Domenico Lalli
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Domenico Lalli
Sebastiano Biancardi (27 March 1679 – 9 October 1741), known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's ''Ottone in villa'' and Alessandro Scarlatti's ''Tigrane (Scarlatti), Tigrane''. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62. Biography Early life Modern accounts of Lalli's life prior to arriving in Venice are large ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Roman Catholic Diocese Of Teano-Calvi
The Diocese of Teano-Calvi ( la, Dioecesis Theanensis-Calvensis) is a Roman Catholic ecclesiastical territory in Campania, southern Italy, created in 1986. It is a suffragan of the Archdiocese of Naples. The historic Diocese of Teano and Diocese of Calvi Risorta were united in 1818, forming the diocese of Calvi e Teano.O.Min._(1325–1330)*Thaddeus_de_Capua_(13??–1332) *Joannes_de_Concivis,_Order_of_the_Minims.html" ;"title="Order of the Minims">O.Min. (1325–1330)">Order_of_the_Minims.html" ;"title="etrus, Order of the Minims">O.Min. (1325–1330)*Thaddeus de Capua (13??–1332) *Joannes de Concivis, Order of the Minims">O.Min. (1332–ca. 1343) *Stephanus, O. Carm. (1343–1344) *Joannes de Arpino, O.Min. (1344–1348) *Petrus de Brina, O.Min. (1349–1362) *Rainaldus (1364–1372) *Joannes de Rocha (1372–1377) *Robertus de Bacchariis (1377–1395) *Bartholomaeus, O.E.S.A. (1395–1402) ''Roman Obedience'' since 1400 *Stephanus Goberno (1402–1413) *Antonius Galluzzi (1 ...
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Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly ...
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Pietro Auletta
Pietro Antonio Auletta (1698–1771) was an Italian composer known mainly for his operas. His opera buffa ''Orazio'' gained popularity after being mis-attributed to Pergolesi Pergolesi is a surname. Notable people with the surname include: * Giovanni Battista Pergolesi, (1710–1736), Italian composer, violinist, and organist * Michael Angelo Pergolesi, 18th-century Italian decorative artist {{Surname Italian-langu ... as ''Il maestro de musica''.''Theatre in Dublin, 1745–1820: A Calendar of Performances'' 1611461103 John C. Greene (2011) Opera 1 14, says that this piece is 'no doubt' Pietro Auletta's opera buffo, ''Orazio'', first presented under the title of ''Il Maestro de Musica'' at Paris in 1752 ... References 1698 births 1771 deaths Italian Baroque composers Italian male classical composers Italian opera composers Male opera composers 18th-century Italian composers 18th-century Italian male musicians {{Italy-composer-stub ...
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Ezio (libretto)
''Ezio'' is an opera libretto by Pietro Metastasio, first officially set to music by Pietro Auletta and premièred in the Teatro delle Dame, Rome, on December 26, 1728; an unauthorized setting by Nicola Porpora had already been premièred a month earlier (November 20) in Venice.Irving Godt, ''Marianna Martines: a woman composer in the Vienna of Mozart and Haydn'' John A. Rice – 2010, p. 61 "Typical of the collection is 'Pensa a serbarmi, o cara', Marianna's setting of an aria text from Metastasio's ''Ezio'', a libretto first heard in Venice in 1728 with music by Porpora and in Rome the following year with music by Pietro Auletta" Other notable settings include: * ''Ezio'' (Handel), King's Theatre, London 1732 * ''Ezio'' (Mysliveček, 1775), Naples * ''Ezio'' (Mysliveček, 1777), Munich – completely new music * ''Ezio'' (Gluck), Prague 1750, revised Vienna 1763 *''Ezio'' (1730), Johann Adolph Hasse, Naples, revised Dresden 1755 *''Ezio'' (1750), Davide Perez, Teatro Regio Duc ...
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Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ...
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Teatro San Giovanni Grisostomo
The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a production of the premiere of Carlo Pallavicino's opera ''Vespasiano''. By 1683, it had quickly become known as "the biggest, most beautiful and richest theatre in the city"The ''Mercure Gallant'', March 1683, in Lynn, p. 102 and its operatic importance throughout the 17th and 18th centuries led to an even grander description by 1730: :A true kingdom of marvels....that with the vastness of its magnificent dimension can be rightly compared to the splendours of ancient Rome and that with the grandeur of its more than regal dramatic performances has now conquered the applause and esteem of the whole world. Richly decorated, the theatre consisted of five levels of thirty boxes and a large stalls area. However, as an opera house, its success wa ...
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Teatro San Samuele
Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894. History One of the most important Venetian theatres of the 17th and 18th centuries, the Teatro San Samuele was constructed in 1656 through a commission made by the Grimani family a ye ...
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Rime Di Bastian Biancardi - Title Page 1732
Rime may refer to: *Rime ice, ice that forms when water droplets in fog freeze to the outer surfaces of objects, such as trees Rime is also an alternative spelling of "rhyme" as a noun: *Syllable rime, term used in the study of phonology in linguistics *Rime dictionary, type of ancient Chinese dictionary used for writing poetry *Rime table, a syllable chart of the Chinese language *Rime riche, a form of rhyme using identical sounds Literature *''The Rime of the Ancient Mariner'', a 1798 poem by Samuel Taylor Coleridge *''Le Rime'', a collection of lyrical poems by Dante Alighieri *''The Rime of King William'', a poetic eulogy of William the Conqueror written in Old English Other uses *Noémi Rime, French opera singer *Rimé movement, an ecumenical movement within Tibetan Buddhism * RelayNet International Mail Exchange (RIME), an e-mail exchange networking protocol * ''Rime'' (video game), an action-adventure video game See also *Rhyme A rhyme is a repetition of similar ...
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Charles VI, Holy Roman Emperor
, house = Habsburg , spouse = , issue = , issue-link = #Children , issue-pipe = , father = Leopold I, Holy Roman Emperor , mother = Eleonore Magdalene of Neuburg , birth_date = , birth_place = Hofburg Palace, Vienna , death_date = , death_place = Palais Augarten, Vienna , place of burial = Imperial Crypt , signature = Signatur Karl VI. (HRR).PNG , religion = Roman Catholicism Charles VI (german: Karl; la, Carolus; 1 October 1685 – 20 October 1740) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1711 until his death, succeeding his elder brother, Joseph I. He unsuccessfully claimed the throne of Spain following the death of his relative, Charles II. In 1708, he married Elisabeth Christine of Brunswick-Wolfenbüttel, by whom he had his four children: Leopold Johann (who died in infancy), Maria Theresa (the last direct Habsburg sovereign), Mar ...
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Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ...
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Maestro Di Cappella
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ...
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