Christian Cannabich
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Christian Cannabich
Johann Christian Innocenz Bonaventura Cannabich (28 December 1731 (bapt.) – 20 January 1798), was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School. Biography Background Christian Cannabich was born in Mannheim, the third child of Martin Friedrich Cannabich (1690–1773), a flautist, oboist and music teacher at the Mannheim court. Cannabich's father was the personal flute teacher of the Prince elector Carl Theodor which in itself created fa ...
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Egid Verhelst - Portrait Of Christian Cannabich
In Unix-like systems, multiple users can be put into ''groups''. POSIX and conventional Unix file system permissions are organized into three classes, ''user'', ''group'', and ''others''. The use of groups allows additional abilities to be delegated in an organized fashion, such as access to disks, printers, and other peripherals. This method, among others, also enables the superuser to delegate some administrative tasks to normal users, similar to the ''Administrators'' group on Microsoft Windows NT and its derivatives. A group identifier, often abbreviated to GID, is a numeric value used to represent a specific group. The range of values for a GID varies amongst different systems; at the very least, a GID can be between 0 and 32,767, with one restriction: the login group for the superuser must have GID 0. This numeric value is used to refer to groups in the /etc/passwd and /etc/group files or their equivalents. Shadow password files and Network Information Service also refer to ...
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Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserva ...
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Concert Spirituel
The Concert Spirituel ( en, Spiritual Concert) was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790. Later, concerts or series of concerts of the same name occurred in Paris, Vienna, London and elsewhere. The series was founded to provide entertainment during the Easter fortnight and on religious holidays when the other spectacles (the Paris Opera, Comédie-Française, and Comédie-Italienne) were closed. The programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated ''Salle des Cent Suisses'' (Hall of the Hundred Swiss Guards) in the Tuileries Palace. They started at six o’clock in the evening and were primarily attended by well-to-do bourgeois, the lower aristocracy, and foreign visitors. In 1784 the concerts were moved to the stage area of the ''Salle des Machines'' (an enormous former opera house in the Tuileries), and in 1790, when t ...
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Mozart Family Grand Tour
The Mozart family grand tour was a journey through western Europe, undertaken by Leopold Mozart, his wife Anna Maria, and their musically gifted children Maria Anna (Nannerl) and Wolfgang Theophilus (Wolferl) from 1763 to 1766. At the start of the tour the children were aged eleven and seven respectively. Their extraordinary skills had been demonstrated during a visit to Vienna in 1762, when they had played before the Empress Maria Theresa at the Imperial Court. Sensing the social and pecuniary opportunities that might accrue from a prolonged trip embracing the capitals and main cultural centres of Europe, Leopold obtained an extended leave of absence from his post as deputy Kapellmeister to the Prince-Archbishopric of Salzburg. Throughout the subsequent tour, the children's ''Wunderkind'' status was confirmed as their precocious performances consistently amazed and gratified their audiences. The first stage of the tour's itinerary took the family, via Munich and Frankfurt, ...
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Christian IV, Count Palatine Of Zweibrücken
Christian IV, Count Palatine of Zweibrücken-Birkenfeld (6 September 1722 in Bischweiler – 5 November 1775 in Herschweiler-Pettersheim) was Duke of Zweibrücken from 1735 to 1775. Early life and family Christian IV was born in Bischweiler on 6 September 1722, the son of Christian III, Count Palatine of Zweibrücken and his wife, Caroline of Nassau-Saarbrücken. Marriage and issue In 1751 he married, morganatically Morganatic marriage, sometimes called a left-handed marriage, is a marriage between people of unequal social rank, which in the context of royalty or other inherited title prevents the principal's position or privileges being passed to the spou ..., Maria Johanna Camasse (1734–1807, created Countess of Forbach in 1757). They had six children, who were unable to succeed to their father's Duchy due to the morganatic nature of their parents' marriage at first, but in 1792 were allowed to carry the name ''Freiherr von Zweibrücken'':
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Age Of Enlightenment
The Age of Enlightenment or the Enlightenment; german: Aufklärung, "Enlightenment"; it, L'Illuminismo, "Enlightenment"; pl, Oświecenie, "Enlightenment"; pt, Iluminismo, "Enlightenment"; es, La Ilustración, "Enlightenment" was an intellectual and philosophical movement that dominated Europe in the 17th and 18th centuries with global influences and effects. The Enlightenment included a range of ideas centered on the value of human happiness, the pursuit of knowledge obtained by means of reason and the evidence of the senses, and ideals such as liberty, progress, toleration, fraternity, and constitutional government. The Enlightenment was preceded by the Scientific Revolution and the work of Francis Bacon, John Locke, and others. Some date the beginning of the Enlightenment to the publication of René Descartes' ''Discourse on the Method'' in 1637, featuring his famous dictum, ''Cogito, ergo sum'' ("I think, therefore I am"). Others cite the publication of Isaac Newto ...
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Piano Sonata No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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Rose Cannabich
Rose Cannabich (1764–1839) was a German classical pianist. Mozart dedicated a piano sonata to her when he was her teacher in Mannheim, where her father led the well-known orchestra. History Rosina Theresia Petronella Cannabich was born in Mannheim, the daughter of the violinist and composer Christian Cannabich and his wife Maria Elisabeth née de la Motte, a lady of the bed chamber to the Duchess of Zweibrücken. She was baptized on 18 March or in April. Her father was the principal violinist (''Konzertmeister'') in the Mannheim court orchestra. He was instrumental in the Mannheim School, training the orchestra to its noted carefully graduated crescendos and diminuendos.(Slonimsky 1958), p. 248 Rose was the oldest of six children. As was customary among musical families, the children received musical training, probably by their father and other members of the orchestra, such as the singers Augusta Elisabeth Wendling and Elisabeth Augusta Wendling and her husband, the viol ...
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Carl Cannabich
Carl August Konrad Cannabich (christened on 11 October 1771 – 1 May 1806) was a German composer, violinist, concertmaster and music director. Family Born in Mannheim, Cannabich was the son of the court music director Christian Cannabich, one of the most renowned composers of the Mannheim school. His grandfather was the court musician Martin Friedrich Cannabich, his sister Rose was a pianist and his sister Augusta Elisabeth a singer. He was married to the soprano Josephine Woraleck (1781-1830), the daughter of the composer Nicklas Woraleck. Life In 1778 he moved with his parents to Munich. From the age of four he played piano and violin and at the age of nine received violin lessons from Johann Friedrich Eck. He later studied composition with Joseph Graetz and Peter von Winter. Already at the age of 12 he made a concert tour through Germany together with Ludwig August Lebrun. In 1785 he travelled to Italy for two years to further his musical education. In 1788 he joined ...
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First Violin
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," "fi ...
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Giovanni Battista Sammartini
Giovanni Battista Sammartini (c. 1700 – 15 January 1775) was an Italian composer, violinist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as ''galant'', a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... s thathe contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end". He is som ...
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