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Die Brücke
Die Brücke (The Bridge), also known as Künstlergruppe Brücke or KG Brücke, was a group of German expressionist artists formed in Dresden in 1905. The founding members were Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff. Later members were Emil Nolde, Max Pechstein, and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism."The Artists' Association 'Brücke'" Brücke Museum. Retrieved 7 September 2007. The group came to an end around 1913. The Brücke Museum in Berlin was named after the group. The Brücke is sometimes compared to the roughly contemporary French group of the Fauvism, Fauves. Both movements shared interests in Primitivism, primitivist art and in the expressing of extreme em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Art
Abstract art uses visual language of shape, form, color and line to create a Composition (visual arts), composition which may exist with a degree of independence from visual references in the world. ''Abstract art'', ''non-figurative art'', ''non-objective art'', and ''non-representational art'' are all closely related terms. They have similar, but perhaps not identical, meanings. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstraction indicates a departu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linocut
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of relief printing in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief printing, relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or Chisel#Gouge, gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press. Multi-color linocuts can be made by successively printing with a different block for each color as in a color woodcut, as the artists of the Grosvenor School frequently did. As Pablo Picasso demonstrated, such prints can also be achieved using a single piece of linoleum in what is called the "reductive" print method. Essentially, after each successive color is imprinted onto the paper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printmaking
Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (Printer (computing), a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Prints are created by transferring ink from a Matrix (printing), matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primitivism (art)
In the arts of the Western world, Primitivism is a mode of aesthetic idealization that means to recreate the experience of ''the primitive'' time, place, and person, either by emulation or by re-creation. In Western philosophy, Primitivism proposes that the people of a primitive society possess a morality and an ethics that are superior to the urban value system of civilized people. In European art, the aesthetics of primitivism included techniques, motifs, and styles copied from the arts of Asian, African, and Australasian peoples perceived as primitive in relation to the urban civilization of Western Europe. In that light, the painter Paul Gauguin's inclusion of Tahitian imagery to his oil paintings was a characteristic borrowing of technique, motif, and style that was important for the development of Modern art (1860s–1970s) in the late 19th century. As a genre of Western art, Primitivism reproduced and perpetuated racist stereotypes, such as the "noble savage", with w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller ( brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books containing text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadside (printing)
A broadside is a large sheet of paper printed on one side only. Historically in Europe, broadsides were used as posters, announcing events or proclamations, giving political views, commentary in the form of broadside ballad, ballads, or simply advertisements. In Japan, Chromoxylography, chromoxylographic broadsheets featuring artistic prints were common. Description and history The historical type of broadsides, designed to be plastered onto walls as a form of street literature, were ephemera, i.e., temporary documents created for a specific purpose and intended to be thrown away. They were one of the most common forms of printed material between the sixteenth and nineteenth centuries. They were often advertisements, but could also be used for news information or proclamations. Broadsides were a very popular medium for printing topical ballads starting in the 16th century. Broadside (music), Broadside ballads were usually printed on the cheapest type of paper available. Initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Cranach The Elder
Lucas Cranach the Elder ( ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther, and Portrait of Martin Luther (Lucas Cranach the Elder), eleven portraits of that reformer by him survive. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. Cranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthias Grünewald
Matthias Grünewald ( – 31 August 1528; also known as Mathis Gothart Nithart) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. Only ten paintings—including several polyptychs—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the '' Isenheim Altarpiece'' created ''c.'' 1512 to 1516. Life He was recognised in his own lifetime, as shown by his commissions, yet the details of his life are unusually unclear for a painter of his significance at this date. The first source to sketch his biography comes from the German art historian Joachim von Sandrart, who describes him around 1505 working on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prints, printmaker, and history of geometry#Renaissance, theorist of the German Renaissance. Born in Free Imperial City of Nuremberg, Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality List of woodcuts by Dürer, woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Holy Roman Emperor, Emperor Maximilian I, Holy Roman Emperor, Maximilian I. Dürer's vast body of work includes List of engravings by Dürer, engravings, his preferred technique in his later prints, Altarpiece, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are stylist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Gussmann
Otto Friedrich Gussmann (22 May 1869, Wachbach, Main-Tauber-Kreis – 27 July 1926, Dresden) was a German decorative artist, designer, and art professor. Biography His father was a pastor. After completing secondary school, he began an apprenticeship with a decorative painter in Stuttgart. He also took classes at the Kunstgewerbeschule (now the State Academy of Fine Arts Stuttgart, State Academy of Fine Arts). In 1892, he moved to the teaching institute at the Kunstgewerbemuseum Berlin. Four years later, he began studying at the Berlin University of the Arts, Berlin Academy of Fine Arts. After completing his studies, he established his reputation with paintings and decorations for the new Reichstag building, Reichstag, designed by Paul Wallot. In 1897, Wallot invited him to Dresden to become a teacher at the Dresden Academy of Fine Arts, Academy of Fine Arts. The master school for decorative painting was opened under his direction in 1910. He would be named a Professor in 191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
