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East Riddlesden Hall
East Riddlesden Hall is a 17th-century manor house in Keighley, West Yorkshire, England, now owned by the National Trust. History The hall was built in 1642 by a wealthy Halifax clothier, James Murgatroyd. The hall is a Grade I listed building. There is a medieval tithebarn in the grounds. East Riddlesden Hall perches on a small plateau overlooking a bend in the River Aire on its way downstream from the town of Keighley. Interesting features include well-restored living accommodation on two floors, two Yorkshire Rose windows, walled garden, the ruined Starkie wing and several ghosts (reputedly). The property was extended and re-built by James Murgatroyd and his wife Hannah, using local Yorkshire stone, in 1648. He also built other stone manor houses throughout the West Riding of Yorkshire. In the great hall, a small fireplace can be seen above the main fireplace, where the floor for the first floor accommodation was not built. James Murgatroyd was a Royalist and this can ...
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Great Hall
A great hall is the main room of a royal palace, castle or a large manor house or hall house in the Middle Ages. It continued to be built in the country houses of the 16th and early 17th centuries, although by then the family used the great chamber for eating and relaxing. At that time the word "great" simply meant big and had not acquired its modern connotations of excellence. In the medieval period, the room would simply have been referred to as the "hall" unless the building also had a secondary hall. The term "great hall" has been mainly used for surviving rooms of this type for several centuries to distinguish them from the different type of hall found in post-medieval houses. Great halls were found especially in France, England and Scotland, but similar rooms were also found in some other European countries. A typical great hall was a rectangular room between one and a half and three times as long as it was wide, and also higher than it was wide. It was entered through a s ...
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Sharpe's Justice
''Sharpe's Justice'' is a British television drama, the 13th of a series that follows the career of Richard Sharpe, a fictional British soldier during the Napoleonic Wars. Unlike most of the other instalments of the series, this episode was not based on a novel by Bernard Cornwell. A key scene in the story is based on the Peterloo Massacre of 1819, reset here to Keighley in Yorkshire, in 1814. Plot It is 1814. There is peace in Europe as a defeated Napoleon is sent into exile on the island of Elba. Major Sharpe is assigned to head the Scarsdale Yeomanry in his native Yorkshire, depriving him of a chance to settle the score with his adulterous wife Jane and her lover, Lord Rossendale. Sharpe and Regimental Sergeant Major Harper are met on their arrival by Captain George Wickham, an officer in the Yeomanry. As he escorts them to town, they are ambushed and shot at. Sharpe pursues (but does not catch) one of the men, who turns out to be his close childhood friend, Matthew Trum ...
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Emily Brontë's Wuthering Heights
''Emily Brontë's Wuthering Heights'' is a 1992 historical film adaptation of Emily Brontë's 1847 novel ''Wuthering Heights'' directed by Peter Kosminsky. It marked Ralph Fiennes's film debut. This particular film is notable for including the oft-omitted second generation story of the children of Cathy, Hindley and Heathcliff. Plot The story is that of the fierce passionate love between the moor-loving, wild girl Catherine Earnshaw and the poor equally wild spirit her father takes in to be raised as her brother, Heathcliff. When her father dies, Catherine's biological brother, jealous that Heathcliff was their father's favorite, treats Heathcliff as a servant and has him beaten. The story tracks the story of Heathcliff's and Catherine's story of fierce love and the story of Heathcliff's rage, pain, jealousy and vengeance that he pitilessly enacts on the man that gets in the way of his marrying her, Edgar Linton. The story of Heathcliff and Catherine's love is painted in intens ...
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Filming Location
A filming location is a place where some or all of a film or television series is produced, instead of or in addition to using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors ''and'' recording their dialog. A location where dialog is not recorded may be considered a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location. Types of locations There are two main types of locations: * Location shooting, the practice of filming in an actual setting * Studio shoots, on either a sound stage or back lot History Video cameras originally designed for television broadcast were large and heavy, mounted on special pedestals and wired to remote recorders in se ...
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Excommunicated
Excommunication is an institutional act of religious censure used to deprive, suspend, or limit membership in a religious community or to restrict certain rights within it, in particular those of being in communion with other members of the congregation, and of receiving the sacraments. It is practiced by all of the ancient churches (such as the Catholic Church, Oriental Orthodox churches and the Eastern Orthodox churches) as well as by other Christian denominations; however, it is also used more generally to refer to similar types of institutional religious exclusionary practices and shunning among other religious groups. The Amish have also been known to excommunicate members that were either seen or known for breaking rules, or questioning the church, a practice known as shunning. Jehovah's Witnesses use the term disfellowship to refer to their form of excommunication. The word ''excommunication'' means putting a specific individual or group out of communion. In some denomi ...
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Gilbert And Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which '' H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion: fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour an ...
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Ruddigore
''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that ''Ruddygore'' (as it was then called) did not measure up to its predecessor, ''The Mikado''. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, ''The Illustrated London News'' praised the work of both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody prevails; while ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to ''opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, Operetta#Operetta in French, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Operetta#Austria–Hungary, Viennese operetta, Spanish ''zarzuela'', Russian comic opera, English ballad opera, ballad and Savoy opera, North American operetta and musical comedy. Italian ...
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Baronet
A baronet ( or ; abbreviated Bart or Bt) or the female equivalent, a baronetess (, , or ; abbreviation Btss), is the holder of a baronetcy, a hereditary title awarded by the British Crown. The title of baronet is mentioned as early as the 14th century; however, in its current usage it was created by James VI and I, James I of England in 1611 as a means of raising funds for the crown. Baronets rank below barons, but seemingly above all grand cross, knights grand cross, knight commander, knights commander and knight bachelor, knights bachelor of the British order of chivalry, chivalric orders, that are in turn below in chivalric United Kingdom order of precedence, precedence than the most senior British chivalric orders of the order of the Garter, Garter and the order of the Thistle, Thistle. Like all British knights, baronets are addressed as "Sir" and baronetesses as "Dame". They are conventionally seen to belong to the lesser nobility, although William Thoms in 1844 wrote tha ...
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National Operatic And Dramatic Association
NODA has a membership of over 2m500 amateur theatre groups and 1000 individual enthusiasts throughout the UK, staging musicals, operas, plays, concerts and pantomimes in a wide variety of performing venues, ranging from the country's leading professional theatres to tiny village halls. History It was founded in 1899. Structure NODA is divided into 11 regions, each headed by a regional councillor who sits on the national council (the ruling body of the Association), supported by a network of regional representatives. These 190 volunteers are the vital link to the grass roots of the association, the amateur theatre groups themselves. NODA is administered from its headquarters in Peterborough. In 2017 NODA became a Charitable Incorporated Organisation. Operation There is a broad spectrum of ages involved in amateur theatre nationwide, from an increasing number of youth groups to adult companies which meet the needs of all levels of both performers, whether dramatic or musical, ...
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