Despedida Morro García 02
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Despedida Morro García 02
Despedida or La Despedida - the Spanish word meaning "Farewell" - may refer to: Film and TV *''La despedida'', a 1957 Argentinian film directed by Miguel Morayta *''La despedida'', a 2012 Argentinian film directed by Juan Manuel D'Emilio Music * "Despedida," a song by the Mexican composer María Grever (1885–1951) * "Despedida" (Julieta Venegas song), 2010 * "Despedida" (Shakira song), 2008 * "Despedida", a song by José Miguel Class * "Despedida", a standard on the Rolando Villazón album ''¡México!'' * "Despedida", a song by Odilio González * "Despedida", a song by composer Pedro Flores * "De Despedida", a song by La Trampa from their 2003 album ''Frente a Frente (Live at Talleres de Don Bosco)'' * " La Despedida", a song by Puerto Rican reggaeton singer Daddy Yankee * "La Despedida", by the French singer Manu Chao in his Clandestino solo album See also *'' Despedida de casada'', a 1968 Mexican film *'' Despedida de Solteiro'', a 1992 Brazilian soap opera *''Despedida ...
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List Of Argentine Films Of 1957
A list of films produced in Argentina in 1957: External links and references Argentine films of 1957at the Internet Movie Database {{DEFAULTSORT:Argentine films of 1957 1957 Argentine Films A film, also known as a movie or motion picture, is a work of Visual arts, visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are gen ...
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List Of Argentine Films Of 2012
This is a list of Argentine films of 2012 References {{DEFAULTSORT:Argentine films of 2012 Films Argentina 2012 2012 was designated as: *International Year of Cooperatives *International Year of Sustainable Energy for All Events January *January 4 – The Cicada 3301 internet hunt begins. * January 12 – Peaceful protests begin in the R ...
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María Grever
María Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim.Rodríguez, Lee M. L. María Grever: Poeta Y Compositora. Potomac, Md: Scripta Humanistica, 1994. Print. She is best known for the song " What A Difference A Day Makes" (originally "Cuando vuelva a tu lado"), which was popularized by Dinah Washington and has been covered by numerous artists. Early life María Joaquina de la Portilla Torres was born to a Spanish father (Francisco de la Portilla) and Mexican mother (Julia Torres) in León, Guanajuato. For the first six years of her life she lived in Mexico City, moving to her father's natal city, Sevilla, in 1891. She studied music in France, with Claude Debussy and Franz Lenhard among her teachers. In 1900, she moved back to Mexico and continued her musical studies at her aunt's solfège school. In 1907, the then 22-year-old de la Portilla married Leo A. Grever, an American oil company executive, and in 19 ...
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Despedida (Shakira Song)
"Despedida" () is a song by Colombian singer-songwriter Shakira for the extended play and soundtrack ''Love in the Time of Cholera'' (2008). She produced the track and wrote the lyrics to it, while co-composed its music with Brazilian Antônio Pinto (composer), Antônio Pinto. Pedro Aznar also co-produced it. The song was recorded for the Mike Newell (director), Mike Newell-directed Love in the Time of Cholera (film), 2007 movie adaptation of Colombian writer Gabriel García Márquez's Love in the Time of Cholera, 1985 novel ''Love in the Time of Cholera''. Shakira was initially offered a role by the producers of the movie to take part as the main protagonist. However, she refused the offer and accepted to collaborate with the musical team due to her friendship with García Márquez. Musically, "Despedida" is a folk music, folk song which discusses nostalgic love sentiments towards a person the protagonist lost. Although the movie received unfavorable reviews from critics, "Despedi ...
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José Miguel Class
José Miguel Class Ponce (September 26, 1935 – April 13, 2017) was a Puerto Rican singer who garnered international fame during the 1960s and 1970s. Biography Nicknamed "El Gallito de Manatí" ("Manati's Bantam"), Class achieved fame in Puerto Rico in the 1960s before moving to Mexico, where he achieved wide success. His period as a resident there proved important for his career: He released various Mexican music albums and he was able to achieve fame across Central America, South America and the rest of the Caribbean. When Class returned to Puerto Rico during the decade of the '70s, he immediately landed a weekly television show in Rafael Perez Perry's Channel 11, which he co-hosted with Awilda (Awilda La Mimosa) Pedrosa. His adopted Mexican accent was noticeable during the run of this show; as a matter of a fact, he kept the Mexican accent for a very long time. His catchphrase was "Yo soy el Gallo!" ("I am the Rooster!") He retired to his hometown of Manati. He released ove ...
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¡México! (Rolando Villazón Album)
''¡México!'' is a 2010 album of Mexican standards sung by Rolando Villazón with the UK-based Bolívar Soloists and released on DG.Rolando Villazón
"Rolando Villazón, one of the greatest tenors of the decade, has embarked on a new musical adventure." Arrangements for chamber ensemble were made by the Venezuelan musician, Gonzalo Grau, leader of the band, , and the Venezuelan flautist and composer

Odilio González
Odilio González (born 5 March 1937), known by his stage name , is a Puerto Rico, Puerto Rican singer, guitarist and music composer who has been singing and composing for more than 65 years. He has mostly played traditional Puerto Rican folkloric music, songs dedicated to Puerto Rico's . Career González was born in 1937 in Piletas barrio in Lares, Puerto Rico, Lares, a municipality of Puerto Rico. He used to sing at funerals in Lares then became a popular child star after a series of early radio performances in the capital city of San Juan, Puerto Rico, San Juan. González has sung in the island's ancient traditional poetic song form, the ''décima'' (also known as "Jíbaro music, jíbaro" music), as well as performing mainstream pop music. His stage name is "El Jibarito de Lares". He debuted on the New York City stage in 1958, singing before Puerto Ricans in the Teatro Puerto Rico. His first recordings of traditional ''jíbaro'', available from Ansonia Records, were recorded in ...
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Pedro Flores (composer)
Pedro Flores born (March 9, 1894 – July 14, 1979) was one of Puerto Rico's best known composers of ballads and boleros. Early years Flores (birth name: Pedro Juan Flores Córdova) was one of twelve children born into a poor family in the town of Naguabo, Puerto Rico. Flores' father died when he was only nine years old, which meant he had to do work from a young age. When Flores was sixteen years old, he took a special course at the University of Puerto Rico ( Universidad de Puerto Rico) and received his teaching certificate. Flores then taught for five years, and worked for one year at a sugar mill on the island of Vieques. In 1918, he served in a clerical position in the United States Army, and was honorably discharged when he was twenty-four years old. Trío Borinquen In 1926, Flores went to New York City without having any formal musical education. There, he joined another Puerto Rican composer, Rafael Hernández, in his ''Trío Borinquen''. Even though Flores and Hern ...
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La Trampa (band)
La Trampa was a popular Uruguayan rock band. The band dissolved in 2018, after vocalist Alejandro Sputone announced his departure. History The original band members were Garo Arakelián (guitar), Alejandro Spuntone (vocals), Irvin Carballo (drums) and Carlos Ráfols (bass). The early years La Trampa appeared on the scene in 1991, formed since winter 1990 by the first two members, architecture students Garo Arakelián and Sergio Schellemberg. In those times the band was formed only by classmates of Garo and Sergio (Martín Rosas 'vocalist', Nicolás Rodríguez 'drums' and Gabriel Francia 'bass'). After a year of work (with Garo and Sergio composing almost every song and all the band rehearsing), La Trampa appeared for the first time on stage, that was on May 3, 1991, in El Tinglado theater (in companion of Cadáveres Ilustres, another Uruguayan band), in those times, the band's manager was Aldo Silva. Reaching a Uruguayan identity was, since the beginning, one of the go ...
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La Despedida
"La Despedida" () is a single by Puerto Rican reggaeton singer Daddy Yankee. It is the third official single released on August 4, 2010 from his album '' Mundial''. The official remix of the song features American singer Tony Dize. This song resembles his other song ¿Qué Tengo Que Hacer?. The music video also resembles his other song's music video Llamado de Emergencia. Critical reception Matthew Wilkening from AOL Radio Blog said that the song "combines an infectious mid-tempo dance beat with Latin horns and percussion, as Daddy Yankee bids farewell — but seemingly refuses to give up a lover who is moving away from him, despite his friends' best advice". It received an award for "Urban Song of the Year" at the 2012 ASCAP Awards, which are awarded annually by the American Society of Composers, Authors and Publishers in the United States. Music video The music video for the song was released on August 23, 2010. It was directed by George Rivera and Juan Esteban Suárez. It s ...
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Clandestino
''Clandestino'' is the debut studio album by French artist Manu Chao, released in 1998. The album contains many soundbites throughout, two of which are bits of a speech by Subcomandante Marcos and, like Chao's subsequent albums, was mostly recorded by the musician himself in various locations around the world, using a small laptop—which is referred to in the liner notes as ''Estudio Clandestino''. The French edition of ''Rolling Stone'' magazine named this album the 67th greatest French rock album (out of 100). The album was also included in the book ''1001 Albums You Must Hear Before You Die''. The album was ranked number 469 in ''Rolling Stone''s list of the 500 Greatest Albums of All Time in 2020. Background ''Clandestino'' emerged from a period of personal and professional upheaval for Manu Chao, following the breakup of his band, Mano Negra, in 1994. Mano Negra had been a pioneering force in the world of punk-infused Latin rock, but after years of internal strife and a ch ...
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