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Carracci - Jupiter Et Junon
The Carracci were a family of Italian artists. Notable members include: * Agostino Carracci (1557–1602), Italian painter and printmaker * Annibale Carracci (1560–1609), Italian Baroque painter and brother of Agostino Carracci * Ludovico Carracci (1555–1619), Italian painter, etcher, printmaker, and cousin of Agostino and Annibale Carracci * Antonio Marziale Carracci (1583–1618), Italian painter and son of Agostino Carracci * Francesco Carracci (1595–1622), Italian painter and engraver, nephew of Agostino Carracci * Baldassare Aloisi (1578–1638), painter and engraver whose mother, Elena Zenzanini, was a cousin of Agostino and Annibale Carracci * Giovanni Francesco Grimaldi (1606–1680), painter, whose common law wife was Aloisi's daughter See also * Accademia dei Carracci, a Bolognese art academy founded by the family * The Carracci The Carracci ( , , ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Carracci
Agostino Carracci (or Caracci) (16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati (Academy of the Progressives) in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space.Agostino Carracci at Getty The academy helped propel painters of the School of Bologna to prominence. Life Agostino Carracci was born in |
Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Carracci
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Marziale Carracci
Antonio Marziale Carracci (1583 – 8 April 1618) was an Italian painter. He was the natural son of Agostino Carracci. Life Carracci was born in the parish of Sta Lucia in Venice, probably in 1583, the product of an affair with a courtesan called Isabella, occurring on his father's first visit to Venice. Giovanni Battista Agucchi, a friend and protégé of Cardinal Odoardo Farnese tells us in a 1609 letter, raised along with Sisto Badalocchio and a near contemporary to Domenichino and Lanfranco. The main Baroque artist biographers of his time, Baglione, Bellori and Malvasia, make some note of him. He first apprenticed with his father. Malvasia recalls his father admired a ‘’Madonna and Child’’ that completed at the age of seventeen. Annibale’s 1590s portrait of a boy resembles those in Malvasia’s woodcut with 1678 ‘’’Felsina Pittrice’’’. He may also be the boy in the Brera portrait group, including Annibale’s father Mastro Antonio. When his fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Carracci
Francesco Carracci (1595 – 3 June 1622) was an Italian painter and engraver, and nephew of the more famous Agostino Carracci. Life Carracci was the son of Giovanni Antonio Carracci, in Bologna, 1595. His father was a brother of Agostino and Annibale Carracci. Francesco was a youth of great talent and promise. He was taught by Ludovico, cousin of Agostino, in the Academy of the Incamminati, but left the school to start one in opposition to his teacher, calling it the "True School of the Carracci". Like the other members of the Carracci family he taught, engraved, and painted. His ''Adoration'' in the Church of Santa Maria Maggiore, Bologna, is not only his masterpiece but an excellent piece of vigorous painting. The "True School" was not a success, and, his students leaving him, Francesco went to Rome and made another attempt to found an academy, only to fail again. He left a few engravings after the works of Lodovico and Annibale. He died in abject poverty in Rome, 1622. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Aloisi
Baldassare Aloisi, or Baldassare Galanino (12 October 1578 – 1638), was an Italian history and portrait painter and engraver. He was also known as Il Galanino. Aloisi was born at Bologna, the relative and pupil of Ludovico Carracci. As his compositions were not meeting with sufficient encouragement, he went to Rome, and gave himself up to portrait painting. His pictures have great vigor and clarity of relief. He also made picturesque engravings, but his works in this manner are carried out with a little too much negligence. One of his finest pictures is ''The Visitation'', in the first chapel of the church Santa Maria della Carità in Bologna. He was in Rome, and much employed in painting portraits of the most illustrious persons of his time. For the churches he also painted some pictures, the principal one of which was the great altar-piece representing ''The Coronation of the Virgin'', in the Gesù e Maria. Among his engravings are fifty plates from Raphael's works in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Francesco Grimaldi
Giovanni Francesco Grimaldi (1606 – 28 November 1680) was an Italian painter, draughtsman, printmaker and architect. He was an accomplished fresco painter of classical landscapes which were popular with leading Roman families. Life Grimaldi was born in Bologna, and trained in the circle of the Carracci family. He was afterwards a pupil of Cardinal Francesco Albani. He went to Rome, and was appointed architect to Pope Paul V and also patronized by succeeding popes. Towards 1648 he was invited to France by Cardinal Mazarin, and for about two years was employed in buildings for that minister and for Louis XIV, and in fresco-painting in the Louvre. His colour was strong, somewhat excessive in the use of green; his touch light. He painted history, portraits and landscapes—the, last with predilection, especially in his advanced years—and executed engravings and etchings from his own landscapes and from those of Titian and the Caracci. Returning to Rome, he was made ''prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Dei Carracci
The Accademia degli Incamminati (Italian for "Academy of Those who are Making Progress" or "Academy of the Journeying") was one of the first art academies in Italy, founded in 1582 in Bologna. It was founded as the Accademia dei Desiderosi ("Academy of the Desirous") and sometimes known as the Accademia dei Carracci after its founders the three Carracci cousins: Agostino, Annibale and Ludovico. Annibale headed the institution thanks to his strong personality. The birth of this and other academies indicated artists' desire to be seen on the same level as poets and musicians, rather than as just artisans and the Accademia degli Incamminati soon providing a meeting space for other intellectuals, such as the doctor Melchiorre Zoppio and the astronomer Giovanni Antonio Magini, who both frequented it. On its foundation, its members soon chose a heraldic emblem for the institution, made up of a celestial sphere with Ursa Minor at its centre and below it the motto ''Contentione Perfe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Carracci
The Carracci ( , , ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the '' Accademia degli Incamminati'', and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion. Art theory The artistic and theoretical activity of the Carracci is recognized by critics and historians such as André Chastel and Giulio Carlo Argan to have decisively contributed to the formation of the figurative Baroque and to new pictorial solutions based on the recuperation of the classical and Renaissance tradition, renewed by study of nature. "Jointly they effected an artistic reform that ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
