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Duo-Art
Duo-Art was one of the leading reproducing piano technologies of the early 20th century, the others being American Piano Company (Ampico), introduced in 1913 too, and Welte-Mignon in 1905. These technologies flourished at that time because of the poor quality of the early Phonograph (Gramophone in Britain).Daily Telegraph, Gerald Stonehill Obituary 8 Mar 11 Between 1913 and 1925 a number of distinguished classical and popular pianists, such as Ignace Paderewski, Josef Hofmann, Percy Grainger, Teresa Carreño, Aurelio Giorni, Robert Armbruster and Vladimir Horowitz, recorded for Duo-Art, and their rolls are a legacy of 19th-century and early 20th-century aesthetic and musical practice. The recording process – using a piano wired to a perforating machine – was unable to capture the pianist's dynamics automatically. These were added by a recording technician, who manipulated hand controls to notate the dynamics onto the recording 'master'. Thus, post-recording editing was req ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurelio Giorni
Aurelio Carlo Pietro Teodoro Giorni (15 September 1895 – 23 September 1938) was an Italian-American pianist and composer. After immigrating to the United States in 1914, he toured the nation as a soloist and with the Elshuco Trio. He composed chamber music, orchestral music, études, as well as a sonata for piano and violoncello. Early life Aurelio was born on September 15, 1895, in Perugia, Italy, the first of two sons born to Carlo Giuseppe Giorni, a Roman landscape painter, and Linda Bergner Giorni, an American mezzo-soprano. Aurelio was the great-grandson of Danish sculptor Bertel Thorvaldsen. Aurelio's parents had him tutored privately at home until, at age 13, he attended Santa Cecilia Conservatory of Music and studied piano with Maestro Giovanni Sgambati and Ferruccio Busoni from 1909 to 1911. He performed joint recitals with his mother Linda as early as February 1908, when he was 12 years old. One such performance took place at the Hotel Excelsior in Rome on Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duo-Art Roll
Duo-Art was one of the leading reproducing piano technologies of the early 20th century, the others being American Piano Company (Ampico), introduced in 1913 too, and Welte-Mignon in 1905. These technologies flourished at that time because of the poor quality of the early Phonograph (Gramophone in Britain).Daily Telegraph, Gerald Stonehill Obituary 8 Mar 11 Between 1913 and 1925 a number of distinguished classical and popular pianists, such as Ignace Paderewski, Josef Hofmann, Percy Grainger, Teresa Carreño, Aurelio Giorni, Robert Armbruster and Vladimir Horowitz, recorded for Duo-Art, and their rolls are a legacy of 19th-century and early 20th-century aesthetic and musical practice. The recording process – using a piano wired to a perforating machine – was unable to capture the pianist's dynamics automatically. These were added by a recording technician, who manipulated hand controls to notate the dynamics onto the recording 'master'. Thus, post-recording editing was requi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steinway
Steinway & Sons, also known as Steinway (), is a German-American piano company, founded in 1853 in Manhattan by German piano builder Heinrich Engelhard Steinweg (later known as Henry E. Steinway). The company's growth led to the opening of a factory in New York City, United States, and later a factory in Hamburg, Germany. The factory in the Queens borough of New York City supplies the Americas, and the factory in Hamburg supplies the rest of the world. Steinway is a prominent piano company, known for making pianos of high quality and for inventions within the area of piano development. Steinway has been granted 139 patents in piano making, with the first in 1857. The company's share of the high-end grand piano market consistently exceeds 80 percent. The dominant position has been criticized, with some musicians and writers arguing that it has blocked innovation and led to a homogenization of the sound favored by pianists. Steinway pianos have received numerous awards. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reproducing Piano
A player piano (also known as a pianola) is a self-playing piano containing a pneumatic or electro-mechanical mechanism, that operates the piano action via programmed music recorded on perforated paper or metallic rolls, with more modern implementations using MIDI. The rise of the player piano grew with the rise of the mass-produced piano for the home, in the late 19th and early 20th century. Sales peaked in 1924, then declined, as the improvement in phonograph recordings due to electrical recording methods developed in the mid-1920s. The advent of electrical amplification in home music reproduction via radio in the same period helped cause their eventual decline in popularity, and the stock market crash of 1929 virtually wiped out production. History In 1896, Edwin S. Votey invented the first practical pneumatic piano player, called the Pianola. This mechanism came into widespread use in the 20th century, and was all-pneumatic, with foot-operated bellows providing a sour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Grainger
Percy Aldridge Grainger (born George Percy Grainger; 8 July 188220 February 1961) was an Australian-born composer, arranger and pianist who lived in the United States from 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune " Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Company
The Aeolian Company was a musical-instrument making firm whose products included player organs, pianos, sheet music, records and phonographs. Founded in 1887, it was at one point the world's largest such firm. During the mid 20th century, it surpassed Kimball to become the largest supplier of pianos in the United States, having contracts with Steinway & Sons due to its Duo-Art system of player pianos. It went out of business in 1985. History The Aeolian Company was founded by New York City piano maker William B. Tremaine as the ''Aeolian Organ & Music Co.'' (1887) to make automatic organs and, after 1895, as the ''Aeolian Co.'' automatic pianos as well. The factory was initially located in Meriden, Connecticut. Tremaine had previously founded the Mechanical Orguinette Co. in 1878 to manufacture automated reed organs. The manufacture of residence or "chamber" organs to provide entertainment in the mansions of millionaires was an extremely profitable undertaking, and Aeolian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Armbruster
John Robert Sommers Armbruster (October 9, 1897 – June 20, 1994) was an American composer, conductor, pianist and songwriter. He also recorded piano rolls under the pseudonyms of: Henri Bergman, Edwin Gabriel, Robert Romayne, Robert Summers.The Billings Rollography: Pianists Ginny Billings, Bob Billings - 1990 p36 "Henri Bergman, Edwin Gabriel, Robert Romayne, Robert Summers (Rolls listed under pseudonyms) Robert Armbruster was born in Philadelphia in 1896, and received his ..." Biography Armbruster was born in Philadelphia, Pennsylvania. When he was 8 years old, Armbruster began performing professionally in Philadelphia. After studying with he became a concert pianist, then branched out into conducting and a composing for radio, then television and film. He debuted as a pianist with the Philadelphia Orchestra at the age of eight. In his teenage years, he started recording piano rolls for the Aeolian Company's Duo-Art reproducing pianos and turned out hundreds of classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Manufacturing Companies Of The United States
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welte-Mignon
M. Welte & Sons, Freiburg and New York was a manufacturer of orchestrions, organs and reproducing pianos, established in Vöhrenbach by Michael Welte (1807–1880) in 1832. Overview From 1832 until 1932, the firm produced mechanical musical instruments of the highest quality. The firm's founder, Michael Welte (1807-1880), and his company were prominent in the technical development and construction of orchestrions from 1850, until the early 20th century. In 1872, the firm moved from the remote Black Forest town of Vöhrenbach into a newly developed business complex beneath the main railway station in Freiburg, Germany. They created an epoch-making development when they substituted the playing gear of their instruments from fragile wood pinned cylinders to perforated paper rolls. In 1883, Emil Welte (1841-1923), the eldest son of Michael, who had emigrated to the United States in 1865, patented the paper roll method (), the model of the later piano roll. In 1889, the tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Piano Company
American Piano Company (Ampico) was an American piano manufacturer formed in 1908 through the merger of Wm. Knabe & Co., Chickering & Sons, and Foster-Armstrong. They later purchased the Mason & Hamlin piano company as their flagship piano. The merger created one of the largest American piano manufacturers. In 1932, it was merged with the Aeolian Company to form Aeolian-American Co. Reproducing pianos From 1914, American Piano was one of the leading producers of player pianos, most notably their reproducing player known as the Ampico. The Ampico reproducing player piano was able to capture all the expression of the original performance, with dynamics and fine nuances other devices could not reproduce. Their main competitors in reproducing players were the Aeolian Duo-Art (1913) and Welte-Mignon (1905). The player piano and reproducing Ampico mechanism was originally designed by Charles Fuller Stoddard (1876–1958) with Dr. Clarence Hickman joining the company in the mid-1920s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Hofmann
Josef Casimir Hofmann (originally Józef Kazimierz Hofmann; January 20, 1876February 16, 1957) was a Polish-American pianist, composer, music teacher, and inventor. Biography Josef Hofmann was born in Podgórze (a district of Kraków), in Austro-Hungarian Galicia (present-day Poland) in 1876. His father was the composer, conductor and pianist Kazimierz Hofmann, and his mother the singer Matylda Pindelska. He had an older sister – Zofia Wanda (born June 11, 1874, also in Krakow). Throughout their childhood, their father, Kazimierz, was married to Aniela Teofila ''née'' Kwiecińska (born on January 3, 1843, in Warsaw), who, after moving to Warsaw in 1878 with her husband, died there on October 12, 1885, entry 1392. Then the next year Kazimierz Mikołaj Hofmann married on June 17, 1886, Matylda Franciszka Pindelska - the mother of his children, (daughter of Wincenty and Eleonora ''née'' Wyszkowska, b. in 1851 in Kraków) in the Holy Cross Basilica in Warszawa. In order to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignace Paderewski
Ignacy Jan Paderewski (; – 29 June 1941) was a Polish pianist and composer who became a spokesman for Polish independence. In 1919, he was the new nation's Prime Minister and foreign minister during which he signed the Treaty of Versailles, which ended World War I. A favorite of concert audiences around the world, his musical fame opened access to diplomacy and the media, as possibly did his status as a freemason, and charitable work of his second wife, Helena Paderewska. During World War I, Paderewski advocated an independent Poland, including by touring the United States, where he met with President Woodrow Wilson, who came to support the creation of an independent Poland in his Fourteen Points at the Paris Peace Conference in 1919, which led to the Treaty of Versailles.Hanna Marczewska-Zagdanska, and Janina Dorosz, "Wilson – Paderewski – Masaryk: Their Visions of Independence and Conceptions of how to Organize Europe," ''Acta Poloniae Historica'' (1996), Issue 73, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
