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Certosa Of Ferrara
Ferrara Charterhouse ( it, Certosa di Ferrara), of which the present Church of San Cristoforo alla Certosa was previously the monastic church, is a former charterhouse or Carthusian monastery built in Renaissance style, located on Piazza Borso 50 in Ferrara, Region of Emilia-Romagna, Italy. The monastery was suppressed in the time of Napoleon, but the church was reconsecrated in 1813 and remains in use. The site also accommodates a large municipal cemetery, which was established in 1813. History In 1452, the Duke Borso d'Este sponsored the construction of a charterhouse ( it, certosa) in Ferrara. As was the usual Carthusian practice, it was built outside the existing city walls, but ten years later new walls, the Addizione Erculea, brought it back within the city. The present church, dedicated to Saint Christopher (San Cristoforo), was built in 1498, next to the original monastic church. The layout is that of a Latin cross with six lateral chapels. The project is attributed to Bia ...
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Certosa Di Ferrara
Ferrara Charterhouse ( it, Certosa di Ferrara), of which the present Church of San Cristoforo alla Certosa was previously the monastic church, is a former Charterhouse (monastery), charterhouse or Carthusian monastery built in Renaissance architecture, Renaissance style, located on Piazza Borso 50 in Ferrara, Region of Emilia-Romagna, Italy. The monastery was suppressed in the time of Napoleon, but the church was reconsecrated in 1813 and remains in use. The site also accommodates a large municipal cemetery, which was established in 1813. History In 1452, the Duke Borso d'Este sponsored the construction of a Charterhouse (monastery), charterhouse ( it, certosa) in Ferrara. As was the usual Carthusian practice, it was built outside the existing city walls, but ten years later new walls, the Addizione Erculea, brought it back within the city. The present church, dedicated to Saint Christopher (San Cristoforo), was built in 1498, next to the original monastic church. The layout is th ...
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Ferdinando Canonici
Ferdinando may refer to: Politics * Ferdinando I de' Medici, Grand Duke of Tuscany (1549–1609) * Ferdinando II de' Medici, Grand Duke of Tuscany (1610–1670) * Ferdinando de' Medici, Grand Prince of Tuscany (1663–1713), eldest son of Cosimo III de' Medici * Ferdinando Gonzaga, Duke of Mantua (1587–1626) * Ferdinando Carlo Gonzaga, Duke of Mantua and Montferrat (1652–1708), only child of Duke Charles II of Mantua * Ferdinando Fairfax, 2nd Lord Fairfax of Cameron (1584–1648), English politician and parliamentary general Sports * Ferdinando De Giorgi (born 1961), Italian volleyball player and coach * Ferdinando Meglio (born 1959), Italian fencer * Ferdinando Piani, Italian bobsledder Other * Ferdinando Galli-Bibiena (1656–1743), Italian architect and painter * Ferdinando Galiani (1728–1787), Italian economist during the Enlightenment * Ferdinando Piretti, an Italian mathematician * Ferdinando Sardella, a Swedish scholar of the history of religion * ''Ferdinando Eboli' ...
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Pierro Turchi
__NOTOC__ Pierro Margaret River Vineyards (usually referred to simply as Pierro) is an Australian winery at Wilyabrup, in the Margaret River wine region of Western Australia. Established in 1979 on a scrubby, rocky and steeply sloping property, it has been described as having "one of the prettiest locations in an area that offers much, even at its most mundane." The winery's name, adapted from that of the folk tale character Pierrot, alludes to both the winery's founder, Dr Michael Peterkin, and its location, as both "Pierrot" and "Peterkin" mean "son of Peter" and "son of the rock". See also * Australian wine * List of wineries in Western Australia * Western Australian wine Western Australian wine refers to wine produced in Australia's largest state, Western Australia. Although the state extends across the western third of the continent, its wine regions are almost entirely situated in the cooler climate of its sou ... References Notes Bibliography * * * * * Ex ...
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Francesco Ferrari (painter)
Francesco Ferrari (1634–1708) was an Italian painter and architect of the Baroque period, active in Ferrara and across Northern Italy and Vienna. Biography Born near Rovigo, and moved into Ferrara. He had been instructed in figure painting by a Frenchman, and afterwards became professor of architectural and ornamental painting under the Bolognese painter Gabriel Rossi. Ferrari painted ''The Dispute of St Cirillo'' and the ''Prayer of Elias elicits Rain'' for the church of San Paolo, Ferrara. He also painted for the Carmine and at San Giorgio. He worked also for theaters and in different Italian cities as an architect, including in the service of Leopold I at Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST .... Being constrained to leave Germany on account of his health, ...
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Baldacchino
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin' ...
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Carlo Bononi
Carlo Bononi (1569? - 1632) was an Italian painter. From an 1876 book: '' Giulio Cromer, Carlo Bononi a pupil of Bastaruolo, and Alfonso Rivarola or Chenda, were the last artists of any eminence in Ferrara.'' Page 175 Biography Born and active mainly in Emilia and Ferrara, and considered to be mainly a painter of the School of Ferrara. He studied painting under Giuseppe Mazzuoli, known as ''il Bastarolo''. He knew Guercino and was eulogized by Guido Reni as having a "bounty of a most honest life, a great knowledge of design, and strength in colorizing". Bononi rose to prominence in Ferrara when the painter Scarsellino died, and the former called to Rome. He was initially buried in Santa Maria in Vado, for which he had helped decorate the ceiling with various canvases. Among his pupils were Alfonso Rivarola (il Chenda), Giovanni Battista dalla Torre, and Camillo Berlinghieri. His nephew, Leonello Bononi was also a painter. An important exhibition has been held at Pa ...
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Ippolito Scarsellino
Scarsellino or Ippolito Scarsella (1550 (or 1551) – 28 October 1620) was an Italian mid-to-late sixteenth century reformist painter and one of the most important representatives of the School of Ferrara. His landscapes of both sacred and secular themes strongly anticipate the landscape painting traditions of the 17th century.Scarsellino (Ippolito Scarsella), ''Nymphs at the Bath''
at the


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Squillace
Squillace ( grc, Σκυλλήτιον ''Skylletion''; grc-x-medieval, Σκυλάκιον ''Skylakion'') is an ancient town and ''comune'', in the Province of Catanzaro, part of Calabria, southern Italy, facing the Gulf of Squillace. Squillace is situated near the east coast of Calabria, close to the shores of an extensive bay, the Gulf of Squillace ( it, Golfo di Squillace), which indents the coast of Calabria on the east as deeply as that of the Gulf of Saint Euphemia (Italian: ''Golfo di Sant'Eufemia'') does on the west, with a comparatively narrow isthmus between them. History Squillace is known today as one of Italy's most important archaeological sites as well as a popular resort. The name derives from the ancient city of Scylletium, the principal ruins of which are located in the nearby comune of Borgia. The Roman statesman and writer Cassiodorus founded a monastery called Vivarium on his family estates on the shores of the Ionian Sea in the 6th century AD. This monast ...
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Francesco Naselli
Francesco Naselli was an Italian painter of the Baroque period. Biography He was born at Ferrara, and flourished about the year 1610. When young, he studied the works of the Carracci and Guercino, which he copied with surprising success, but afterwards devoted himself to the manner of his countryman Giuseppe Mazzola. He was employed for several of the churches in Ferrara. In the Cathedral there is an altarpiece by him, representing the '' Nativity''; in the church of Santa Maria de' Servi, a large picture of the ''Last Supper Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...''; and in the church of Santa Francesca, the ''Assumption of the Virgin''. Naselli died at Ferrara about 1630. He is said to be the father of Alessandro Naselli, another Ferrarese painter.
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Agostino Caracci
Agostino Carracci (or Caracci) (16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati (Academy of the Progressives) in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space.Agostino Carracci
at Getty
The academy helped propel painters of the School of Bologna to prominence.


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Agostino Carracci was born in

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Sebastiano Filippi
Sebastiano Filippi (or Bastianino; ca. 1536 – 23 August 1602) was an Italian late Renaissance – Mannerist painter of the School of Ferrara. Biography He was born in Lendinara to a painter, Camillo Filippi, who had worked under Dosso Dossi. He initially likely apprenticed with his father and brother ( Cesare Filippi), and is thought to have worked with them when they painted a processional standard ''Gonfalone'' for the ''Oratorio dell'Annunziata'' in Ferrara. He left Ferrara, dominated by the likes of Dosso Dossi, Il Garofalo, and Girolamo da Carpi, as a young man to find work in Rome. In Rome, he is said to have been recommended by Jacopo Bonacossi, the Ferrarese doctor of the Pope, to enter training with Michelangelo. He worked for seven years under the master in Rome, then returned to Ferrara in 1553, where he enjoyed the general patronage of the arts by Duke Alfonso I d'Este and subsequently his son Alfonso II. He painted a ''Madonna with Peter and Paul'' for the ch ...
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Sibyls
The sibyls (, singular ) were prophetesses or oracles in Ancient Greece. The sibyls prophesied at holy sites. A sibyl at Delphi has been dated to as early as the eleventh century BC by PausaniasPausanias 10.12.1 when he described local traditions in his writings from the second century AD. At first, there appears to have been only a single sibyl. By the fourth century BC, there appear to have been at least three more, Phrygian, Erythraean, and Hellespontine. By the first century BC, there were at least ten sibyls, located in Greece, Italy, the Levant, and Asia Minor. History The English word ''sibyl'' ( or ) is from Middle English, via the Old French and the Latin from the ancient Greek (). Varro derived the name from an Aeolic ''sioboulla'', the equivalent of Attic '' theobule'' ("divine counsel"). This etymology is still widely accepted, although there have been alternative proposals in nineteenth-century philology suggesting Old Italic or Semitic derivation. Th ...
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