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Conrad Beck
Conrad Arthur Beck (16 June 1901, Lohn, Schaffhausen – 31 October 1989, Basel) was a Swiss composer. Life and works Beck was the son of a pastor. His stay in Paris between 1924 and 1933 proved crucial to his artistic development, where he studied with Jacques Ibert and also made contact with Arthur Honegger, Nadia Boulanger, and Albert Roussel. Returning to Basel in 1933, he headed the music department of Radio Basel for the next thirty years. He helped mediate cultural exchange through his many contacts with Swiss and international musicians. At the suggestion of Swiss conductor Paul Sacher (1906–1999), who promoted his career more than any other composer, Beck settled in Basel in 1934. During a period of over 50 years, Sacher commissioned his works and conducted their premieres with the chamber orchestra ''Basler Kammerorchester'' and the Collegium Musicum Zürich. From 1939 to 1966 Beck worked as music director of Swiss Radio in Basel, a position that enabled him to ...
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Conrad Beck 1961
Conrad may refer to: People * Conrad (name) Places United States * Conrad, Illinois, an unincorporated community * Conrad, Indiana, an unincorporated community * Conrad, Iowa, a city * Conrad, Montana, a city * Conrad Glacier, Washington Elsewhere * Conrad, Alberta, Canada, a former unincorporated community * Conrad Mountains, Queen Maud Land, Antarctica * Mount Conrad, Oates Land, Antarctica Businesses * Conrad Editora, a Brazilian publisher * Conrad Electronic, a German retailer * Conrad Hotels, the global luxury brand of Hilton Hotels * Conrad Models, a German manufacturer of diecast toys and promotional models Other uses * ''Conrad'' (comic strip) * CONRAD (organization), an American organization which promotes reproductive health in the developing world * ORP ''Conrad'', name of the cruiser HMS ''Danae'' (D44) while loaned to the Polish Navy (1944-1946) See also * Conradi * Conradin * Conradines * Conrads (other) * Corrado (other) * ...
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Vocal Music
Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music (e.g. the wordless women's choir in the final movement of Holst's symphonic work '' The Planets'') as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as ''a cappella''. Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables, sounds, or noises, sometimes as musical onomatopoeia, such as jazz scat singing. A short piece of vocal music with lyrics is broadly termed a song, although in different styles of music, it may be called an aria or hymn. Vocal music often has a sequence of sustained pitches that rise and f ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts t ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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Narrator
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot (the series of events). Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or not the narrator and the ...
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Solo (music)
In music, a solo (from the Spanish and Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was '' concertino''. An instrumental solo is often used in popular music ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a Venetian polychoral style, polychoral compositi ...
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Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musici ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony (melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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Mstislav Rostropovich
Mstislav Leopoldovich Rostropovich, (27 March 192727 April 2007) was a Russian cellist and conductor. He is considered by many to be the greatest cellist of the 20th century. In addition to his interpretations and technique, he was well known for both inspiring and commissioning new works, which enlarged the cello repertoire more than any cellist before or since. He inspired and premiered over 100 pieces, forming long-standing friendships and artistic partnerships with composers including Dmitri Shostakovich, Sergei Prokofiev, Henri Dutilleux, Witold Lutosławski, Olivier Messiaen, Luciano Berio, Krzysztof Penderecki, Alfred Schnittke, Norbert Moret, Andreas Makris, Leonard Bernstein, Aram Khachaturian and Benjamin Britten. Rostropovich was internationally recognized as a staunch advocate of human rights, and was awarded the 1974 Award of the International League of Human Rights. He was married to the soprano Galina Vishnevskaya and had two daughters, Olga and ...
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Witold Lutosławski
Witold Roman Lutosławski (; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown� ...
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