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D5 HD
D-5 is a professional digital video format introduced by Panasonic at 18th International Television Symposium in Montreux in 1993 and released a year later in 1994. Overview Like Sony's D-1 (8-bit), it is an uncompressed digital component system (10-bit), but uses the same half-inch tapes as Panasonic's digital composite D-3 format. A 120 min. D-3 tape will record 60 min. in D-5/D-5 HD mode. D-5 standard definition (SD) decks can be retrofitted to record high definition with the use of an external HD input/output box/decoder. There were native D5 HD decks as well that didn't need an external processor and could record in both SD and HD. High definition conversion on D5 HD decks does not allow for any error correction that exists on standard definition recordings, as the full bandwidth of the tape is required for high definition recording. D-5 HD D-5 HD uses standard D-3/D-5 videocassettes to record HD material, using an intra-frame compression with a 4:1 ratio. It was introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Tape
Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape can with relative ease record and play back audio, visual, and binary computer data. Magnetic tape revolutionized sound recording and reproduction and broadcasting. It allowed radio, which had always been broadcast live, to be recorded for later or repeated airing. Since the early 1950s, magnetic tape has been used with computers to store large quantities of data and is still used for backup purposes. Magnetic tape begins to degrade after 10–20 years and therefore is not an ideal medium for long-term archival storage. The exception is data tape formats like Linear Tape-Open, LTO which are specifically designed for long-term archiving. Information in magnetic tapes is often recorded in tracks which are narrow and long areas of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
P2 (storage Media)
P2 (P2 is a short form for "Professional Plug-In") is a professional digital recording solid-state memory storage media format introduced by Panasonic in 2004. The P2 card is essentially a RAID of Secure Digital (SD) memory cards with an LSI controller tightly packaged in a die-cast PC Card (formerly PCMCIA) enclosure. The system includes cameras, decks as drop-in replacements for videotape decks, and a special 5.25-inch computer drive for random-access integration with non-linear editing systems (NLE). The cards can also be used directly where a PC card (PCMCIA) slot is available, as in most older notebook computers, as a normal hard disk drive, although a custom software driver must first be loaded. As of 2015, P2 cards are currently available in capacities of 30 and 60 GB. At introduction, P2 cards offered low recording capacity compared to competing, video tape-based formats (a miniDV tape holds roughly 13 GB of data, and an S-size HDCAM tape holds 50 GB) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Storage
Video is an Electronics, electronic medium for the recording, copying, playback, broadcasting, and display of moving picture, moving image, visual Media (communication), media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types. Video systems vary in display resolution, Display aspect ratio, aspect ratio, refresh rate, color capabilities, and other qualities. Analog and digital variants exist and can be carried on a variety of media, including radio broadcasts, magnetic tape, optical discs, Video file format, computer files, and Streaming media, network streaming. Etymology The word ''video'' comes from the Latin verb ''video,'' meaning to see or ''videre''. And as a noun, "that which is displayed on a (television) screen," History Analog video Video developed from facsimile systems developed in the mid-19th century. Early mecha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DV (video Format)
DV (from ''Digital Video'') is a family of codecs and Videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, HDV, DVCAM, DVCPro, DVCPro50, DVCProHD, Digital8, and Digital-S. DV has been used primarily for video recording with camcorders in the amateur and professional sectors. DV was designed to be a standard for home video using digital data instead of Analog video, analog. Compared to the analog 8 mm video format, Video8/Hi8, VHS-C and VHS formats, DV features a higher video resolution (on par with professional-grade Digital Betacam); it records uncompressed 16-bit Pulse-code modulation, PCM audio like Compact Disc Digital Audio, CD. The most popular tape format using a DV codec was MiniDV; these cassettes measured just 6.35 mm/¼ inch, making it ideal for video cameras and rendering older analog formats obsolete. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HDCAM
HDCAM is a high-definition video digital recording videocassette version of Digital Betacam introduced in 1997 that uses an 8-bit discrete cosine transform (DCT) compressed 3:1:1 recording, in 1080i-compatible down-sampled resolution of 1440×1080, and adding 24p and 23.976 progressive segmented frame (PsF) modes to later models. The HDCAM codec uses rectangular pixels and as such the recorded 1440×1080 content is upsampled to 1920×1080 on playback. The recorded video bit rate is 144 Mbit/s. Audio is also similar, with four channels of AES3 20-bit, 48 kHz digital audio. Like Betacam, HDCAM tapes were produced in small and large cassette sizes; the small cassette uses the same form factor as the original Betamax. The main competitor to HDCAM was the DVCPRO HD format offered by Panasonic, which uses a similar compression scheme and bit rates ranging from 40 Mbit/s to 100 Mbit/s depending on frame rate. HDCAM is standardized as SMPTE 367M, also know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D6 HDTV VTR
D6 HDTV VTR is SMPTE videocassette standard. A D6 VTR can record and playback HDTV video uncompressed. The only D6 VTR product is the Philips, now Thomson's Grass Valley's Media Recorder, model DCR 6024, also called the D6 Voodoo VTR. The VTR was a joint project between Philips Digital Video Systems of Germany and Toshiba in Japan. The tape deck module was designed and made by Philips in Weiterstadt, Germany (formerly Bosch Fernseh), and the digital processor module designed and made by Toshiba. Since there is no data compression, after 20 tape copies of multi generations there is no noticeable loss of quality. As a very high-end, costly system about 70 were sold to high-end post houses from about 2000 to 2005. The VTR had a data record option. The data module could record and play back 2k DPX files at 6 frames per second over a HIPPI connection. The VTR came in a data only model, or with a switch module, so the record deck could be used for both video and data recording. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DCT (videocassette Format)
DCT is a digital recording component video videocassette format developed and introduced by Ampex in 1992. It was based on the D1 format, and unlike the uncompressed recording scheme of D1, it was the first digital videotape format to use data compression. Like D1 (and D2), it uses a similar cassette loaded with 3/4" (19mm) width tape. One of the models of VCR released for the format was the Ampex DCT-1700D. Overview The type of data compression used by the format, discrete cosine transform (DCT), shares the same acronym as the format, but the meaning is different for the latter (the format's acronym meaning Data Component Technology).Mika Iisakkila, ''Video recording formats'' DST (Data Storage Technology), a data-only version of DCT, was also developed by Ampex at the same time for the backup and archiving of data from servers and other enterprise-oriented IT systems. However, it was used by television networks such as Fox and The Discovery Channel in the late 1990s to e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betacam
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, ''Betacam'' singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All Betacam variants from analog Betacam, Betacam SP and Digital Betacam, HDCAM and HDCAM SR use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identify which format has been inserted. The cassettes are available in two sizes: S (short or small) and L (long or large). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes. The format s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
W-VHS
W-VHS (Wide-VHS) is an HDTV-capable analog recording videocassette format created by JVC. The format was originally introduced on January 8, 1993 for use with Japan's Hi-Vision (aka MUSE), an early analog high-definition television system. The first W-VHS recorder was the Victor (JVC) HR-W1, released on December 28, 1993. Naming The Japanese language uses "W", as an ideogram meaning "double", the original Japanese name of the system refers to a doubling of resolution seen on W-VHS system. By the time the system was being prepared for a western market, JVC had retrofitted the "W" name as "Wide-VHS" and coined four marketing points based on the "Wide" moniker. * Wide aspect ratio * Worldwide-usable format, conforming to foreign HDTV systems * Wide development of videotape applications * Wide (two-track) recording system Mechanism W-VHS VCRs can record a high-definition video signal (stored internally as an 1125-line signal similar to Hi-Vision) via the analog Y/Pb/Pr c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-VHS
D-VHS (short for Digital VHS) is a digital video recording format developed by JVC in collaboration with Hitachi, Matsushita, and Philips. Introduced in December 1997, it was designed to record digital video, including high-definition content, using the same higher-grade tapes as S-VHS (Super VHS), which could accommodate the increased data rates required by the format. Unlike analog-based VHS and S-VHS, D-VHS records video digitally using MPEG-2 compression and stores it in an MPEG transport stream, a format also used in DVDs and digital television broadcasts. The format was standardized by the International Electrotechnical Commission as IEC 60774-5. JVC also developed D-Theater, a proprietary variant of D-VHS used for prerecorded high-definition movies. D-Theater tapes featured studio-released content in 720p or 1080i resolution, offering a home viewing experience similar to early Blu-ray and HD DVD formats. However, the system required compatible D-VHS players and include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-1 (Sony)
D-1 or 4:2:2 Component Digital is an SMPTE digital recording video standard, introduced in 1986 through efforts by SMPTE engineering committees. It started as a Sony and Bosch – BTS product and was the first major professional digital video format. SMPTE standardized the format within ITU-R 601 (orig. CCIR-601), also known as Rec. 601, which was derived from SMPTE 125M and EBU 3246-E standards. Format D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette). The uncompressed component video used enormous bandwidth for its time: 167 Mbit/sec (bit rate). One of the first D-1 VTRs, the Sony DVR-1000, required a separa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NTSC
NTSC (from National Television System Committee) is the first American standard for analog television, published and adopted in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. ''NTSC color'' is usually associated with the System M; this combination is sometimes called NTSC II. The only other broadcast television system to use NTSC color was the System J. Brazil used System M with PAL color. Vietnam, Cambodia and Laos used System M with SECAM color – Vietnam later started using PAL in the early 1990s. The NTSC/System M standard was used in most of the Americas (except Argentina, Brazil, Paraguay, and Uruguay), Myanmar, South Korea, Taiwan, Philippines, Japan, and some Pacific Isl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
