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Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based '' coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abakuá
Abakuá, also sometimes known as Ñañiguismo, is an Afro-Cuban men's initiatory fraternity or secret society, which originated from fraternal associations in the Cross River region of southeastern Nigeria and southwestern Cameroon. Abakuá has been described as "an Afro-Cuban version of Freemasonry". The Cuban artist Belkis Ayón intensively investigated the Abakuá mythology in her prints. History Origins in Cuba Known generally as Ekpe, Egbo, Ngbe, or Ugbe among the multi-lingual groups in the region, it was believed that ''Ñáñigos'', as the members are known, could be transformed into leopards to stalk their enemies. In contemporary Haiti, where secret societies have remained strong, an elite branch of the army that was set up to instill fear in the restless masses was named The Leopards. Among the less mystical ''Ñáñigo'' revenges was the ability to turn people over to slavers. In Africa they were notorious operators who had made regular deals for profit wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuka (music)
Yuka is a secular Afro-Cuban musical tradition which involves drumming, singing and dancing. It was developed in western Cuba by Kongo slaves during colonial times. Yuka predates other Afro-Cuban genres of dance music like rumba and has survived in Kongo communities of Pinar del Río, specifically in El Guayabo and Barbacoa, San Luis. Since the 1940s, yuka performances have been recorded by researchers such as Harold Courlander and María Teresa Linares.Linares, María Teresa. 1981. Liner notes to ''Antología de la música afrocubana Vol. 5: Tambor yuka'' ecorded in 1978 EGREM: Havana, Cuba. Music Drumming The Bantu word ''yuka'' means "to beat" and is also used to refer to the drums used in yuka performances. According to Fernando Ortiz, yuka drums were known in the Kongo language as ''ngóma bobóla mámbu'', where ''ngóma'' means "drum", ''bobóla'' "deep sound" and ''mámbu'' "collective business". These drums are made from hollowed-out trunks of the avocado tree. Leat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Real Academia Española
The Royal Spanish Academy ( es, Real Academia Española, generally abbreviated as RAE) is Spain's official royal institution with a mission to ensure the stability of the Spanish language. It is based in Madrid, Spain, and is affiliated with national language academies in 22 other Hispanophone nations through the Association of Academies of the Spanish Language. The RAE's emblem is a fiery crucible, and its motto is ("It purifies, it fixes, and it dignifies"). The RAE dedicates itself to language planning by applying linguistic prescription aimed at promoting linguistic unity within and between various territories, to ensure a common standard. The proposed language guidelines are shown in a number of works. History The Royal Spanish Academy was founded in 1713, modeled after the Accademia della Crusca (1582), of Italy, and the Académie Française (1635), of France, with the purpose "to fix the voices and vocabularies of the Spanish language with propriety, elegance, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diccionario De La Lengua Española
The ''Diccionario de la lengua española'' (DLE; ; en, Dictionary of the Spanish language), previously known as ''Diccionario de la Real Academia Española'' (DRAE; en, Dictionary of the Royal Spanish Academy), is produced, edited, and published by the Royal Spanish Academy (RAE) with participation of the Association of Academies of the Spanish Language. It was first published in 1780, and subsequent editions have been published about once a decade. The twenty-third edition was published in 2014; it is available online, incorporating modifications to be included in the twenty-fourth print edition. The Dictionary was created to maintain the linguistic purity of the Spanish language; unlike many English-language dictionaries, the DLE is intended to be authoritative and prescriptive, rather than descriptive. Origin and development Purpose When the RAE was founded in 1713, one of its primary objectives was to compile an authoritative Castilian Spanish dictionary. Its first statut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalan Rumba
The Catalan rumba ( ca, rumba catalana, ) is a genre of music that developed in Barcelona's Romani community beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian flamenco rumba, with influences from Cuban music and rock and roll. The Catalan rumba originated in the Romani communities in the Gràcia, ''carrer (street) de la Cera del Raval'' and Hostafrancs neighborhoods. The Romani community in those neighborhoods is long-established and bilingual in Catalan and were influenced by the heavy Andalusian immigration to Barcelona during this period. The genre is based in a fusion of Catalan-Andalusian flamenco singing and the Afro-Cuban claves. It is in time, and consists of vocalists and handclaps, accompanied by guitar, bongos, and güiro; later groups also incorporate timbales, conga drums, small percussion instruments, piano, wind instruments, electric bass, and electric keyboard. Among the most important early artists in the genre were Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumba Flamenca
Rumba flamenca, also known as flamenco rumba or simply rumba (), is a '' palo'' (style) of flamenco music developed in Andalusia, Spain. It is known as one of the '' cantes de ida y vuelta'' (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music first reached the country. History Rumba flamenca was primarily influenced by guaracha, an uptempo style of vocal music which originated in Havana's musical theatre. Some elements from Cuban rumba were also incorporated, although minor, despite the name. Although unlikely, both guaracha and Cuban rumba might have been influenced by flamenco earlier in the 19th century. Guarachas can be traced back to the Spanish jácaras, thus justifying the classification of rumba flamenca as a '' cante de ida y vuelta''. The first rumba flamenca recordings were made by La Niña de los Peines in the 1910s. During the late 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' ( sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congolese Rumba
Congolese rumba is a popular genre of dance music that originated in the Congo basin during the 1940s, deriving from Cuban son. The style gained popularity throughout Africa during the 1960s and 1970s. It is known as Lingala in Kenya, Uganda, and Tanzania after the Lingala language of the lyrics in the majority of the songs. In Zambia and Zimbabwe, where Congolese music is also influential, it is still usually referred to as rumba. It is also an individual dance. In December 2021, Congolese rumba was added to the UNESCO list of intangible cultural heritage. History In the 1930s and 1940s, Afro-Cuban son groups, such as Septeto Habanero, Trio Matamoros, and Los Guaracheros de Oriente, were played over Radio Congo Belge in Léopoldville (Kinshasa), gaining widespread popularity in the country during the following decades. Once local bands tried to emulate the sound of Cuban son (incorrectly referred to as "rumba" in Africa, despite being unrelated to Cuban rumba), their musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soukous
Soukous (from French '' secousse'', "shock, jolt, jerk") is a genre of dance music from Congo-Kinshasa and Congo-Brazzaville. It derived from Congolese rumba in the 1960s, becoming known for its fast dance rhythms and intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo and longer dance sequences. Notable performers of the genre include Franco Luambo and his band TPOK Jazz, Papa Wemba, Sam Mangwana, Tabu Ley Rochereau, and Pépé Kallé. History 1960s In the 1950s and 1960s, artists began altering the popular dance style of Congolese rumba to have faster rhythms and more prominent guitar improvisation, as well as more pronounced African elements. Guitarist and bandleader Franco Luambo is credited with pioneering the genre alongside his band TPOK Jazz. Tabu Ley Roche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song " El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Muñequitos De Matanzas
Los Muñequitos de Matanzas is a Cuban rumba ensemble from the city of Matanzas. The group was established in 1952 as Conjunto Guaguancó Matancero and released their first LP in 1956 through Puchito. Since then, Los Muñequitos have continued to perform and record, becoming one of the most successful and critically acclaimed rumba groups of all time. History On October 9, 1952 in the barrio of La Marina, city of Matanzas, Cuba, a group of young rumberos stopped off at their local tavern El Gallo after work. While unwinding over drinks, a song by Arsenio Rodríguez came on the bar’s record player. The drummers began accompanying the song by playing on the counter, on glasses and bottles, using whatever items were at hand. Their performance so impressed the other customers, as well as passers-by, that the men received applause when the song and their accompaniment concluded. It was at that moment when one of the men suggested they form a rumba group to perform at local venues. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga Drum
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
