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Differences Between General American And Received Pronunciation
One aspect of the Comparison of American and British English, differences between American and British English is that of specific word pronunciations, as described in American and British English pronunciation differences. However, there are also differences in some of the basic pronunciation patterns between the standard dialects of each country. The standard varieties for each are in fact generalizations: for the U.S., a loosely defined spectrum of markedness, unmarked varieties called General American (abbreviated "GA") and, for Britain, a collection of prestigious varieties most common in southeastern England, ranging from upper- to middle-class Received Pronunciation accents, which together here are abbreviated "RP". However, other regional accents in each country also show differences, for which see regional accents of English speakers. Received Pronunciation has been the subject of many academic studies, and is frequently used as a model for teaching English to foreign le ...
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Comparison Of American And British English
The English language was introduced to the Americas by the arrival of the English, beginning in the late 16th century. The language also spread to numerous other parts of the world as a result of British trade and settlement and the spread of the former British Empire, which, by 1921, included 470–570 million people, about a quarter of the world's population. In England, Wales, Ireland and especially parts of Scotland there are differing varieties of the English language, so the term 'British English' is an oversimplification. Likewise, spoken American English varies widely across the country. Written forms of British and American English as found in newspapers and textbooks vary little in their essential features, with only occasional noticeable differences. Over the past 400 years, the forms of the language used in the Americas—especially in the United States—and that used in the United Kingdom have diverged in a few minor ways, leading to the versions now often ...
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Open Vowel
An open vowel is a vowel sound in which the tongue is positioned approximately as far as possible from the roof of the mouth. Open vowels are sometimes also called low vowels (in U.S. terminology ) in reference to the low position of the tongue. In the context of the phonology of any particular language, a ''low vowel'' can be any vowel that is more open than a mid vowel. That is, open-mid vowels, near-open vowels, and open vowels can all be considered low vowels. Partial list The open vowels with dedicated symbols in the International Phonetic Alphabet are: * open front unrounded vowel * open front rounded vowel This vowel is not known to occur as a phoneme distinct from in any language. * open back unrounded vowel * open back rounded vowel There also are central vowels that do not have dedicated symbols in the IPA: * open central unrounded vowel or (commonly written as if it were front vowel, front) * open central rounded vowel There is no unambiguous way of transc ...
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English Consonant-cluster Reductions
The phonological history of English includes various changes in the phonology of consonant clusters. H-cluster reductions The H-cluster reductions are various consonant reductions that have occurred in the history of English, involving consonant clusters beginning with that have lost the (or become reduced to ) in some or all dialects. Reductions of /hw/ The cluster (spelled ⟨wh⟩ since Middle English) has been subject to two kinds of reduction: * Reduction to before rounded vowels (due to being perceived as a with the labialization characteristic of that environment). This occurred with the word ''how'' in the Old English period, and with ''who'', ''whom'' and ''whose'' in Middle English (the latter words having had an unrounded vowel in Old English). * Reduction to , a development that has affected the speech of the great majority of English speakers, causing them to pronounce ⟨wh-⟩ the same as ⟨w-⟩ (sometimes called the ''wine–whine merger'' or '' gli ...
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Allophone
In phonology, an allophone (; from the Greek , , 'other' and , , 'voice, sound') is one of multiple possible spoken soundsor '' phones''used to pronounce a single phoneme in a particular language. For example, in English, the voiceless plosive (as in ''stop'' ) and the aspirated form (as in ''top'' ) are allophones for the phoneme , while these two are considered to be different phonemes in some languages such as Central Thai. Similarly, in Spanish, (as in ''dolor'' ) and (as in ''nada'' ) are allophones for the phoneme , while these two are considered to be different phonemes in English (as in the difference between ''dare'' and ''there''). The specific allophone selected in a given situation is often predictable from the phonetic context, with such allophones being called positional variants, but some allophones occur in free variation. Replacing a sound by another allophone of the same phoneme usually does not change the meaning of a word, but the result may sound ...
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Alveolar Flap
The voiced alveolar tap or flap is a type of consonantal sound, used in some spoken languages. The symbol in the International Phonetic Alphabet The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standard written representation ... that represents a dental, alveolar, or postalveolar tap or flap is . The terms ''tap'' and ''flap'' are often used interchangeably. Peter Ladefoged proposed the distinction that a tap strikes its point of contact directly, as a very brief stop, and a flap strikes the point of contact tangentially: "Flaps are most typically made by retracting the tongue tip behind the alveolar ridge and moving it forward so that it strikes the ridge in passing." That distinction between the alveolar tap and flap can be written in the IPA with tap and flap , the 'retroflex' symbol being used for the one ...
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Unstressed Vowel
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress s ...
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Sonorant
In phonetics and phonology, a sonorant or resonant is a speech sound that is produced with continuous, non-turbulent airflow in the vocal tract; these are the manners of articulation that are most often voiced in the world's languages. Vowels are sonorants, as are semivowels like and , nasal consonants like and , and liquid consonants like and . This set of sounds contrasts with the obstruents ( stops, affricates and fricatives). For some authors, only the term ''resonant'' is used with this broader meaning, while ''sonorant'' is restricted to the consonantal subset—that is, nasals and liquids only, not vocoids (vowels and semivowels). Types Whereas obstruents are frequently voiceless, sonorants are almost always voiced. In the sonority hierarchy, all sounds higher than fricatives are sonorants. They can therefore form the nucleus of a syllable in languages that place that distinction at that level of sonority; see Syllable for details. Sonorants contrast with obs ...
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Flapping
Flapping or tapping, also known as alveolar flapping, intervocalic flapping, or ''t''-voicing, is a phonological process involving a voiced alveolar tap or flap; it is found in many varieties of English, especially North American, Cardiff, Ulster, Australian and New Zealand English, where the voiceless alveolar stop consonant phoneme is pronounced as a voiced alveolar flap , a sound produced by briefly tapping the alveolar ridge with the tongue, when placed between vowels. In London English, the flapped is perceived as a casual pronunciation intermediate between the affricate , with higher class associations, and the glottal stop , with lower class associations. In these named varieties, outside of Britain, , the voiced counterpart of , is also frequently pronounced as a flap in such positions, making pairs of words like ''latter'' and ''ladder'' sound similar or identical. In similar positions, the combination may be pronounced as a nasalized flap , making ''winter'' soun ...
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Phonological History Of English Close Front Vowels
The close and mid-height front vowels of English (vowels of ''i'' and ''e'' type) have undergone a variety of changes over time and often vary by dialect. Developments involving long vowels Until Great Vowel Shift Middle English had a long close front vowel , and two long mid front vowels: the close-mid and the open-mid . The three vowels generally correspond to the modern spellings , and respectively, but other spellings are also possible. The spellings that became established in Early Modern English are mostly still used today, but the qualities of the sounds have changed significantly. The and generally corresponded to similar Old English vowels, and came from Old English or . For other possible histories, see English historical vowel correspondences. In particular, the long vowels sometimes arose from short vowels by Middle English open syllable lengthening or other processes. For example, ''team'' comes from an originally-long Old English vowel, and ''eat'' ...
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Phonemic Contrast
Phonemic contrast refers to a minimal phonetic difference, that is, small differences in speech sounds, that makes a difference in how the sound is perceived by listeners, and can therefore lead to different mental lexical entries for words. For example, whether a sound is voiced or unvoiced (consider /b/ and /p/ in English) matters for how a sound is perceived in many languages, such that changing this phonetic feature can yield a different word (consider ''bat'' and ''pat'' in English); see Phoneme. Another example in English of a phonemic contrast would be the difference between ''leak'' and ''league;'' the minimal difference of voicing between and does lead to the two utterances being perceived as different words. On the other hand, an example that is not a phonemic contrast in English is the difference between and . In this case the minimal difference of vowel length is not a contrast in English and so those two forms would be perceived as different pronunciations of t ...
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English-language Vowel Changes Before Historic /r/
In English, many vowel shifts affect only vowels followed by in rhotic dialects, or vowels that were historically followed by that has been elided in non-rhotic dialects. Most of them involve the merging of vowel distinctions, so fewer vowel phonemes occur before than in other positions of a word. Overview In rhotic dialects, is pronounced in most cases. In General American English (GA), is pronounced as an approximant or in most positions, but after some vowels, it is pronounced as ''r''-coloring. In Scottish English, is traditionally pronounced as a flap or trill , and there are no ''r''-colored vowels. In non-rhotic dialects like Received Pronunciation (RP), historic is elided at the end of a syllable, and if the preceding vowel is stressed, it undergoes compensatory lengthening or breaking (diphthongization). Thus, words that historically had often have long vowels or centering diphthongs ending in a schwa , or a diphthong followed by a schwa. * ''ea ...
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Eye Dialect
Eye dialect is a writer's use of deliberately nonstandard spelling either because they do not consider the standard spelling a good reflection of the pronunciation or because they are intending to portray vernacular, informal or low-status language usage. The term was coined by George Philip Krapp to refer to a literary technique that implies the standard pronunciation of a given word that is not well-reflected by its standard spelling, such as ''wimmin'' to represent more accurately the typical English pronunciation of ''women''. However, eye dialect is also commonly used to indicate that a character's speech is vernacular (nonstandard dialect, nonstandard), casual, foreign, or uneducated, often to be humorous. This form of nonstandard spelling differs from others in that a difference in spelling does not indicate a difference in pronunciation of a word. That is, it is a "dialect to the eye", rather than "to the ear". Use Most authors are likely to use eye dialect with restraint, ...
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