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Religious Art
Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices. According to one set of definitions, artworks that are inspired by religion but are not considered traditionally sacred remain under the umbrella term of religious art, but not sacred art. Other terms often used for art of various religions are cult image, usually for the main image in a place of worship, icon in its more general sense (not restricted to Eastern Orthodox images), and "devotional image" usually meaning a smaller image for private prayer or worship. Images can often be divided into "iconic images", just showing one or more figures, and "narrative images" showing moments from an episode or story involving sacred figures. The use of images has been controversial in many religions. The term for such opposition is aniconism, with iconoclasm being the delibe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse Mosaic Hagia Sophia Virgin And Child
In architecture, an apse (: apses; from Latin , 'arch, vault'; from Ancient Greek , , 'arch'; sometimes written apsis; : apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka Depicting Vajrabhairava, Ca
A ''thangka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small figur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phurba
The phurba (; alternate transliterations: ''phurpa'', ''phurbu'', ''purbha'', or ''phurpu'') or ''kīla'' (Sanskrit Devanagari: कील; IAST: kīla) is a three-sided peg, stake, knife, or nail-like ritual implement deeply rooted in Indo-Tibetan Buddhism and Bön traditions. Its primary association is with the meditational deity Vajrakīlaya (Dorje Phurba), embodying the essence of transformative power. The etymology and historical context of the term reveal some debate. Both the Sanskrit word ''kīla'' and the Tibetan ''phurba'' are used interchangeably in sources. The construction of the phurba is diverse, featuring a pommel, handle, and a blade with three triangular facets. The composition often revolves around the numerological significance of three and nine, with materials ranging from wood and metal to bone and crystal. Phurba blades can be made from meteoric iron, which holds symbolic importance. The pommel typically displays faces of Vajrakīlaya or other sacred m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajra
The Vajra (, , ), is a legendary and ritualistic tool, symbolizing the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). It is also described as a "ritual weapon". The use of the bell and vajra together as symbolic and ritual tools is found in all schools of Tibetan Buddhism. The vajra is a round, symmetrical metal scepter with two ribbed spherical heads. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points. The vajra is considered inseparable from the bell, and both are sold in dharma stores only in matching sets. The bell is also metal with a ribbed spherical head. The bell also depicts the face of Dhatvisvari, a female buddha and the consort of Akshobhya. The vajra has also been associated as the weapon of Indra, the Vedic king of the Deva (Hinduism), devas and Svarga, heaven. It is used symbolically by the dharma, dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sand Mandala
Sand mandala (, THL ''kyinkhor''; ) is a Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand. Once complete, the sand mandala's ritualistic dismantling is accompanied by ceremonies and viewing to symbolize Buddhist doctrinal belief in the transitory nature of material life. Materials and construction Historically, the mandala was not created with naturally dyed sand, but granules of crushed colored stone. In modern times, plain white stones are ground down and dyed with opaque inks to achieve the same effect. The monks use a special, extremely dense sand in order to limit interference by things such as wind or sneezes. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. The sand granules are then applied using small tubes, funnels, and scrapers, called chak-pur, until the desired pattern is achieved. Sand mandalas traditionally take several we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meditation
Meditation is a practice in which an individual uses a technique to train attention and awareness and detach from reflexive, "discursive thinking", achieving a mentally clear and emotionally calm and stable state, while not judging the meditation process itself. Techniques are broadly classified into focused (or concentrative) and open monitoring methods. Focused methods involve attention to specific objects like breath or mantras, while open monitoring includes mindfulness and awareness of mental events. Meditation is practiced in numerous religious traditions, though it is also practised independently from any religious or spiritual influences for its health benefits. The earliest records of meditation ('' dhyana'') are found in the Upanishads, and meditation plays a salient role in the contemplative repertoire of Jainism, Buddhism and Hinduism. Meditation-like techniques are also known in Judaism, Christianity and Islam, in the context of remembrance of and prayer and dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattva
In Buddhism, a bodhisattva is a person who has attained, or is striving towards, '' bodhi'' ('awakening', 'enlightenment') or Buddhahood. Often, the term specifically refers to a person who forgoes or delays personal nirvana or ''bodhi'' in order to compassionately help other individuals reach Buddhahood. In the Early Buddhist schools, as well as modern Theravāda Buddhism, bodhisattva (or bodhisatta) refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will come to pass. In Theravāda Buddhism, the bodhisattva is mainly seen as an exceptional and rare individual. Only a few select individuals are ultimately able to become bodhisattvas, such as Maitreya. In Mahāyāna Buddhism, a bodhisattva refers to anyone who has generated '' bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhahood
In Buddhism, Buddha (, which in classic Indo-Aryan languages, Indic languages means "awakened one") is a title for those who are Enlightenment in Buddhism, spiritually awake or enlightened, and have thus attained the Buddhist paths to liberation, supreme goal of Buddhism, variously described as Enlightenment in Buddhism, awakening or enlightenment (''bodhi''), ''Nirvana (Buddhism), Nirvāṇa'' ("blowing out"), and Moksha, liberation (''vimokṣa''). A Buddha is also someone who fully understands the ''Dharma, Dhārma'', the true nature of all things or Phenomenon, phenomena (''Abhidharma, dhārmata''), the Two truths doctrine, ultimate truth. Buddhahood (Sanskrit: ''buddhatva''; or ; zh, c=成佛) is the condition and state of being a Buddha. This highest spiritual state of being is also termed ''sammā-sambodhi'' (Sanskrit: ''samyaksaṃbodhi''; "full, complete awakening") and is interpreted in many different ways across schools of Buddhism. The title of "Buddha" is most c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala
A mandala (, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines. Hinduism In Hinduism, a basic mandala, also called a '' yantra'', takes the form of a square with four gates containing a circle with a centre point. Each gate is in the general shape of a T. Mandalas often have radial balance. A '' yantra'' is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric composition used in '' sadhanas'', puja or meditative rituals, and may incorporate a mantra into its design. It is considered to represent the abode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibetan Art
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper (paint), distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by Tibetan monasticism, religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the ''phurbu, phurba'' or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter. Himalayan art is an overall term for Tibetan art together with the art of Art of Bhutan, Bhutan, Nepal, Ladakh, Kashmir and neighbouring parts of Mongolia and China where Tibetan Buddhism is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrayana
''Vajrayāna'' (; 'vajra vehicle'), also known as Mantrayāna ('mantra vehicle'), Guhyamantrayāna ('secret mantra vehicle'), Tantrayāna ('tantra vehicle'), Tantric Buddhism, and Esoteric Buddhism, is a Mahāyāna Buddhism, Mahāyāna Buddhist tradition that emphasizes Eastern esotericism, esoteric practices and rituals aimed at Sudden awakening, rapid spiritual awakening. Emerging between the 5th and 7th centuries CE in medieval India, Vajrayāna incorporates a Tibetan tantric practice, range of techniques, including the use of mantras (sacred sounds), dhāraṇīs (mnemonic codes), mudrās (symbolic hand gestures), mandalas (spiritual diagrams), and the visualization of Buddhist deities, deities and Buddhahood, Buddhas. These practices are designed to transform ordinary experiences into paths toward Enlightenment in Buddhism, enlightenment, often by engaging with aspects of Taṇhā, desire and Dvesha, aversion in a ritualized context. A distinctive feature of Vajrayāna is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
