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Dante (typeface)
Dante is a mid-20th-century old-style serif typeface designed by Giovanni Mardersteig, originally for use by the Officina Bodoni for books. The original type was cut by Charles Malin. The type is a serif face influenced by (but not directly indebted to) the types cut by Francesco Griffo between 1449 and 1516. Mardersteig had become acquainted with Griffo's type in the design of his previous typeface, called Griffo. One of the primary objectives in designing Dante was in keeping a visual balance between the roman and italics (in Griffo's time typefaces were cut in roman style and italic style, but not both). The name of the typeface comes from the first book in which it was first used, Boccaccio's ''Trattatello in Laude di Dante'', published in 1955 by the Officina Bodoni. The book used types cut by Malin between 1946 and 1952. The date of the typeface is sometimes given as 1954. Dante would become one of the most used types by Mardersteig. Originally Dante was cut for use on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua (typeface class), Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Serif#Old-style, Old-style, Serif#Transitional, Transitional, Serif#Didone, Didone, and Serif#Slab serif, Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatomy Of A Typeface
''Anatomy of a Typeface'' is a 1990 book on typefaces written by Alexander Lawson.''Anatomy of a Typeface'', Alexander Lawson, David R. Godine, 1990. Background The book is notable for devoting entire chapters to the development and uses of individual or small groupings of typefaces. The book is also set in Gaillard, which happens to have its own Chapter in the book. The first 30 chapters specifically are devoted to an individual typeface per chapter. Beyond ''Anatomy of a Typeface'' Lawson has considered and discussed the classification of types. Within ''Anatomy'', Lawson arranges the typefaces by classification. In his preface, Lawson qualifies his classification: "After using this system in the teaching of typography over a thirty-year period, I know that it is reasonably effective in the initial study of printing types. I am not disposed to consider it faultless by any means. A classification system, after all, is simply a tool ... Its primary purpose is to help people beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterpress Typefaces
Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper. In practice, letterpress also includes wood engravings; photo-etched zinc plates ("cuts"); linoleum blocks, which can be used alongside metal type; wood type in a single operation; stereotypes; and electrotypes of type and blocks. With certain letterpress units, it is also possible to join movable type with slugs cast using hot metal typesetting. In theory, anything that is "type high" (i.e. it forms a layer exactly 0.918 inches thick between the bed and the paper) can be printed using letterpress. Letterpress printing was the normal form of printing text from its invention by Joha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Typefaces
Digital usually refers to something using discrete digits, often binary digits. Businesses *Digital bank, a form of financial institution *Digital Equipment Corporation (DEC) or Digital, a computer company *Digital Research (DR or DRI), a software company Computing and technology Hardware *Digital electronics, electronic circuits which operate using digital signals **Digital camera, which captures and stores digital images ***Digital versus film photography **Digital computer, a computer that handles information represented by discrete values **Digital recording, information recorded using a digital signal Socioeconomic phenomena *Digital culture, the anthropological dimension of the digital social changes *Digital divide, a form of economic and social inequality in access to or use of information and communication technologies *Digital economy, an economy based on computing and telecommunications resources *Digital rights, legal rights of access to computers or the Internet Oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Carter
Matthew Carter (born 1 October 1937) is an English type designer.A Man of Letters , U.S. News & World Report, 1 September 2003. A 2005 ''The New Yorker, New Yorker'' profile described him as 'the most widely read man in the world' by considering the amount of text set in his commonly used typefaces. Carter's career began in the early 1960s and has bridged all three major technologies used in type design: metal type, physical type, phototypesetting and digital type design, as well as the design of custom lettering. Carter's most used typefaces are the classic web typefaces Verdana and Georgia (typeface), Georgia and the Microsoft Windows, Windows interface typeface Tahoma (typeface), Tahoma, as well as other designs including Bell Centennial, Mille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotype Imaging
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Based in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hot metal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, and Arial. Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream, FontShop, URW, Hoefler & Co., Fontsmith, and Colophon Foundry, the company has gained the rights to major font families including Helvetica, ITC Franklin Gothi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian Italian poetry, poet, writer, and philosopher. His ''Divine Comedy'', originally called (modern Italian: ) and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante chose to write in the vernacular, specifically, his own Tuscan dialect, at a time when much literature was still written in Latin, which was accessible only to educated readers, and many of his fellow Italian poets wrote in French or Provençal dialect, Provençal. His ' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as ''La Vita Nuova, The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boccaccio
Giovanni Boccaccio ( , ; ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars (including Vittore Branca) define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism. His most notable works are ''The Decameron'', a collection of short stories, and '' On Famous Women''. ''The Decameron'' became a determining element for the Italian literary tradition, especially after Pietro Bembo elevated the Boccaccian style to a model of Italian prose in the sixteenth century. Boccaccio wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Griffo
Francesco Griffo (1450–1518), also called Francesco da Bologna, was a fifteenth-century Italian punchcutter. He worked for Aldus Manutius, designing the printer's more important humanist typefaces, including the first italic type. He cut Roman, Greek, Hebrew and the first italic type. Aldus gives Griffo credit in the introduction of the ''Virgil'' of 1501. However, as Manutius had achieved a monopoly on italic printing and Greek publishing with the permission of the Venetian government, he had a falling-out with Griffo. Griffo then went to work for Gershom Soncino, whose family were Hebrew printers. It was with Soncino that Griffo's second italic type was cut in 1503. In 1516 he returned to Bologna where he began print publishing. In 1518 Griffo was charged with the murder of his son-in-law, who had been beaten to death with an iron bar. This is his last appearance in the historical record. He is presumed to have been executed. Influence Griffo's typefaces have been very influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old-style Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Old-style, Transitional, Didone, and Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is a design of Letter (alphabet), letters, Numerical digit, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size (e.g., 24 point), weight (e.g., light, bold), slope (e.g., italic), width (e.g., condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called type design. Designers of typefaces are called type designers and are often employed by type foundry, type foundries. In desktop publishing, type designers are sometimes also called "font developers" or "font designers" (a typographer is someone who ''uses'' typefaces to design a page layout). Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old-style Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Old-style, Transitional, Didone, and Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
