Der Widerspänstigen Zähmung
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Der Widerspänstigen Zähmung
' (also: ') (English: ''The Taming of the Shrew'') is a German-language comic opera in four acts by the German composer Hermann Goetz. It was written between 1868 and 1872 and first performed at the National Theatre Mannheim on 11 October 1874 under the conductor . The libretto, by and the composer, is based on Shakespeare's ''The Taming of the Shrew''. The style of the opera shows Goetz turning away from the musical ideas of Richard Wagner towards the classicism of Mozart. ' was a huge success, not only in Germany but in the United States and in Great Britain, where it received high praise from George Bernard Shaw. Roles Recordings * 1944: Sächsische Staatsoper Dresden chorus and orchestra, conducted by Karl Elmendorff (Urania) * 2007: Bayerischer Rundfunk chorus and orchestra, conducted by Joseph Keilberth Joseph Keilberth (19 April 1908 – 20 July 1968) was a German conductor who specialised in opera. Career Keilberth began his career in the State Theatre of hi ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Petruchio
Petruchio ( ; an anglicisation of the Italian name Petruccio, ) is the male protagonist in Shakespeare's '' The Taming of the Shrew'' (c. 1590–1594). Plot In the play, Petruchio comes to the town of Padua in the hopes of marrying a wealthy woman. Hortensio suggests that he marry Kate Minola, the daughter of one of the wealthiest men in the city, particularly because Hortensio can not court her sister Bianca until Kate is married. Petruchio takes an interest in Kate, owing to the dowry he could potentially receive, and agrees. During his first encounter with Kate, he matches her fierce temper and manages to convince her father that she passionately loves him but only pretends to hate him in public. The two are married, with Petruchio arriving at the wedding late and forcing Kate to leave the ceremony feast early. Petruchio then starts to try to "tame" his wife in a variety of ways. He frightens Kate by yelling at the servants, and he prevents her from eating by insisting tha ...
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1874 Operas
Events January * January 1 – New York City annexes The Bronx. * January 2 – Ignacio María González becomes head of state of the Dominican Republic for the first time. * January 3 – Third Carlist War: Battle of Caspe – Campaigning on the Ebro in Aragon for the Spanish Republican Government, Colonel Eulogio Despujol surprises a Carlist force under Manuel Marco de Bello at Caspe, northeast of Alcañiz. In a brilliant action the Carlists are routed, losing 200 prisoners and 80 horses, while Despujol is promoted to Brigadier and becomes Conde de Caspe. * January 20 – The Pangkor Treaty (also known as the Pangkor Engagement), by which the British extend their control over first the Sultanate of Perak, and later the other independent Malay States, is signed. * January 23 – Prince Alfred, Duke of Edinburgh, second son of Queen Victoria, marries Grand Duchess Maria Alexandrovna of Russia, only daughter of Tsar Alexander III of Russia, in the ...
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Operas By Hermann Goetz
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers e ...
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German-language Operas
German (, ) is a West Germanic language in the Indo-European language family, mainly spoken in Western and Central Europe. It is the majority and official (or co-official) language in Germany, Austria, Switzerland, and Liechtenstein. It is also an official language of Luxembourg, Belgium and the Italian autonomous province of South Tyrol, as well as a recognized national language in Namibia. There are also notable German-speaking communities in other parts of Europe, including: Poland (Upper Silesia), the Czech Republic ( North Bohemia), Denmark (North Schleswig), Slovakia (Krahule), Romania, Hungary (Sopron), and France (Alsace). Overseas, sizeable communities of German-speakers are found in the Americas. German is one of the major languages of the world, with nearly 80 million native speakers and over 130 million total speakers as of 2024. It is the most spoken native language within the European Union. German is the second-most widely spoken Germanic language, after English ...
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Joseph Keilberth
Joseph Keilberth (19 April 1908 – 20 July 1968) was a German conductor who specialised in opera. Career Keilberth began his career in the State Theatre of his native city, Karlsruhe, joining as a répétiteur in 1925 and conducting from 1935 to 1940. In 1940, he became director of the German Philharmonic Orchestra of Prague. In 1945, near the end of World War II, he was appointed principal conductor of the venerable Saxon State Opera Orchestra in Dresden. In 1949, he became chief conductor of the Bamberg Symphony, formed mainly of German musicians expelled from postwar Czechoslovakia under the Beneš decrees. Starting in 1950, Keilberth became a guest conductor at the Berlin State Opera, and was named chief conductor of the Hamburg Philharmonic Orchestra. Keilberth became a conductor of the Bavarian State Opera in 1951, and he succeeded Ferenc Fricsay as its artistic director in 1959. Ring Cycles at Bayreuth and in recording Keilberth conducted at the Bayreuth Festival ...
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Bayerischer Rundfunk
(; "Bavarian Broadcasting"), shortened to BR (), is a public broadcasting, public-service radio and television broadcaster, based in Munich, capital city of the Bavaria, Free State of Bavaria in Germany. BR is a member organization of the ARD (broadcaster), ARD consortium of public broadcasters in Germany. History Bayerischer Rundfunk was founded in Munich in 1922 as Deutsche Stunde in Bayern. It aired its first program on 30 March 1924. The first broadcasts consisted mainly of time announcements, news, weather and stock market reports, and music. Programming expanded to include radio plays, concerts, programs for women, language courses, chess, opera, radio, news, and Catholic and Protestant morning services. Its new 1929 studio was designed by Richard Riemerschmid. Deutsche Stunde in Bayern became Bayerischer Rundfunk in 1931. In 1933, shortly after the Nazi seizure of power, the station was put under the control of the Reich Ministry of Public Enlightenment and Propaganda. A ...
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Karl Elmendorff
Karl Eduard Maria Elmendorff (October 25, 1891 – October 21, 1962) was a German opera conductor. Born in Düsseldorf, Elmendorff studied music at the Cologne College of Music and Hochschule für Musik Köln from 1913 to 1916 under Fritz Steinbach and Hermann Abendroth. Career Early in his career, Elmendorff was a regular guest conductor in various European cities, including at La Scala: * 1916 to 1920 in Düsseldorf * 1920 to 1923 in Mainz * 1923 to 1924 in Hagen * 1925 at the Munich State Opera After Bayreuth, he became the musical director at Mannheim and in 1942 in Dresden. Bayreuth When Fritz Busch refused to return to Bayreuth after the 1924 Festival and with Michael Balling dead the following year, Siegfried Wagner invited Elmendorff and Franz von Hoesslin to Bayreuth. Although Richard Wagner, at the beginning of his 1869 tract ''On Conducting'' (''Über das Dirigiren''), states that he has no intention of imposing a system on conducting practice, he neverthel ...
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Sächsische Staatsoper Dresden
The Semperoper () is the opera house of the Sächsische Staatsoper Dresden (Saxon State Opera) and the concert hall of the Staatskapelle Dresden (Saxon State Orchestra). It is also home to the Semperoper Ballett. The building is located on the Theaterplatz near the Elbe River in the historic centre of Dresden, Germany. The opera house was originally built by the architect Gottfried Semper in 1841. After a devastating fire in 1869, the opera house was rebuilt, partly again by Semper, and completed in 1878. The opera house has a long history of premieres, including major works by Richard Wagner and Richard Strauss. History The first opera house at the location of today's Semperoper was built by the architect Gottfried Semper. It opened on 13 April 1841 with an opera by Carl Maria von Weber. The building style itself is debated among many, as it has features that appear in three styles: early Renaissance and Baroque, with Corinthian style pillars typical of Greek classical revi ...
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Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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