Cäcilie (Strauss)
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Cäcilie (Strauss)
"Cäcilie", Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem "Cäcilie" written by Heinrich Hart (1855–1906), a German dramatic critic and journalist who also wrote poetry. It was written for the poet's wife Cäcilie. , or UK English as "Cecilia". History Strauss composed the song at Marquartstein on 9 September 1894. , the day before his wedding to the soprano Pauline de Ahna. All four of the Opus 27 songs, including ''Cäcilie'' were given as a wedding present to her. Instrumentation and accompaniment The song was originally written with piano accompaniment in the key of E major, but later orchestrated in his 'heroic' key of E. The instrumentation is: 2 flutes, 2 oboes, 2 clarinets in B, 2 bassoons, 4 horns in E, 2 trumpets in E, 3 trombones, tuba, 3 timpani, harp and the orchestral string section. The tempo direction is "Sehr lebhaft und drängend". Strauss, in his rich and lively orchestration, ...
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Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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Maria Reining
Maria Reining (August 7, 1903 in Vienna – March 11, 1991 in Deggendorf) was an Austrian soprano, honored with the title Kammersängerin. At first, Reining worked as in a Viennese bank, and didn't commence her singing career until the age of 28, when she started to sing at the Vienna State Opera, mainly in soubrette roles. Two years later, she moved to Darmstadt, then to the Munich State Opera, where she made her debut as Elsa in ''Lohengrin'', under Hans Knappertsbusch. In 1937 she followed Knappertsbusch to the Vienna State Opera, where she sang Elsa again. Reining was a member of the Vienna State Opera ensemble between 1931 and 1933 and again between 1937 and 1957. Between 1937 and 1941, she sang at the Salzburg Festival with great success, conducted, among others, by Arturo Toscanini. She predominantly sang roles by Mozart, Wagner and Richard Strauss. As a guest, she appeared at the leading European opera houses: among others, she sang at the Royal Opera House in London ...
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Morgen!
"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss. It is designated Opus 27, Number 4. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany. History Strauss had met Mackay in Berlin, and set ''Morgen!'' to music on 21 May 1894. It was one of his four Lieder Opus 27, a wedding present to his wife Pauline. Initially, he set the accompaniment for piano alone, and for piano with violin. In 1897 he arranged the piece for orchestra with violin solo. "Morgen!" remains one of Strauss's best-known and most widely recorded works. Strauss himself recorded it in 1919 accompanying the tenor Robert Hutt on the piano, and again in 1941 conducting the orchestral version with tenor Julius Patzak and the Bavarian State Orchestra. His last recording of it was 11 June 1947, a live broadcast on radio with Strauss con ...
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Heimliche Aufforderung
"" ("The Secret Invitation" or "The Lovers; Pledge"), Op. 27, No. 3, is one of a set of four songs composed for voice and piano by Richard Strauss in 1894. The German conductor Robert Heger orchestrated it in 1929."Richard Strauss: 'Heimliche Aufforderung' (The Lover’s Pledge) Arranger: Robert Heger
The text is from a poem in German by .


History

Strauss composed the song on 22 May 1894 and gave it as a wedding ...
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Ruhe, Meine Seele!
"", Opus number, Op. 27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894. It was originally for voice and piano, and not Orchestration, orchestrated by Strauss until 1948, after he had completed one of his ''Four Last Songs'', "". The words are from a poem "" (Rest, my soul) written by the poet Karl Henckell. History Strauss composed the song in May 1894, and that September he gave it as a wedding present to his wife the soprano Pauline de Ahna. Related songs Timothy L. Jackson has noted that Strauss had composed the song "Ruhe, meine Seele!" for piano and voice in 1894 but did not orchestrate it until 1948, just after he had completed "Im Abendrot" and before he composed the other three of his ''Four Last Songs''. Jackson suggests that the addition of "Ruhe, meine Seele!" to the ''Four Last Songs'' forms a five-song unified song cycle, if "Ruhe, meine Seele!" is performed as a prelude to "Im Abendrot", to which it bears motivic similarity. Inst ...
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Heinrich Hart
The brothers Heinrich and Julius Hart were German writers and literary critics who collaborated closely. They were among the pioneers of naturalism in German literature. Heinrich was born 30 December 1855, in Wesel and died 11 June 1906, in Tecklenburg. Julius was born 9 April 1859, in Münster and died 7 July 1930, in Berlin Berlin ( , ) is the capital and List of cities in Germany by population, largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's List of cities in the European Union by population within ci .... The Hart brothers published works of literary criticism, notably ''Kritische Waffengänge'' (parts 1–6, 1882–1884), in which they opposed the light reading chosen by the bourgeoisie. Works *Hart, J. ''Sansara'' (1879) *Hart, J. ''The Triumph of Life'' (1898) *Hart, H. ''Gesammelte Werke'', vols. 1–4. Berlin (1907) *Hart, J. ''Revolution der Ästhetik''. Berlin (1908) *Hart, H. ''Song of Humanity'', ...
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Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ...
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Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ...
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Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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