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Daśakumāracarita
''Dashakumaracharita'' (''The narrative of ten young men'', IAST: ''Daśa-kumāra-Carita'', Devanagari: दशकुमारचरित) is a prose romance in Sanskrit, attributed to Dandin (दण्डी), believed to have flourished in the seventh to eighth centuries CE. However, there is some obscurity surrounding its textual tradition, the identity of the author and the date of composition. It describes the adventures of ten young men, the ''Kumaras'', all of whom are either princes or sons of royal ministers, as narrated by the men themselves (however, there are irregularities in the text). These narratives are replete with accounts of demigods, ghosts, prostitutes, gamblers, intrigues with voluptuous women, astonishing coincidences, cockfights, anthropophagy, sorcery, robberies, murders and wars. The reader is treated to some very striking passages; for instance, a seductive young girl (all of whose anatomical features are very frankly described) deftly prepares a frag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumenta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muslim Invasion Of India
The Muslim conquests in the Indian subcontinent mainly took place from the 13th to 17th centuries. Earlier Muslim conquests include the invasions into what is now modern-day Pakistan and the Umayyad campaigns in India in eighth century and resistance of Rajputs to them. Mahmud of Ghazni, who was the first Sultan, and preserved an ideological link to the suzerainty of the Abbasid Caliphate, invaded and plundered vast parts of Punjab and Gujarat, starting from the Indus River during the 11th century. After the capture of Lahore and the end of the Ghaznavids, the Ghurid ruler Muhammad of Ghor laid the foundation of Muslim rule in India. In 1206, Bakhtiyar Khalji led the Muslim conquest of Bengal, marking the easternmost expansion of Islam at the time. The Ghurid Empire soon evolved into the Delhi Sultanate, ruled by Qutb ud-Din Aibak, the founder of the Mamluk dynasty. With the Delhi Sultanate established, Islam was spread across most parts of the Indian subcontinent. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kavyadarsha
The Kavyadarsha ( sa, काव्यादर्श, ) by Dandin is the earliest surviving systematic treatment of poetics in Sanskrit. Contents This work is divided into 3 ''pariccheda''s (chapters) in most of the printed editions, except one, where the third chapter of the other editions is further divided into two. Most of the printed editions have 660 verses, except one, which has 663. In ''Kāvyādarśa'', Daṇḍin argued that a poem's beauty derived from its use of rhetorical devices – of which he distinguished thirty-six types. He was the main proponent of ''gunaprasthana'', the view that poetry needed qualities or virtues such as ''shleshha'' (punning), ''prasaada'' (favour), ''samataa'' (sameness), ''maadhurya'' (beauty), ''arthavyakti'' (interpretation), and ''ojah'' (vigour). Poetry consisted in the presence of one of these qualities or a combination of them. Influence The ''Kavyadarsha'' was in ancient times translated into Kannada, Sinhala, Pali, Tamil and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalinga (historical Kingdom)
Kalinga (Sanskrit: ), is a historical region of India. It is generally defined as the eastern coastal region between the Mahanadi and the Godavari rivers, although its boundaries have fluctuated with the territory of its rulers. The core territory of Kalinga now encompasses a large part of Odisha and northeastern part of Andhra Pradesh. At its widest extent, the Kalinga region also included parts of present-day Chhattisgarh, extending up to Amarkantak in the west. The Kalingas have been mentioned as a major tribe in the legendary text ''Mahabharata''. In the 3rd century BCE, the region came under Mauryan control as a result of the Kalinga War. It was subsequently ruled by several regional dynasties whose rulers bore the title ''Kalingādhipati'' ("Lord of Kalinga"); these dynasties included Mahameghavahana, Vasishtha, Mathara, Pitrbhakta, Shailodbhava, Somavamshi, and Eastern Ganga. The medieval era rulers to rule over the Kalinga region were the Suryavamsa Gajapati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siddha
''Siddha'' (Sanskrit: '; "perfected one") is a term that is used widely in Indian religions and culture. It means "one who is accomplished." It refers to perfected masters who have achieved a high degree of physical as well as spiritual perfection or enlightenment. In Jainism, the term is used to refer to the liberated souls. ''Siddha'' may also refer to one who has attained a siddhi, paranormal capabilities. Siddhas may broadly refer to siddhars, naths, ascetics, sadhus, or yogis because they all practice sādhanā. The Svetasvatara (II.12) presupposes a siddha body. Jainism In Jainism, the term ''siddha'' is used to refer the liberated souls who have destroyed all karmas and have obtained moksha. They are free from the transmigratory cycle of birth and death (''saṃsāra'') and are above '' Arihantas'' (omniscient beings). Siddhas do not have a body; they are soul in its purest form. They reside in the ''Siddhashila'', which is situated at the top of the Universe. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yavana
The word Yona in Pali and the Prakrits, and the analogue Yavana in Sanskrit and Yavanar in Tamil, were words used in Ancient India to designate Greek speakers. "Yona" and "Yavana" are transliterations of the Greek word for "Ionians" ( grc, Ἴωνες < Ἰάoνες < *Ἰάϝoνες), who were probably the first Greeks to be known in the East. Both terms appear in ancient literature. ''Yavana'' appears, for instance, in the '''', while ''Yona'' appears in texts such as the Sri Lankan chronicle '' Mahavamsa''. The Yona are mentioned in the |
Durga
Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. The most important texts of Shaktism, Devi Mahatmya, and Devi Bhagavata Purana, revere Devi (the Goddess) as the primordial creator of the universe and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suhma
Suhma Kingdom was an ancient state during the Late Vedic period on the eastern part of the Indian Subcontinent, which originated in the region of Bengal. The kingdom included present day districts of Midnapore and parts of Hoogly and Howrah. This kingdom was mentioned in the epic Mahabharata along with its neighbouring kingdom ''Prasuhma''. References in Mahabharata The founders of Angas, Vangas, Kalingas, Pundras and Suhmas shared a common ancestry. They were all adopted sons of a king named Vali, born by a sage named Gautama Dirghatamas, who lived in Magadha close to the city of Girivraja. Military expeditions to Suhma Pandu (the father of Pandavas) after defeating the Magadhas and the Videhas of Mithila, led his army against Kashi, Suhma, and Pundra, as well as by the strength and prowess of his arms spread the fame of the Kurus. Arjuna, that bull amongst the son of Pandu, at the head of all his troops, fiercely attacked the regions called Suhma and Sumala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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