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EBAI
The Vietnam University of Fine Arts (formerly ''Hanoi College of Fine Arts'') is an art school in Hanoi, Vietnam originally established under French colonial rule in 1925. The university has trained many of Vietnam’s leading artists and each year it participates in many cultural exchanges with sister institutions overseas. History The history of the Vietnam University of Fine Arts can be traced back to the colonial ''École des Beaux Arts de l’Indochine'' (1925–45) (the ''Indochina College of Fine Arts'') which trained successive generations of Vietnamese students — and a smaller number of students from Cambodia and Laos — in the western art tradition, laying the groundwork for the development of a distinctive Vietnamese style of modern art. The ''École des Beaux-Arts de l’Indochine'' in Hanoi was the predecessor of the Hanoi College of Fine Arts ''( :vi:Trường Đại học Mỹ thuật Việt Nam)''. The ''école'' was established by the French col ...
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Silk Painting
Silk painting refers to paintings on silk. They are a traditional way of painting in Asia. Methods vary, but using traditional supplies of 100% silk fabric, stretched in a frame, and applying textile paints or dyes are the beginnings of an amazing creative process in making textile art and the process National styles China One of the earliest surviving Chinese silk paintings is a 2-metre long T-shaped painting, dated from around 165 BCE, from the Mawangdui. However, painting on silk quickly gave way to painting on other supports. Silk painting employs gutta as a resist, allowing fine patterns to be achieved. The Tibetan Thangka is the best known religious painting. Vietnam Ancient period Silk painting (Tranh lụa) was a traditional artisanry in Vietnam. There have been some old silk paintings, e.g. portraits of Nguyễn Trãi, Phùng Khắc Khoan, Trịnh Đình Kiên, Phan Huy Cẩn, Phan Huy Ích, Phan Huy Thực, and Phan Huy Vịnh dated from Lê and Nguyễn dy ...
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Alix Aymé
Alix Angèle Marguerite Aymé (Marseille 1894 - 1989) was a female French painter who lived in China and Vietnam. Life Born Alix Angèle Marguerite Hava, she first married in 1920 Professor Paul de Fautereau-Vassel, moving with him to Shanghai, China then Hanoi, Vietnam. In 1925-1926 she taught drawing at the French Lycée in Hanoi.''Alix Aymé''.
Fletcher/Copenhaver Fine Art. Retrieved 12 September 2012.
The couple returned to , where they lived from 1926 to 1928 and had a son. Then she separated from Fautereau-Vassel and returned with her infant son to . In 1931 she remarried to Colonel, later Gene ...
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Joseph Inguimberty
Joseph Inguimberty (18 January 1896, in Marseille – 8 October 1971, in Menton) was a French painter, and teacher at the École des Beaux-Arts de l'Indochine (EBAI) in Hanoi 1926–1945. His teaching was appreciated for being less academic than the director Victor Tardieu. He shared with Tardieu a keen interest in Vietnam's culture. Inguimberty encouraged his students to experiment with lacquer painting Lacquer painting is a form of painting with lacquer which was practised in East Asia for decoration on lacquerware, and found its way to Europe and the Western World both via Persia and the Middle East and by direct contact with Continental Asia. T ... as a fine art painting medium.''Joseph Inguimberty, Catalogue of the painted works by Giulia Pentcheff, 208 p, 2012. References External links Official website - Joseph Inguimberty {{DEFAULTSORT:Inguimberty, Joseph 1896 births 1971 deaths 20th-century French painters 20th-century French male artists French male painte ...
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Prix De L'Indochine
The Prix de l'Indochine (1914, 1920–1938) was a French colonial art prize established, originally as a one-off prize in 1910, and awarded 1914, by , Gouverneur général of Indochina. Charles Fouqueray obtained le prix Indochine 1914. From 1925 the prize was associated with the École des Beaux-Arts de l'Indochine. Winners Subsequent winners included Victor Tardieu (1920), Paul Jouve (1921), Antoine Ponchin (1922), Jean Bouchaud (1924), Jules Besson (1925), Paul-Émile Legouez (1926), Raymond Virac (1927), Henri Dabadie (1928), Lucien Lièvre (1929), Louis Rollet (1930), Évariste Jonchère (1932), Jean Despujols (1936) and Louis Bate (1938). In certain years, such as 1935 and 1937, no prize was awarded.Les salons des artistes coloniaux: suivi d'un dictionnaire des sculpteurs Stéphane Richemond Éditions de l'Amateur, 2003 These winners were not required to paint scenes from Asia, which they had usually not visited prior to winning the prize. For example, Henri ...
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Lê Phổ
Lê Phổ (2 August 1907 – 12 December 2001) was a Vietnamese painter. From 1925 until 1930, Le Pho studied at the Ecole des Beaux-Arts of Hanoi. At this point, he earned a scholarship to study at the École des Beaux-Arts in Paris, and he studied there for the next two years under the instruction of Victor Tardieu, a friend and companion of Henri Matisse. Upon returning to Vietnam he taught at the École Supérieure des Beaux Arts de l'Indochine in Hanoi. In 1937, he gave up his professorship to return to Paris as a part of the International Exposition in Paris as both a delegate and a member of the exposition's jury. In 1938, he had his first one-man show in Paris, a show which marked the beginning of his successful artistic career in Europe. He would go on to show his art across France in Paris, Nice, Lyon, and Rouen, as well as in Morocco, Brussels in Europe, and in New York. Le Pho's work is often divided into three distinct styles. The first style is from his period in Ha ...
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Art School
An art school is an educational institution with a primary focus on the visual arts, including fine art – especially illustration, painting, photography, sculpture, and graphic design. Art schools can offer elementary, secondary, post-secondary, or undergraduate programs, and can also offer a broad-based range of programs (such as the liberal arts and sciences). There have been six major periods of art school curricula,Houghton, Nicholas. “Six into One: The Contradictory Art School Curriculum and How It Came About.” ''International Journal of Art & Design Education'', vol. 35, no. 1, Feb. 2016, pp. 107–120. and each one has had its own hand in developing modern institutions worldwide throughout all levels of education. Art schools also teach a variety of non-academic skills to many students. History There have been six definitive curricula throughout the history of art schools. These are "apprentice, academic, formalist, expressive, conceptual, and professional". ...
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