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Ducal Palace, Urbino
The Ducal Palace ( it, Palazzo Ducale) is a Renaissance building in the Italian city of Urbino in the Marche. One of the most important monuments in Italy, it is listed as UNESCO World Heritage Site since 1998. History The construction of the Ducal Palace was begun for Duke Federico III da Montefeltro around the mid-fifteenth century by the Florentine Maso di Bartolomeo. The new construction included the pre-existing Palace of the Jole. The solid rock hillside salient was impregnable to siege but was problematic for carving out the foundation of a palace. Thus, a prominent fortress-builder, Luciano Laurana, from Dalmatia, was hired to build the substructure; but Laurana departed Urbino before the living quarters of the palace were begun. After Laurana, the designer or designers of the Ducal Palace are unknown with certainty. Leading High Renaissance architect Donato Bramante was a native of Urbino and may have worked on the completion of the palace. The Ducal Palace is famou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Heritage Committee
The World Heritage Committee selects the sites to be listed as UNESCO World Heritage Sites, including the World Heritage List and the List of World Heritage in Danger, defines the use of the World Heritage Fund and allocates financial assistance upon requests from States Parties. It comprises representatives from 21 state parties that are elected by the General Assembly of States Parties for a four-year term. These parties vote on decisions and proposals related to the World Heritage Convention and World Heritage List. According to the World Heritage Convention, a committee member's term of office is six years. However many State's Parties choose to voluntarily limit their term to four years, in order to give other States Parties an opportunity to serve. All members elected at the 15th General Assembly (2005) voluntarily chose to reduce their term of office from six to four years. Deliberations of the World Heritage Committee are aided by three advisory bodies, the IUCN, IC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Ducale, Urbino
The Ducal Palace ( it, Palazzo Ducale) is a Renaissance building in the Italian city of Urbino in the Marche. One of the most important monuments in Italy, it is listed as UNESCO World Heritage Site since 1998. History The construction of the Ducal Palace was begun for Duke Federico III da Montefeltro around the mid-fifteenth century by the Florentine Maso di Bartolomeo. The new construction included the pre-existing Palace of the Jole. The solid rock hillside salient was impregnable to siege but was problematic for carving out the foundation of a palace. Thus, a prominent fortress-builder, Luciano Laurana, from Dalmatia, was hired to build the substructure; but Laurana departed Urbino before the living quarters of the palace were begun. After Laurana, the designer or designers of the Ducal Palace are unknown with certainty. Leading High Renaissance architect Donato Bramante was a native of Urbino and may have worked on the completion of the palace. The Ducal Palace is famou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joos Van Wassenhove
Justus van Gent or Joos van Wassenhove (also: Justus or Jodocus of Ghent, or Giusto da Guanto) (c. 1410 – c. 1480) was an Early Netherlandish painter who after training and working in Flanders later moved to Italy where he worked for the duke of Urbino. The artist is known for his religious compositions executed in the early Netherlandish idiom and a series of portraits of famous men, which show the influence of early Italian Renaissance painting.Paula Nuttall. "Justus of Ghent." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 July 2014 Life Very little is known about the early life of Joos van Wassenhove. It is believed that the artist referred to by Vasari and Guicciardini as 'Giusto da Guanto' (i.e. 'Justus of Ghent') is the painter Joos van Wassenhove, who became a member of the Antwerp Guild of St. Luke in 1460 and a freemaster in the Ghent painters' guild in 1464. While in Ghent, he vouched for Hugo van der Goes, Sanders Bening and Agnes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saints Faith, Hope And Charity
Saints Faith, Hope and Charity ( la, Fides, Spes et Caritas), are a group of Christian martyred saints, venerated together with their mother, Sophia ("Wisdom"). Although earlier editions of the Roman Martyrology commemorated Saints Faith, Hope and Charity on 1 August and their mother Sophia on 30 September, the present text of this official but professedly incomplete catalogue of saints of the Roman Catholic Church has no feast dedicated to the three saints or their mother: the only Sophia included is an early Christian virgin martyr of Picenum in Italy, commemorated with her companion Vissia on 12 April; another early Christian martyr, Saint Faith (Fides), of Aquitania (southern France), is celebrated on 6 October, a Saint Hope (Spes), an abbot of Nursia who died in about 517, is commemorated on 23 May, and saint Charity (Caritas) is included, although saints with somewhat similar names, Carissa and Carissima, are given, respectively under 16 April and 7 September. Their feas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazzocchio
A chaperon ( or ; Middle French: ''chaperon'') was a form of hood or, later, highly versatile hat worn in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind called a liripipe, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting, but its complicated construction is often misunderstood. Humble origins The chaperon began before 1200 as a hood with a short cape, put on by pulling over the head, or fastening at the front. The hood could be pulled off the head to hang behind, leaving the short cape round the neck and shoulders. The e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armillary Sphere
An armillary sphere (variations are known as spherical astrolabe, armilla, or armil) is a model of objects in the sky (on the celestial sphere), consisting of a spherical framework of rings, centered on Earth or the Sun, that represent lines of celestial longitude and latitude and other astronomically important features, such as the ecliptic. As such, it differs from a celestial globe, which is a smooth sphere whose principal purpose is to map the constellations. It was invented separately first in ancient China during the 4th century BC and ancient Greece during the 3rd century BC, with later uses in the Islamic world and Medieval Europe. With the Earth as center, an armillary sphere is known as '' Ptolemaic''. With the Sun as center, it is known as '' Copernican''. The flag of Portugal features an armillary sphere. The armillary sphere is also featured in Portuguese heraldry, associated with the Portuguese discoveries during the Age of Exploration. Manuel I of Portugal, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astrolabe
An astrolabe ( grc, ἀστρολάβος ; ar, ٱلأَسْطُرلاب ; persian, ستارهیاب ) is an ancient astronomical instrument that was a handheld model of the universe. Its various functions also make it an elaborate inclinometer and an analog calculation device capable of working out several kinds of problems in astronomy. In its simplest form it is a metal disc with a pattern of wires, cutouts, and perforations that allows a user to calculate astronomical positions precisely. Historically used by astronomers, it is able to measure the altitude above the horizon of a celestial body, day or night; it can be used to identify stars or planets, to determine local latitude given local time (and vice versa), to survey, or to triangulate. It was used in classical antiquity, the Islamic Golden Age, the European Middle Ages and the Age of Discovery for all these purposes. The astrolabe's importance comes not only from the early developments into the study of astron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liberal Arts
Liberal arts education (from Latin "free" and "art or principled practice") is the traditional academic course in Western higher education. ''Liberal arts'' takes the term '' art'' in the sense of a learned skill rather than specifically the fine arts. ''Liberal arts education'' can refer to studies in a liberal arts degree course or to a university education more generally. Such a course of study contrasts with those that are principally vocational, professional, or technical. History Before they became known by their Latin variations (, , ), the liberal arts were the continuation of Ancient Greek methods of enquiry that began with a "desire for a universal understanding." Pythagoras argued that there was a mathematical and geometrical harmony to the cosmos or the universe; his followers linked the four arts of astronomy, mathematics, geometry, and music into one area of study to form the "disciplines of the mediaeval quadrivium". In 4th-century B.C.E. Athens, the governmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latticework
__NOTOC__ Latticework is an openwork framework consisting of a criss-crossed pattern of strips of building material, typically wood or metal. The design is created by crossing the strips to form a grid or weave. Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; used to add privacy, as through a lattice screen; purely decorative; or some combination of these. Latticework in stone or wood from the classical period is also called Roman lattice or ''transenna'' (plural ''transenne''). In India, the house of a rich or noble person may be built with a ''baramdah'' or verandah surrounding every level leading to the living area. The upper floors often have balconies overlooking the street that are shielded by latticed screens carved in stone called jalis which keep the area cool and give privacy. Examples File:Amber Fort Screen (6652771501).jpg, Lattice screen at Amber Fort File:Masuleh Window.jpg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intarsia
Intarsia is a form of wood inlaying that is similar to marquetry. The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass. The word ''intarsia'' may derive from the Latin word '' interserere'' (to insert). Certosina is a variant also using pieces of ivory, bone or mother of pearl. Intarsia is mostly used of Italian, or at least European work. Similar techniques are found over much of Asia and the Middle East. History When Egypt came under Arab rule in the seventh century, indigenous arts of intarsia and wood inlay, which lent themselves to non-representational decors and tiling patterns, spread throughout the Maghreb. The technique of intarsia was already perfected in Islamic North Af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabinet (architecture)
A cabinet (also known by other terms) was a private room in the houses and palaces of early modern Europe serving as a study or retreat, usually for a man. The cabinet would be furnished with books and works of art, and sited adjacent to his bedchamber, the equivalent of the Italian Renaissance ''studiolo''. In the Late Medieval period, such newly perceived requirements for privacy had been served by the solar of the English gentry house, and a similar, less secular purpose had been served by a private oratory. Such a room might be used as a study or office, or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, and small rooms were more comfortable. They also offered more privacy from servants, other household members, and visitors. Typically such a room would be for the use of a single individual, so that a house might have at least two (his and hers) and often more. Names varied: cabinet, closet, study (from the Italian ''stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
