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Dances
Dance is an The arts, art form, consisting of sequences of body movements with aesthetic and often Symbol, symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its History of dance, historical period or List of ethnic, regional, and folk dances by origin, place of origin. Dance is typically performed with Music, musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves. Two common types of group dance are Concert dance, theatrical and Participation dance, participatory dance. Both types of dance may have special functions, whether social, ceremonial, Competitive dance, competitive, Erotic dance, erotic, War dance, martial, Sacred dance, sacred or Liturgical dance, liturgical. Dance is not solely restricted to performance, as dance is used as a form of exercise and occasionally training for other sports and activities. Dance perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ethnic, Regional, And Folk Dances By Origin
This is a list of dances grouped by ethnicity, country, or region. These dances should also be listed on the general, noncategorized index list of specific dances. Albania * Dance of Osman Taka * Entarisi ala benziyor * Gusharaveli * Napoloni * Pogonishte * Rugovo (sword dance) * Shota (dance) * Vallja e cobanit Argentina * Carnavalito * Chacarera * Cueca * Cumbia Villera * Milonga * Tango * Zamba Armenia Note: in Armenian "bar" means "dance". * Berd * Entarisi ala benziyor * Kochari * Shalakho * Tamzara * Temuraga * Yarkhushta Austria * Ländler * Schuhplattler * Tyrolienne *Waltz Azerbaijan * Abayı * Agir Karadagi * Anzali * Asma kasma * Choban Regsi * Halay * Innaby * Jangi * Khanchobany * * Shalakho * Tarakama * Tello * Uzundara * Youz bir Belarus * Liavonicha ( Lyavonikha) * Karahod ( Khorovod) * Trasucha (Poĺka-Trasucha) * Kryzhachok Bolivia * Awki awki * Caporales * Diablada * Kullawada * Llamerada * Morenada * Oruro Diablada * P'aquchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Dance
Sacred dance is the use of dance in religious Ceremony, ceremonies and rituals, present in most religions throughout history and prehistory. Its connection with the human body and fertility has caused it to be forbidden by some religions; for example, some branches of Christianity and Islam have prohibited dancing. Dance has formed a major element of worship in Hindu temples, with strictly formalized styles such as Bharatanatyam, which require skilled dancers and temple musicians. In the 20th century, sacred dance has been revived by Choreography, choreographers such as Bernhard Wosien as a means of developing community spirit. Purposes The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the ancient Greece, Greek goddesses Demeter and Persephone; making the body ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Dance
Modern dance is a broad genre of western concert dance, concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called improvisational or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Dance
The history of dance is difficult to access because dance does not often leave behind clearly identifiable physical artifacts that last over millennia, such as stone tools, hunting implements or cave paintings. It is not possible to identify with exact precision when dance becomes part of human culture. Dance is filled with aesthetic values, making it distinct from one society to another and is shrouded in symbolism that expounds on the cultural heritage of a community accordingly being unique from one society to another. Dance can help tell a story, convey feelings and emotions, and connect with others and ourselves. Early dance The natural impulse to dance may have existed in early primates before they evolved into humans. Dance has been an important part of ceremony, rituals, celebration (party), celebrations and entertainment since before the birth of the earliest human civilizations. Archaeology delivers traces of dance from prehistory, prehistoric times such as the 10,00 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Indian Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', ''Kuchipudi'', ''Odissi'', ''Kathakali'', ''Sattriya'', ''Manipuri dance, Manipuri'' and ''Mohiniyattam''. Addition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
''Bharatanatyam'' is a Indian classical dance form that came from Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of precursors of ''Bharatanatyam'' from the Natya Shastra dated around (500 BCE) and in the ancient Tamil epic ''Silappatikaram'' dated around (171 CE), while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE. Sadiraattam, which was renamed Bharatanatyam in 1932, is the oldest classical dance tradition in India. ''Bharatanatyam'' contains different types of ''bani''. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Competitive Dance
Competitive dance is a popular, widespread sport in which competitors perform dances in any of several permitted dance styles—such as acro, ballet, contemporary, jazz, hip-hop, lyrical, modern, musical theatre, tap, and improv—before a common group of judges. This is in contrast with other activities that involve competition among dancers based on purpose, or specific dance styles or genres, such as pom squad and dancesport (competitive ballroom dance). The competitive dance industry largely consists of ''competition production companies''—also sometimes called ''dance competition companies and dance competition lines''—that conduct regional competitions at stops along their annual, nationwide tours. Dancers who compete at these regional competitions are students ranging in age from approximately five to eighteen years old. After competing regionally, qualifying routines and studios go on to compete nationally towards the end of their season. Dance schools (often r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragon Dance
Dragon dance () is a form of traditional dance and performance in China, Chinese culture of China, culture. Like the lion dance, it is most often seen during festive celebrations. The dance is performed by a team of experienced dancers who manipulate a long flexible giant puppet of a dragon using poles positioned at regular intervals along the length of the dragon. The dance team simulates the imagined movements of this mythological creature in a sinuous, undulating manner. The dragon dance is often performed during Chinese New Year. The Chinese dragon is a symbol of China's culture, and it is believed to bring good luck to people, therefore the longer the dragon is in the dance, the more luck it will bring to the community. The dragons are believed to possess qualities that include great power, dignity, fertility, wisdom and auspiciousness. The appearance of a dragon is both fearsome and bold but it has a benevolent disposition, and it was an emblem to represent imperial auth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer creates choreographies through the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation to develop innovative movement ideas. Generally, choreography designs dances intended to be performed as concert dance. The art of choreography involves specifying human movement and form in terms of space, shape, time, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mime Artist
A mime artist, or simply mime (from Greek language, Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Costumes
A dance costume is the clothing worn by a dancer when performing before an audience. A dance costume may be custom designed for use in a specific dance work, or it may have a traditional design, such as those used in some ceremonial dance, ceremonial and folk dances. Typically, dance costumes are designed to harmonize with the dance and not hinder the movements of the dancer. When created for a specific work, a costume may be designed to expose or enhance the lines formed by the dancer's body, or to express the choreographer's artistic vision, or to engage the audience, or combinations of these. A costume may portray or relate to some characteristic, mood, or theme of the dance. It may fit loosely or it may be form-fitting to emphasize the form of the dancer's body. Costumes are designed in accordance with aesthetic requirements, the anticipated movements of the dancer, and budget. Various people may collaborate in designing a costume, including the choreographer, costume designer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Scenery
Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or is the genuine item, appropriated for theatrical use. History The history of theatrical scenery is as old as the theatre itself, and just as obtuse and tradition bound. What we tend to think of as 'traditional scenery', i.e. two-dimensional canvas-covered ' flats' painted to resemble a three-dimensional surface or vista, is a relatively recent innovation and a significant departure from the more ancient forms of theatrical expression, which tended to rely less on the actual representation of space and more on the conveyance of action and mood. By the Shakespearean era, the occasional painted backdrop or theatrical prop was in evidence, but the show itself was written so as not to rely on such items to convey itself to the audience. Howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
