France, a commune * 12104 Chesley, an asteroid Others * Chesley (name) * Chesley Awards for artistic achievement in science fiction and fantasy art {{disambiguation, geo ...
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United States
The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 U.S. state, states and a federal capital district, Washington, D.C. The 48 contiguous states border Canada to the north and Mexico to the south, with the semi-exclave of Alaska in the northwest and the archipelago of Hawaii in the Pacific Ocean. The United States asserts sovereignty over five Territories of the United States, major island territories and United States Minor Outlying Islands, various uninhabited islands in Oceania and the Caribbean. It is a megadiverse country, with the world's List of countries and dependencies by area, third-largest land area and List of countries and dependencies by population, third-largest population, exceeding 340 million. Its three Metropolitan statistical areas by population, largest metropolitan areas are New York metropolitan area, New York, Greater Los Angeles, Los Angel ...
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Artist's Proof
An artist's proof is an impression (copy) of a limited edition (printmaking), edition print that is reserved for the artist and not counted in the edition number. It is usually pencilled as "A/P" to indicated this. By convention they are not usually more than 10% of the main edition quantity. There may also a few printer's proofs, marked "P/P". A "working proof" or "trial proof" is an impression of a print taken in the printmaking process to see the current printing state of a plate while the plate (or stone, or woodblock) is being worked on by the artist. A proof may show a clearly incomplete image, often called a ''working proof'' or ''trial impression'', but in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies.Prints and Printmaking, Antony Griffiths, British Museum Press (in UK), 2nd edn, 1996 There can also be ''printer's proofs'' which are taken for the printer to see how the image is printing, or are fina ...
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Monotyping
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix (printing), matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, Baren (printing tool), baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Monotyping produces a unique print, or monotype; most of the ink ...
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