Doppelgänger (Dungeons
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Doppelgänger (Dungeons
A doppelgänger ( ), sometimes spelled doppelgaenger or doppelganger, is a ghostly double of a living person, especially one that haunts its own fleshly counterpart. In fiction and mythology, a doppelgänger is often portrayed as a ghostly or paranormal phenomenon and usually seen as a wikt:harbinger, harbinger of bad luck. Other traditions and stories equate a doppelgänger with an evil twin. In modern times, the term twin stranger is occasionally used. Spelling The word "doppelgänger" is a loanword from the German noun , literally meaning "double-walker". The singular and plural forms are the same in German, but English writers usually prefer the plural "doppelgängers". In German, there is also a feminine form, (plural ). The first-known use, in the form , occurs in the novel ''Siebenkäs'' (1796) by Jean Paul, in which he explains his newly coined word in a footnote; the word also appears in the novel, but with a different meaning. In German, the word is written (as is ...
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Dante Gabriel Rossetti - How They Met Themselves (1860-64 Circa)
Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian poet, writer, and philosopher. His ''Divine Comedy'', originally called (modern Italian: ) and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante chose to write in the vernacular, specifically, his own Tuscan dialect, at a time when much literature was still written in Latin, which was accessible only to educated readers, and many of his fellow Italian poets wrote in French or Provençal. His ' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers ...
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Helen Of Troy
Helen (), also known as Helen of Troy, or Helen of Sparta, and in Latin as Helena, was a figure in Greek mythology said to have been the most beautiful woman in the world. She was believed to have been the daughter of Zeus and Leda (mythology), Leda or Nemesis, and the sister of Clytemnestra, Castor and Pollux, Castor, Pollux, Philonoe, Phoebe (mythology), Phoebe and Timandra (mythology), Timandra. She was married first to King Menelaus of Sparta "who became by her the father of Hermione (mythology), Hermione, and, according to others, of Nicostratus (mythology), Nicostratus also." Her subsequent marriage to Paris (mythology), Paris of Troy was the most immediate cause of the Trojan War. Elements of her putative biography come from classical authors such as Aristophanes, Cicero, Euripides, and Homer (in both the ''Iliad'' and the ''Odyssey''). Her story reappears in Book II of Virgil's ''Aeneid''. In her youth, she was abducted by Theseus. A competition between her suitors ...
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Malkut
Malkuth (; "kingdom"; Ashkenazi: ''Malkhus'' ), Malkhut, Malkhuth, or Malchus, is the tenth of the sefirot in the Kabbalistic Tree of Life. Description In the ''Zohar'', an important Kabbalistic text from late al-Andalus, Malkuth sits at the bottom of the Tree of Life below Yesod and "governs the simple fact of existence in the physical world"; it is also known as Shekhinah. " e central teaching of the Zohar coalesced around an anthropomorphic model, in which the sefirot represent a cosmic anthropos. The lower sefirot, Malkhut, Yesod, Hod, and Nezah, constitute the most physical dimension of life, the nefesh." Unlike the other nine sephirot, it is an attribute of God which does not emanate from God directly. Rather it emanates from God's creation—when that creation reflects and evinces God's glory from within itself. In Western esotericism Malkuth means Kingdom. It is associated with the realm of matter/earth and relates to the physical world, the planets and the Solar S ...
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Tiferet
Tiferet ( ''Tip̄ʾereṯ,'' in pausa: תִּפְאָרֶת ''Tip̄ʾāreṯ'', lit. 'beauty, glory, adornment') alternatively Tifaret, Tiphareth, Tifereth or Tiphereth, is the sixth sefira in the kabbalistic Tree of Life. It has the common association of "Spirituality", "Balance", " Integration", "Beauty", "Miracles", and "Compassion". Description In the Bahir it states: "Sixth is the adorned, glorious, delightful throne of glory, the house of the world to come. Its place is engraved in wisdom as it says 'God said: Let there be light, and there was light.'" Arthur Green. ''A guide to the Zohar'' Tiferet is the force that integrates the sefira of Chesed ("Kindness") and Gevurah ("Strength", also called Din, "Judgement"). These two forces are, respectively, expansive (giving) and restrictive (receiving). Either of them without the other could not manifest the flow of Divine energy; they must be balanced in perfect proportion by balancing compassion with discipline. This balan ...
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Keter
Keter or Kether (; ) is the first of the ten sefirot in the Kabbalistic Tree of Life, symbolizing the divine will and the initial impulse towards creation from the '' Ein Sof'', or infinite source. It represents pure consciousness and transcends human understanding, often referred to as "Nothing" or the "Hidden Light". Keter is associated with the divine name "'' Ehyeh Asher Ehyeh''" (), meaning "I Am that I Am", which was revealed to Moses from the burning bush, and it embodies the qualities of absolute compassion and humility. Its meaning is "crown", and it is interpreted as both the "topmost" of the Sefirot and the " regal crown" thereof. Keter is positioned at the top of the Tree of Life, sitting above and between Chokmah on the right and Binah on the left, and above Tiferet. It is often depicted with three primary paths: one leading to Chokmah, another to Binah, and the third to Tiferet. This positioning highlights its role as the source from which wisdom (Chokmah) and ...
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Sefirot
Sefirot (; , plural of ), meaning '' emanations'', are the 10 attributes/emanations in Kabbalah, through which Ein Sof ("infinite space") reveals itself and continuously creates both the physical realm and the seder hishtalshelut (the chained descent of the metaphysical Four Worlds). The term is alternatively transliterated into English as ''sephirot/sephiroth'', singular ''sefira/sephirah''. As revelations of the creator's will (, ''rāṣon''), the sefirot should not be understood as ten gods, but rather as ten different channels through which the one God reveals His will. In later Jewish literature, the ten sefirot refer either to the ten manifestations of God; the ten powers or faculties of the soul; or the ten structural forces of nature. Alternative configurations of the sefirot are interpreted by various schools in the historical evolution of Kabbalah, with each articulating differing spiritual aspects. The tradition of enumerating 10 is stated in the ''Sefer Yetzirah ...
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Kabbalah
Kabbalah or Qabalah ( ; , ; ) is an esoteric method, discipline and school of thought in Jewish mysticism. It forms the foundation of Mysticism, mystical religious interpretations within Judaism. A traditional Kabbalist is called a Mekubbal (). List of Jewish Kabbalists, Jewish Kabbalists originally developed transmissions of the primary texts of Kabbalah within the realm of Jewish tradition and often use classical Jewish scriptures to explain and demonstrate its mystical teachings. Kabbalists hold these teachings to define the inner meaning of both the Hebrew Bible and traditional rabbinic literature and their formerly concealed transmitted dimension, as well as to explain the significance of Jewish religious observances. Historically, Kabbalah emerged from earlier forms of Jewish mysticism, in 12th- to 13th-century Golden age of Jewish culture in Spain, al-Andalus (Spain) and in Hakhmei Provence, and was reinterpreted during the Jewish mystical renaissance in 16th-century ...
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Mythologia Fennica
Mythologia Fennica () is a 1789 book on Finnish mythology written in Swedish by Kristfrid Ganander, a Finnish priest. ''Mythologia Fennica'' contains 430 entries in alphabetical order from "AARNI" to "YRJÄNÄ". Entries cover Finnish mythology, folk poetry, spells, Sámi mythology, and the Norse gods. The work influenced Elias Lönnrot, compiler of the epic ''Kalevala''; as a result, Ganander has been later perceived as a kind of "Lönnrot before Lönnrot." Publication and translation ''Mythologia Fennica'' was intended as an appendix to a Swedish-Finnish dictionary which was left unfinished by Ganander. It was created with the encouragement and assistance of Henrik Gabriel Porthan, the father of Finnish historical research. It was completed in 1789 but only published 4 years later, following Porthan's review. A German translation was made by the Estonian poet Kristjan Jaak Peterson Kristjan Jaak Peterson (, Riga – , Riga), also known as Christian Jacob Petersohn, was an ...
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Etiäinen
In Finnish folklore, all places and things, and also human beings, have a haltija (a genius, guardian spirit) of their own. One such haltija is called etiäinen—an image, doppelgänger, or just an impression that goes ahead of a person, doing things the person in question later does. For example, people waiting for someone at home might hear the door close, as if the one they're waiting for arrived, or even see their shadow or a silhouette, only to realize that they haven't arrived yet after all. When the person finally comes home, they would repeat the actions of their etiäinen that the people waiting witnessed earlier. Etiäinen can also refer to some kind of a feeling that something is going to happen. Sometimes it could, for example, warn of a bad year coming.Virtanen, Leea, and DuBois, Thomas Andrew. Finnish folklore. Finland, Finnish Literature Society, 2000. In modern Finnish, the term has detached from its shamanistic origins and refers to premonition. Unlike clairv ...
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Finnish Mythology
Finnish mythology commonly refers of the folklore of Finnish paganism, of which a Finnish Neopaganism, modern revival is practiced by a small percentage of the Finnish people. It has many shared features with Estonian mythology, Estonian and other Baltic Finns, Finnic mythologies, but also with neighbouring Baltic mythology, Baltic, slavic mythology, Slavic and, to a lesser extent, Norse mythology, Norse mythologies. Finnish mythology survived within an oral tradition of mythical poem-singing and folklore well into the 19th century. Of the animals, the most sacred was the bear, whose real name was never uttered out loud, which was thought to be unfavorable to the hunt. The bear ("karhu" in Finnish) was seen as the embodiment of the forefathers, and for this reason it was called by many circumlocutions: ''mesikämmen'' ("mead-paw"), ''otso'' ("browed one"), ''kontio'' ("dweller of the land"), ''metsän kultaomena'' ("the golden apple of the forest"). It was not strictly seen as a ...
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Vardøger
Vardøger, also known as ''vardyvle'' or ''vardyger'', is a spirit predecessor in Scandinavian folklore. Stories typically include instances that are nearly déjà vu in substance, but in reverse, where a spirit with the subject's footsteps, voice, scent, or appearance and overall demeanor precedes them in a location or activity, resulting in witnesses believing they have seen or heard the actual person before the person physically arrives. This bears a subtle difference from a doppelgänger, with a less sinister connotation. It has been likened to being a phantom double, or form of bilocation. In Finnish folklore, the concept is known as '' etiäinen''. Originally, vardøger was considered a fylgja and/or vǫrð, a sort of guardian spirit. Thus, a vardöger is the representation of a human's inner essence, which manifests as an animal that most closely resembles the personality of the human. Etymology Vardøgr is a Norwegian word defined as ‘‘premonitory sound or sight ...
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Norse Mythology
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The North Germanic languages, northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the Huginn and Muninn, raven-flanked god Odin, the goddess Freyja, and List of Germanic deities, numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of ...
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