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Denjirō Ōkōchi
was a Japanese film actor best known for starring roles in jidaigeki directed by leading Japanese filmmakers. Early life and family Ōkōchi was born Masuo Ōbe on February 5, 1898, in Ōkōchi, Iwaya (present-day Ōkōchi, Buzen), Fukuoka Prefecture, the fifth son and eighth of nine children of town physician Susumu Ōbe and his wife Aki. Ōkōchi was born to a family of physicians; his father Susumu was the 16th generation of the Ōbe family of physicians, and had served as a personal physician to the daimyo before establishing his own practice following the Meiji Restoration. His paternal grandmother was the daughter of Suematsu Gendō, the domain doctor of Kokura. His mother Aki was the daughter of a Confucian scholar and samurai in the service of Nakatsu Domain. Career Ōkōchi entered Shinkokugeki (New National Theatre), training under Sawada Shōjirō (aka Sawasho). Sawada founded this new school of popular theatre in 1917 which had strong cultural impact by the earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buzen, Fukuoka
file:20160924kubote003.jpg, 270px, Mt. Kubote and Mt. Inugadake file:Buzen city center area Aerial photograph.2013.jpg, 270px, Buzen city center is a Cities of Japan, city located in Fukuoka Prefecture, Japan. , the city had an estimated population of 23,844 in 11794 households, and a population density of 210 persons per km². The total area of the city is . Geography Buzen is located in the eastern part of Fukuoka Prefecture, approximately halfway between Yukuhashi, Fukuoka and Nakatsu, Ōita. In the southern part of the city is the Chikushi Mountains, which includes mountains such as Mount Kubote and Mount Inugadake. The northern part of the city faces the Gulf of Suo on the Seto Inland Sea. The town is mostly rural and extends nearly 100 km² inland towards more mountainous terrain. The city is roughly 80 kilometers from the prefectural capital at Fukuoka (city), Fukuoka and 43 kilometers from Kitakyushu, Fukuoka, Kitakyushu. Neighboring municipalities Fukuoka Prefect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tange Sazen
is a fictional swordsman featured in Japanese literature, cinema and TV. Originally a samurai member of the Sōma clan, he is attacked and mutilated, losing his right eye and right arm. He then begins to lead the life of a rōnin, using the pseudonym Sazen. Development Tange Sazen first appeared as a minor character in a newspaper serial by Fubō Hayashi, which ran from October 1927 to May 1928 in the ''Mainichi Shimbun''. The story mainly concerned the exploits of Ōoka Echizen, but the strikingly dramatic illustrations of Tange made by Tomiya Oda, with a scar across his right eye and an empty right sleeve, so caught the imagination of the public that within a few months three silent films about Tange were produced by different companies. As a result of the success of these films, Hayashi wrote a new serial, ''Tange Sazen'', with Tange as the hero. This initially ran in the ''Mainichi Shimbun'' from June to October 1933, but internal strife at the newspaper led to the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshi Inagaki
was a Japanese filmmaker who worked on over 100 films in a career spanning over five decades. He is one of the most successful and critically acclaimed filmmakers in the history of Japanese cinema, having directed several ''jidaigeki'' epics such as the 1954 Academy Award-winning film '' Samurai I: Musashi Miyamoto'', and its two sequels (1955's '' Samurai II: Duel at Ichijoji Temple'' (1955) and 1956's '' Samurai III: Duel at Ganryu Island''). Career Born in Tokyo as the son of a shinpa actor, Inagaki appeared on stage in his childhood before joining the Nikkatsu studio as an actor in 1922. Wishing to become a director, he joined Chiezō Kataoka's Chiezō Productions and made his directorial debut with ''Tenka taiheiki'' (1928). Returning to Nikkatsu, he continued making jidaigeki and participated in the Naritaki Group of young filmmakers such as Sadao Yamanaka and Fuji Yahiro who collaboratively wrote screenplays under the made up name "Kinpachi Kajiwara". Like others in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teinosuke Kinugasa
was a Japanese filmmaker and actor. His best-known films include the Silent film, silent Experimental film, avant-garde films ''A Page of Madness'' and ''Crossroads (1928 film), Crossroads'' and the Academy Awards, Academy Award-winning historical drama ''Gate of Hell (film), Gate of Hell''. Biography Kinugasa was born in Kameyama, Mie, Kameyama, Mie Prefecture. He began his career as an onnagata (actor specializing in female roles) at the Nikkatsu studio. When Japanese cinema began using actresses in the early 1920s, he switched to directing and worked for producers such as Shōzō Makino (director), Shozo Makino, before becoming independent to make his best-known film, ''A Page of Madness'' (1926). It was considered lost for 45 years until the director rediscovered it in his shed in 1971. A silent film, Kinugasa released it with a new print and score to world acclaim. He also directed the film ''Crossroads (1928 film), Crossroads'' in 1928. He directed jidaigeki at the Shochiku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadao Yamanaka
was a Japanese film director and screenwriter who directed about 24 films between 1932 and 1937, all in the ''jidaigeki'' genre, of which only three survive in nearly complete form (all of them sound films). He is considered a master filmmaker in his native Japan and one of the greatest talents of his generation alongside Yasujirō Ozu and Kenji Mizoguchi. He was one of the primary figures in the development of the ''jidaigeki'' (period drama), especially the samurai subgenre. His films are notable for their emphasis on character over action, and on ninjō over giri. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, ''Eiga kantoku Yamanaka Sadao''. Kinema Junpo, Japan's leading film magazine, included two of Yamanaka's films ( ''Tange Sazen'' from 1935 and '' Humanity and Paper Balloons'' from 1937'')'' among the top 25 Japanese films of all time, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daisuke Itō (film Director)
Daisuke Itō may refer to: * Daisuke Itō (racing driver) (born 1975), Japanese racing driver * Daisuke Itō (film director) (1898–1981), Japanese film director * Daisuke Ito (footballer) (born 1987), Japanese football player * Daisuke Itō (producer), Japanese producer, see Absolute Boy {{hndis, Ito, Daisuke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishiro Honda
Ishiro may refer to: * Chamacoco language, or Ishiro, a language of South America * Chamacoco, or Ishiro, an ethnic group of South America * Ishirō Honda was a Japanese filmmaker who directed 46 feature films in a career spanning five decades. He is acknowledged as the most internationally successful Japanese filmmaker prior to Hayao Miyazaki and one of the founders of modern disaster film, wit ... (1911–1993), Japanese film director See also * Ichirō (name), a Japanese name {{Disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Kurosawa
was a Japanese filmmaker who List of works by Akira Kurosawa, directed 30 feature films in a career spanning six decades. He is widely regarded as one of the greatest and most influential filmmakers in the History of film, history of cinema. Kurosawa displayed a Filmmaking technique of Akira Kurosawa, bold, dynamic style strongly influenced by Western cinema yet distinct from it. He was involved with all aspects of film production. Kurosawa entered the Cinema of Japan, Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film ''Sanshiro Sugata'' (1943). After the war, the critically acclaimed ''Drunken Angel'' (1948), in which Kurosawa cast the then-little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shintoho
was a Japanese movie studio. It was one of the big six film studios (which also included Daiei, Nikkatsu, Shochiku, Toei Company, and Toho) during the Golden Age of Japanese cinema. It was founded by defectors from the original Toho company following a bitter strike in 1947. To compete with the other major studios in the horror/supernatural movie field, Shintoho turned out a large group of such films between 1957 and 1960, including a number of period ghost movies and low-budget science fiction films (such as the ''Starman'' ('' Super Giant'') series which was designed to compete with rival then-popular characters '' Planet Prince'', '' Space Chief'' and '' Moonlight Mask''). Shintoho declared bankruptcy in 1961, its last production being '' Jigoku''. Shintoho Starlet Program Like the other major Japanese movie companies at that time, Shintoho was also recruiting so-called new faces under the name of "Shintoho Starlet". Recruitment started in 1951. However, due to the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labor Union
A trade union (British English) or labor union (American English), often simply referred to as a union, is an organization of workers whose purpose is to maintain or improve the conditions of their employment, such as attaining better wages and Employee benefits, benefits, improving Work (human activity), working conditions, improving safety standards, establishing complaint procedures, developing rules governing status of employees (rules governing promotions, just-cause conditions for termination) and protecting and increasing the bargaining power of workers. Trade unions typically fund their head office and legal team functions through regularly imposed fees called ''union dues''. The union representatives in the workforce are usually made up of workplace volunteers who are often appointed by members through internal democratic elections. The trade union, through an elected leadership and bargaining committee, bargains with the employer on behalf of its members, known as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toho Strikes
The , also translated as the Toho labor disputes or Toho labor upheaval, were a series of strike actions in Japan taken by workers in the Toho labor union against Toho management between 1946 and 1948. The third and largest action was notable for the union's months-long occupation of the Toho film studio, and their eventual removal by police backed by the United States Army. The conflict between the union, backed by Sanbetsu, and management, backed by Nikkeiren (later the Japan Business Federation) became "the focus of a nation-wide confrontation between capital and labor," and the union's defeat marked the beginning of a fundamental shift of power from labor in Japan. Background During World War II, Toho complied with government demands to produce militant propaganda films. Despite shortages of film stock and destruction of movie houses, production was never completely halted and the Toho film studio in Kinuta was too remote to be damaged by the bombing of Tokyo.Galbraith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Films
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the Second World War and the American Civil War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
