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Drama Centre London
Drama Centre London (often abbreviated as Drama Centre) was a British drama school in Kings Cross, London, King's Cross, London, where it moved in 2011 after a major reshaping of the University of the Arts London. It was part of Central Saint Martins, a constituent college of the university. Following a review in 2020, the school closed with the graduation of its final students in 2022. Whilst in operation, Drama Centre London was a member of the Federation of Drama Schools, it offered BA (Hons) and Master of Arts, MA acting courses. History Drama Centre London was founded in 1963 by a breakaway group of teachers and students from the Central School of Speech and Drama, led by John Blatchley, Yat Malmgren and Christopher Fettes. It was originally on Prince of Wales Road, Chalk Farm, but moved first to Back Hill, Clerkenwell in 2004, then to Kings Cross, London, King's Cross in 2011. From 1999 to 2020, it operated as an integral school of Central Saint Martins College of Arts a ...
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Central Saint Martins
Central Saint Martins is a constituent college of the University of the Arts London, a public art university in London, England. The college offers full-time courses at foundation, undergraduate and postgraduate levels, and a variety of short and summer courses. It was formerly known as Central Saint Martins College of Arts and Design, and before that as Central Saint Martins College of Art and Design. History Central Saint Martins College of Art and Design was formed in 1989 from the merger of the Central School of Art and Design, founded in 1896, and Saint Martin's School of Art, founded in 1854. Since 1986 both schools had been part of the London Institute, formed by the Inner London Education Authority to bring together seven London art, design, fashion and media schools. The London Institute became a legal entity in 1988, could award taught degrees from 1993, was granted university status in 2003 and was renamed University of the Arts London in 2004. It also includes Ca ...
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Joan Littlewood
Joan Maud Littlewood (6 October 1914 – 20 September 2002) was an English theatre director who trained at the Royal Academy of Dramatic Art and is best known for her work in developing the Theatre Workshop. She has been called "The Mother of Modern Theatre". Her production of '' Oh, What a Lovely War!'' in 1963 was one of her more influential pieces. Littlewood and her company lived and slept in the Theatre Royal while it was restored. Productions of '' The Alchemist'' and '' Richard II'', the latter starring Harry H. Corbett in the title role, established the reputation of the company. She also conceived and developed the concept of the Fun Palace, in collaboration with architect Cedric Price. '' Miss Littlewood'', a musical written about Littlewood by Sam Kenyon, was performed by the Royal Shakespeare Company in 2018. Early years Littlewood was born in Stockwell, London, and was educated at La Retraite Convent School in Clapham Park. She trained as an actress at RA ...
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Schools Of The Performing Arts In The United Kingdom
A school is the educational institution (and, in the case of in-person learning, the Educational architecture, building) designed to provide learning environments for the teaching of students, usually under the direction of teachers. Most countries have systems of formal education, which is sometimes compulsory education, compulsory. In these systems, students progress through a series of schools that can be built and operated by both government and private organization. The names for these schools vary by country (discussed in the ''School#Regional terms, Regional terms'' section below) but generally include primary school for young children and secondary school for teenagers who have completed primary education. An institution where higher education is taught is commonly called a university college or university. In addition to these core schools, students in a given country may also attend schools before and after primary (elementary in the U.S.) and secondary (middle scho ...
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Drama Schools In London
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's ''Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' rather than a '' ...
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Drama Centre London
Drama Centre London (often abbreviated as Drama Centre) was a British drama school in Kings Cross, London, King's Cross, London, where it moved in 2011 after a major reshaping of the University of the Arts London. It was part of Central Saint Martins, a constituent college of the university. Following a review in 2020, the school closed with the graduation of its final students in 2022. Whilst in operation, Drama Centre London was a member of the Federation of Drama Schools, it offered BA (Hons) and Master of Arts, MA acting courses. History Drama Centre London was founded in 1963 by a breakaway group of teachers and students from the Central School of Speech and Drama, led by John Blatchley, Yat Malmgren and Christopher Fettes. It was originally on Prince of Wales Road, Chalk Farm, but moved first to Back Hill, Clerkenwell in 2004, then to Kings Cross, London, King's Cross in 2011. From 1999 to 2020, it operated as an integral school of Central Saint Martins College of Arts a ...
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Fly System
A fly system, or theatrical rigging system, is a system of ropes, pulleys, counterweights and related devices within a theater (structure), theater that enables a stage crew to fly (hoist) quickly, quietly and safely components such as curtains, lights, theatrical scenery, scenery, stage effects and, sometimes, people. Systems are typically designed to fly components between clear view of the audience and out of view, into the large space, the fly loft, above the stage (theatre), stage. Fly systems are often used in conjunction with other theatre systems, such as scenery wagons, stage lifts and stage turntables, to physically manipulate the mise en scène. Theatrical rigging is most prevalent in proscenium theatres with stage houses designed specifically to handle the significant dead and live loads associated with fly systems. building code, Building, Occupational Safety and Health Administration, occupational safety, and Fire safety#Fire code, fire codes limit the types and qu ...
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The Stage
''The Stage'' is a British weekly newspaper and website covering the entertainment industry and particularly theatre. Founded in 1880, ''The Stage'' contains news, reviews, opinion, features, and recruitment advertising, mainly directed at those who work in theatre and the performing arts. History The first edition of ''The Stage'' was published (under the title ''The Stage Directory – a London and Provincial Theatrical Advertiser'') on 1 February 1880 at a cost of three old pence for twelve pages. Publication was monthly until 25 March 1881, when the first weekly edition was produced. At the same time, the name was shortened to ''The Stage'' and the publication numbering restarted at number 1. The publication was a joint venture between founding editor Charles Lionel Carson and business manager Maurice Comerford. It operated from offices opposite the Theatre Royal, Drury Lane. Carson, whose real name was Lionel Courtier-Dutton, was cited as the founder. His wife Emily C ...
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Jacques Lecoq
Jacques Lecoq (15 December 1921 – 19 January 1999) was a French stage actor and acting movement coach. He was best known for his teaching methods in physical theatre, movement, and mime which he taught at the school he founded in Paris known as École internationale de théâtre Jacques Lecoq. He taught there from 1956 until his death from a cerebral hemorrhage in 1999. Jacques Lecoq was known as the only noteworthy movement instructor and theatre pedagogue with a professional background in sports and sports rehabilitation in the twentieth century. Life As a teenager, Lecoq participated in many sports such as running, swimming, and gymnastics. Lecoq was particularly drawn to gymnastics. He began learning gymnastics at the age of seventeen, and through work on the parallel bars and horizontal bar, he came to see and understand the geometry of movement. Lecoq described the movement of the body through space as required by gymnastics to be purely abstract. He came to understand ...
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Yevgeny Vakhtangov
Yevgeny Bagrationovich Vakhtangov (also spelled Evgeny or Eugene; ; 13 February 1883 – 29 May 1922) was a Russian actor and theatre director who founded the Vakhtangov Theatre. He was a friend and mentor of Michael Chekhov.Martin BanhamThe Cambridge guide to theatre Cambridge University Press, 1995, p. 1157:"''Armenian born, Vakhtangov studied law at Moscow University before enrolling at A. I. Adashev’s drama school, where he was taught by, among others, Leopold Sulerzhitsky''." He is known for his distinctive style of theatre, his most notable production being ''Princess Turandot'' in 1922. Early life and education Vakhtangov was born to an Armenian father and a Russian mother in Vladikavkaz, Terek Oblast (now the capital of Northern Ossetia). He was educated at Moscow State University for a short time before joining the Moscow Art Theatre in 1911. Career Vakhtangov rose in the ranks at the Moscow Art Theatre, and by 1920 he was in charge of his own theatre studio. Fo ...
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Konstantin Stanislavski
Konstantin Sergeyevich Stanislavski ( rus, Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈɡʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj, links=yes; ; 7 August 1938) was a seminal Russian and Soviet theatre practitioner. He was widely recognized as an outstanding character actor, and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation an ...
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Method Acting
Method acting, known as the Method, is a range of rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian and Soviet actor and director Konstantin Stanislavski and captured in his books '' An Actor Prepares'', '' Building a Character'', and '' Creating a Role''. Among those who have contributed to the development of the Method, three teachers are associated with "having set the standard of its success", each emphasizing different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).Krasner (2000b, 129). The approach was first developed when the three of them worked together at the Group Theatre (New York City), ...
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Theatre Workshop
Theatre Workshop is a theatre group whose long-serving director was Joan Littlewood. Many actors of the 1950s and 1960s received their training and first exposure with the company, many of its productions were transferred to theatres in the West End, and some, such as '' Oh, What a Lovely War!'' and '' A Taste of Honey'', were made into films. Formation Joan Littlewood and Ewan MacColl met and married in 1934, while both were working with the Theatre of Action. They started their own collaboration developing radio plays for the BBC, taking scripts and cast from local workers. However, both MI5 and the Special Branch maintained a watch on the couple because of their support for the Communist Party of Great Britain. Littlewood was precluded from working for the BBC as a children's programme presenter and some of MacColl's work was banned from broadcast. In the late 1930s Littlewood and MacColl formed an acting troupe called the Theatre Union. This was dissolved in 1940, but ...
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