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Discovery (Daft Punk Album)
''Discovery'' is the second studio album by the French electronic music duo Daft Punk, released on 12 March 2001 by Virgin Records. It marked a shift from the Chicago house of their first album, ''Homework (Daft Punk album), Homework'' (1997), to a house style more heavily inspired by disco, post-disco, garage house, and Contemporary R&B, R&B. Thomas Bangalter of Daft Punk described ''Discovery'' as an exploration of song structures, musical forms and childhood nostalgia, compared to the "raw" electronic music of ''Homework.'' ''Discovery'' was recorded at Bangalter's home in Paris between 1998 and 2000. It features extensive Sampling (music), sampling; some samples are from older records, while others were created by Daft Punk. The electronic musicians Romanthony, Todd Edwards, and DJ Sneak collaborated on some tracks. For the music videos, Daft Punk developed a concept involving the merging of science fiction with the entertainment industry. Inspired by their childhood love for ...
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Daft Punk
Daft Punk were a French electronic music duo formed in 1993 in Paris by Thomas Bangalter and Guy-Manuel de Homem-Christo. They achieved popularity in the late 1990s as part of the French house movement, combining house music, funk, disco, techno, Rock music, rock and synth-pop. They are regarded as one of the most influential acts in electronic dance music. Daft Punk formed after their previous group, the indie rock band Darlin', disbanded. They were managed from 1996 to 2008 by Pedro Winter, the head of Ed Banger Records. Their debut album, ''Homework (Daft Punk album), Homework'', was released by Virgin Records in 1997 to positive reviews, backed by the singles "Around the World (Daft Punk song), Around the World" and "Da Funk". From 1999, Daft Punk assumed robot personas for public appearances, with helmets, outfits and gloves to disguise their identities. They made few media appearances. Daft Punk's second album, ''Discovery (Daft Punk album), Discovery'' (2001), earned acc ...
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Face To Face (Daft Punk Song)
"Face to Face" is a single by French electronic music duo Daft Punk, featuring vocals and co-production by American house music producer Todd Edwards. It was released on their second studio album ''Discovery'' (2001) and as a promotional single on 10 October 2003. As part of ''Discovery'', the song appears in the film '' Interstella 5555: The 5tory of the 5ecret 5tar 5ystem'', and the section of the film in which the song appears serves as its music video. The track uses Edwards' distinctive "cut-up" production style, incorporating over 20 uncredited samples from various soft rock and folk music songs. Daft Punk first successfully convinced Edwards to collaborate with them after the release of ''Homework'' (1997), meeting for two studio sessions to record and build the track. The song achieved commercial success, reaching the number one spot on the ''Billboard'' Hot Dance Club Play chart in 2004. Two remixes by Cosmo Vitelli and Demon were made and included in Daft Punk's 200 ...
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Entertainment Industry
Entertainment is a form of activity that holds the attention and Interest (emotion), interest of an audience or gives pleasure and delight. It can be an idea or a task, but it is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things because individuals have different preferences, most forms of entertainment are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in Court (royal), royal courts, and developed into sophisticated forms over time, becoming available to all citizens. The process has been accelerated in modern times by an entertainment industry that records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses private entertainment from a now enormous ...
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Science Fiction
Science fiction (often shortened to sci-fi or abbreviated SF) is a genre of speculative fiction that deals with imaginative and futuristic concepts. These concepts may include information technology and robotics, biological manipulations, space exploration, time travel, Parallel universes in fiction, parallel universes, and extraterrestrials in fiction, extraterrestrial life. The genre often explores human responses to the consequences of projected or imagined scientific advances. Science fiction is related to fantasy (together abbreviated wikt:SF&F, SF&F), Horror fiction, horror, and superhero fiction, and it contains many #Subgenres, subgenres. The genre's precise Definitions of science fiction, definition has long been disputed among authors, critics, scholars, and readers. Major subgenres include hard science fiction, ''hard'' science fiction, which emphasizes scientific accuracy, and soft science fiction, ''soft'' science fiction, which focuses on social sciences. Other no ...
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DJ Sneak
Carlos Sosa (born November 5, 1969), known as DJ Sneak, is a Puerto Rican-born American DJ and record producer raised in Chicago, Illinois, United States. He is noted as being one of the second wave of Chicago house producers, (alongside Derrick Carter, Green Velvet, Cajmere/Green Velvet, Gemini, James Curd and Paul Johnson (producer), Paul Johnson) as well as a member of the vanguard of late-1990s United States house producers. Biography In 1983, Sneak moved to Chicago from Puerto Rico, where his early musical experiences and influences were rooted in salsa music, salsa, Merengue music, merengue and Latin orchestras. In Chicago, Sneak found inspiration in underground house music, warehouse parties and "old school" mix tapes from the early pioneers, Farley Keith, Farley Jackmaster Funk, Ralphi Rosario, Steve Hurley and local radio station shows played on WVAZ, WBMX. Sneak earned his nickname rocking graffiti-tags and began working at retail stores as an airbrush artist. His deve ...
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Todd Edwards
Todd Edward Imperatrice (born December 9, 1972), known professionally as Todd Edwards, is an American garage house record producer, DJ, and singer. Nicknamed "The God" and known by various aliases throughout his career, he has been credited as a significant influence on electronic music. He inspired the French house duo Daft Punk and played a role in the creation of the UK garage genre. Edwards began his career producing primarily for New York's Nervous Records in the 1990s, including under aliases such as the Messenger and the Sample Choir. Beginning with his 1993 single "Guide My Soul", Edwards helped pioneer the speed garage genre. His 1994 single "Saved My Life" became a club hit in the UK. Edwards has remixed hundreds of artists, including Wildchild, St Germain, Benjamin Diamond, Justice, Klaxons and Dimitri from Paris. Edwards has collaborated with Daft Punk on two successful songs, co-producing and contributing vocals on the songs " Face to Face" (2001) and " Fragme ...
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Romanthony
Anthony Wayne Moore (September 5, 1967 – May 7, 2013), known professionally as Romanthony, was an American DJ, record producer, and singer. He worked with French duo Daft Punk, providing vocals for " One More Time" and "Too Long" off their second album, ''Discovery''. Early life, family and education Anthony Wayne Moore was born on September 5, 1967, in New Jersey, where he was raised. He had a sister, Mellony Moore. His parents saw his musical aptitude when he was young and he was encouraged to take music lessons and learn the guitar. Despite being a techno artist much of his influences came from older acts such as: Chuck Berry, Elvis Presley, the Beatles, Marvin Gaye and Led Zeppelin. He choose the name Romanthony, to avoid confusion with the British Anthony Moore, a founding member of Slapp Happy. Career His work crossed several genres, including house, R&B, and hip hop. Tracks like "Hold On" make extensive use of sampling with a distinctly soulful house feel, while ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ...
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Nostalgia
Nostalgia is a sentimentality for the past, typically for a period or place with happy personal associations. The word ''nostalgia'' is a neoclassical compound derived from Greek language, Greek, consisting of (''nóstos''), a Homeric word meaning "homecoming", and (''álgos''), meaning "pain"; the word was coined by a 17th-century medical student to describe the anxieties displayed by Swiss mercenaries fighting away from home. Described as a medical condition—a form of Depression (mood), melancholy—in the early modern period, it became an important Trope (literature), trope in Romanticism. Nostalgia is associated with a longing for the past, its personalities, possibilities, and events, especially the "good old days" or a "warm childhood". There is a predisposition, caused by cognitive biases such as rosy retrospection, for people to view the past more positively and the future more negatively. When applied to one's beliefs about a society or institution, this is called ...
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, hip hop, and electronic music. The genre features a distinctive Record producer, record production style and a smooth, lush style of vocal arrangement. Electronic music, Electronic influences and the use of hip hop or electronic dance music, dance-inspired beat (music), beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music. Precursors According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since" ...
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Garage House
Garage house (originally known as "garage"; local terms include "New York house" and New Jersey sound) is a dance music style that was developed alongside Chicago house music. The genre was popular in the 1980s in the United States and the 1990s in the United Kingdom, where it developed into UK garage and speed garage. Characteristics In comparison to other forms of house music, garage includes more gospel-influenced piano riffs and female vocals. It has a more soulful R&B-derived sound than Chicago house. History Garage house was developed in the Paradise Garage nightclub in New York City and Club Zanzibar in Newark, New Jersey, United States, during the early-to-mid 1980s. There was much overlap between it and early house music, making it difficult to tell the two apart. It predates the development of Chicago house, and according to All Music, is relatively closer to disco than other dance styles. As Chicago house gained international popularity, New York's garage music s ...
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Post-disco
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither R&B."Kellman, Andy"Unlimited Touch"artist biog ...
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