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Cavetto
A cavetto is a concave moulding with a regular curved profile that is part of a circle, widely used in architecture as well as furniture, picture frames, metalwork and other decorative arts. In describing vessels and similar shapes in pottery, metalwork and related fields, "cavetto" may be used of a variety of concave curves running round objects. The word comes from Italian, as a diminutive of ''cave'', from the Latin for "hollow" (it is the same root as cave). A vernacular alternative is "cove", most often used where interior walls curve at the top to make a transition to the roof, or for "upside down" cavettos at the bases of elements. The cavetto moulding is the opposite of the convex, bulging, ovolo, which is equally common in the tradition of Western classical architecture. Both bring the surface forward, and are often combined with other elements of moulding. Usually they include a curve through about a quarter-circle (90°). A concave moulding of about a full semi-c ...
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Cavetto Cornice
A cavetto is a concave moulding with a regular curved profile that is part of a circle, widely used in architecture as well as furniture, picture frames, metalwork and other decorative arts. In describing vessels and similar shapes in pottery, metalwork and related fields, "cavetto" may be used of a variety of concave curves running round objects. The word comes from Italian, as a diminutive of ''cave'', from the Latin for "hollow" (it is the same root as cave). A vernacular alternative is "cove", most often used where interior walls curve at the top to make a transition to the roof, or for "upside down" cavettos at the bases of elements. The cavetto moulding is the opposite of the convex, bulging, ovolo, which is equally common in the tradition of Western classical architecture. Both bring the surface forward, and are often combined with other elements of moulding. Usually they include a curve through about a quarter-circle (90°). A concave moulding of about a full semi-ci ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projectin ...
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Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ...
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Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ...
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Papyrus
Papyrus ( ) is a material similar to thick paper that was used in ancient times as a writing surface. It was made from the pith of the papyrus plant, '' Cyperus papyrus'', a wetland sedge. ''Papyrus'' (plural: ''papyri'') can also refer to a document written on sheets of such material, joined side by side and rolled up into a scroll, an early form of a book. Papyrus is first known to have been used in Egypt (at least as far back as the First Dynasty), as the papyrus plant was once abundant across the Nile Delta. It was also used throughout the Mediterranean region. Apart from a writing material, ancient Egyptians employed papyrus in the construction of other artifacts, such as reed boats, mats, rope, sandals, and baskets. History Papyrus was first manufactured in Egypt as far back as the fourth millennium BCE.H. Idris Bell and T.C. Skeat, 1935"Papyrus and its uses"( British Museum pamphlet). The earliest archaeological evidence of papyrus was excavated in 201 ...
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Etruscan Architecture
Etruscan architecture was created between about 900 BC and 27 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed. From about 630 BC, Etruscan architecture was heavily influenced by Greek architecture, which was itself developing through the same period. In turn it influenced Roman architecture, which in its early centuries can be considered as just a regional variation of Etruscan architecture. But increasingly, from about 200 BC, the Romans looked directly to Greece for their styling, while sometimes retaining Etruscan shapes and purposes in their buildings. The main monumental forms of Etru ...
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Cymatium
Cymatium, the uppermost molding at the top of the cornice in the classical order, is made of the s-shaped cyma molding (either ''cyma recta'' or ''cyma reversa''), combining a concave cavetto with a convex ovolo. It is characteristic of Ionic columns and can appear as part of the entablature, the epistyle or architrave, which is the lintel or beam that rests on the capitals of columns, and the capital itself. Often the cymatium is decorated with a palmette or egg-and-dart ornament on the surface of the molding. The heights of the parts of the capital are to be so regulated that three of the nine parts and a half, into which it was divided, lie below the level of the astragal on the top of the shaft. The remaining parts are for the cymatium, abacus, and channel. The projection of the cymatium beyond the abacus is not to be greater than the size of the diameter of the eye f the voluteIn the case of a concave-convex profile, a distinction is made between cyma recta and cyma reve ...
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Oxford Art Online
Oxford Art Online is an Oxford University Press online gateway into art research, which was launched in 2008. It provides access to several online art reference works, including Grove Art Online (originally published in 1996 in a print version, ''The Dictionary of Art''), the online version of the ''Benezit Dictionary of Artists The ''Benezit Dictionary of Artists'' (in French, ''Bénézit: Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs'') is an extensive publication of bibliographical information on painters, sculptors, designers and engravers create ...'', and ''The Oxford Companion to Western Art''. It also provides access to other Oxford art reference works, including the '' Encyclopedia of Aesthetics'' (2nd edition), and ''The Concise Oxford Dictionary of Art Terms''. The site was updated on 1 December 2017 to enhance page design, search tools, linking, and media capabilities.
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Sasanian Dynasty
The Sasanian dynasty was the house that founded the Sasanian Empire, ruling this empire from 224 to 651 AD in Persia (modern-day Iran). It began with Ardashir I, who named the dynasty as ''Sasanian'' in honour of his grandfather (or father), Sasan, and after the name of his tribe. The Shahanshah was the sole regent, head of state and head of government of the empire. At times, power shifted de facto to other officials, namely the spahbed. Upon the empire's conquest by the Islamic caliphate in 651, members of the imperial family fled in exile to China following the death of Yazdegerd III, where they would become accepted as members of the imperial court by Emperor Gaozong of Tang. Although there would be numerous attempts to invade Islamic Persia with Chinese support, this branch of Sasanids would remain in China indefinitely. Narsieh, grandson of Yazdegerd and last recorded Sasanid in China, would adopt the surname Li (李) in reminiscence with the Chinese imperial family. T ...
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Ardashir I
Ardashir I (Middle Persian: 𐭠𐭥𐭲𐭧𐭱𐭲𐭥, Modern Persian: , '), also known as Ardashir the Unifier (180–242 AD), was the founder of the Sasanian Empire. He was also Ardashir V of the Kings of Persis, until he founded the new empire. After defeating the last Parthian shahanshah Artabanus IV on the Hormozdgan plain in 224, he overthrew the Parthian dynasty and established the Sasanian dynasty. Afterwards, Ardashir called himself "shahanshah" and began conquering the land that he called Iran. There are various historical reports about Ardashir's lineage and ancestry. According to Al-Tabari's History of the Prophets and Kings, Ardashir was son of Papak, son of Sasan. Another narrative that exists in Kar-Namag i Ardashir i Pabagan and Ferdowsi's ''Shahnameh'' also states it says that Ardashir was born from the marriage of Sasan, a descendant of Darius III, with the daughter of Papak, a local governor in Pars. According to Al-Tabari's report, Ardashir was bo ...
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Persepolis
, native_name_lang = , alternate_name = , image = Gate of All Nations, Persepolis.jpg , image_size = , alt = , caption = Ruins of the Gate of All Nations, Persepolis. , map = , map_type = Iran#West Asia , map_alt = , map_caption = , map_size = , altitude_m = , altitude_ref = , relief = yes , coordinates = , map_dot_label = , location = Marvdasht, Fars Province, Iran , region = , type = Settlement , part_of = , length = , width = , area = , volume = , diameter = , circumference = , height = , builder = , and , material = Limestone, mud-brick, cedar wood , built = 6th century BC , abandoned = , epochs = Achaemenid Empire , cultures = Persian , dependency_of = , occupants = , event = *Battle of th ...
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