Discovery (music Video)
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Discovery (music Video)
''Discovery'' is the eighth studio album by English rock band Electric Light Orchestra (ELO). It was released on 1 June 1979 in the United Kingdom by Jet Records, where it topped record charts, and on 8 June in the United States on Jet through Columbia Records distribution. A music video album featuring all the songs being played by the band was then released on VHS in 1979, then re-released as part of the '' Out of the Blue: Live at Wembley'' DVD and VHS in 1998. Background ''Discovery'' was the band's first number 1 album in the UK, entering the chart at that position and staying there for five weeks. The album contained five hit songs in " Shine a Little Love", " Don't Bring Me Down", " Last Train to London", " Confusion" and " The Diary of Horace Wimp", many of which were heavily influenced by disco (in fact, Richard Tandy nicknamed the album, ''Disco Very''). "Don't Bring Me Down" would become one of their only two top three hits in the UK throughout their career ("Xan ...
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Electric Light Orchestra
The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by multi-instrumentalists Jeff Lynne and Roy Wood and drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. During their first run from 1970 to 1986, Lynne and Bevan were the group's only consistent members. The group's name is a pun that references both electric light and "light orchestral music", a popular style featured in places such as the BBC Light Programme between the 1940s and 1960s. ELO was formed out of Lynne's and Wood's desire to create modern rock and pop songs with classical influences. It derived as an offshoot of Wood's previous band, the Move, of which Lynne and Bevan were also members. During the 1970s and 1980s, ELO released a string of ...
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Confusion (Electric Light Orchestra Song)
"Confusion" is the second song from the 1979 Electric Light Orchestra (ELO) album ''Discovery''. It features 12-string acoustic guitar and vocoder. It was released in the UK as a double A-side single with " Last Train to London". It peaked at number 8 in the UK Singles Chart, making it the fourth consecutive top 10 single to be taken from the Discovery album. In the United States the song was released as a single with "Poker" on the B-side becoming a more modest hit, reaching number 37 on the ''Billboard'' Hot 100. ''Billboard'' rated "Confusion" as "a superbly crafted single," describing it as "a mid-tempo rock track that mixes a Beatlesque sound with a hint of disco." ''Cash Box'' called it a "bubbly Lynne concoction, mixing glossy pop melody with alternately grandiose and circus-like keyboard fills" and praised the song's hook and craftsmanship." ''Record World ''Record World'' magazine was one of three major weekly music industry trade magazines in the United States ...
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RIAA
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ...
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Double A-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ot ...
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Beatlesque
"Beatlesque" () or "Beatles-esque" describes a musical resemblance to the English rock band the Beatles. The term is loosely defined and has been applied inconsistently to a wide variety of disparate artists. Definitions To better explain what the word might mean, eight possible answers were formulated by radio producer Kevin Howlett, music professor Rob Bowman, and Klaatu drummer Terry Draper: * " Penny Lane"-style piano tone clusters (also heard on " Getting Better" and " With a Little Help from My Friends") * "the big ending", as in " It's All Too Much" * bluegrass-influenced close harmonies, using fourth intervals * " I Am the Walrus"-inspired cellos * the stylistic contrast between Lennon and McCartney * the left-handed, right-handed drumming; referencing Ringo Starr's habit of playing right-handed drum kits despite being left-handed * when audiences feel that the band is a continuation of the Beatles, as was the case for Klaatu * a simulacrum of the Beatles' reput ...
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Flashback (Electric Light Orchestra Album)
''Flashback'' is the second box set compilation by Electric Light Orchestra (ELO), released in November 2000 in the US and the following month in the UK. History In 2000, Jeff Lynne found a new impetus to work on the music of his old band and returned to the recording studio to work on an ELO project for the first time in some 15 years. This was just prior to his return to recording under the ELO name with the album ''Zoom'' in 2001. This work resulted in a digitally remastered compilation released in late 2000. Unlike its predecessors, this project, ''Flashback'', was personally approved and endorsed by Lynne. The set includes songs featured from all 11 studio albums up to that point, including an edit of "Great Balls of Fire" from their live album ''The Night the Light Went On in Long Beach'', most of their singles (albeit in their album versions) excluding 'Wild West Hero', the Double A-side "Ticket To The Moon"/"Here Is The News" and the tracks from the OST ''Xanadu'' plus s ...
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Richard Tandy
Richard Tandy (26 March 1948 – 1 May 2024) was an English musician. He was the full-time keyboardist in the band Electric Light Orchestra ("ELO"). His palette of keyboards (including Minimoog, Clavinet, Mellotron, and piano) was an important ingredient in the group's sound, especially on the albums '' A New World Record'' (1976), '' Out of the Blue'' (1977), ''Discovery'' (1979) and ''Time'' (1981). He collaborated musically with ELO frontman Jeff Lynne on many projects, among them songs for the '' Electric Dreams'' soundtrack, Lynne's solo album ''Armchair Theatre'' and Lynne-produced Dave Edmunds album ''Information''. Tandy was inducted into the Rock and Roll Hall of Fame in 2017 as a member of Electric Light Orchestra. Life and career Early career Tandy was born on 26 March 1948 in Birmingham, Warwickshire and educated at Moseley School, where he first met future bandmate Bev Bevan. Tandy would later be reunited with Bevan in 1968 when he played the harpsichord on The Mo ...
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Live At Wembley
Live at Wembley or Live at Wembley Stadium may refer to: * ''Live at Wembley'' (Meat Loaf album), 1987 * ''Live at Wembley'' (Beyoncé Knowles album), 2004 * ''Live at Wembley'' (Bad Company album), 2011 * ''Live at Wembley'' (Alter Bridge DVD), 2012 * ''Live at Wembley'' (Bring Me the Horizon album), 2015 * ''Live at Wembley'' (Babymetal album), 2016 * '' Live at Wembley '86'', a 1992 album by Queen * ''Live at Wembley '78'', a 1998 album by Electric Light Orchestra * ''Live at Wembley July 16, 1988'', a 2012 DVD by Michael Jackson * ''Live at Wembley Arena ''Live at Wembley Arena'' is an album of live recordings by Swedish pop group ABBA, released by Polar Music on 26 September 2014, on 2 CD, 3 LP and digital format. The album, produced by Ludvig Andersson, includes the complete concert at London' ...'', a 2014 album by ABBA * ''Live at Wembley Stadium'' (Spice Girls DVD), 1998 * ''Live at Wembley Stadium'' (Genesis DVD), 2003 * ''Live at Wembley Stadium'' (Foo Fighter ...
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Rock Music
Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew from the black musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk music, folk, and incorporated influences from jazz and other styles. Rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drum kit, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature and using a verse–chorus form; however, the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most p ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a spin-off digital television channel, which was later renamed Box Hits, and website. A digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for its first few issues. He based the idea on ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leonard Maltin's book '' TV movies'' and Robert Christgau's review column in the '' Village Voice''. He gives '' Phonolog'' and ''Schwan ...
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MusicHound Rock
MusicHound (often stylized as musicHound) was a compiler of genre-specific music guides published in the United States by Visible Ink Press between 1996 and 2002. After publishing eleven album guides, the MusicHound series was sold to London-based Music Sales Group, whose company Omnibus Press had originally distributed the books outside America. The series' founding editor was Gary Graff, formerly a music critic with the ''Detroit Free Press''. Subtitled "''The Essential Album Guide''", each publication typically contained entries providing an overview of an artist's career and dividing their work into categories such as "what to buy", "what's next", "what to avoid" and "worth searching for". Among the MusicHound album guides were titles dedicated to rock, blues, classical, jazz, world music, swing, and soundtrack recordings. Further to the canine analogy in the series title, albums were graded according to a "bone" rating system: five bones constituting the highest score, ...
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