Ottoman Architecture
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Ottoman Architecture
Ottoman architecture is an architectural style or tradition that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Anatolian Seljuk architecture, Seljuk Turkish architecture, with influences from Byzantine architecture, Byzantine and Iranian architecture, Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the Classical Ottoman architecture, classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar ...
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Iznik Pottery
Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. Turkish stylization is a reflection of Chinese porcelain. İznik was an established centre for the production of simple earthenware pottery with an underglaze decoration when, in the last quarter of the 15th century, craftsmen in the town began to manufacture high quality pottery with a fritware body painted with cobalt blue under a colourless transparent lead glaze. The designs combined traditional Ottoman arabesque patterns with Chinese elements. The change was almost certainly a result of active intervention and patronage by the recently established Ottoman court in Istanbul who greatly valued Chinese blue-and-white porcelain. During the 16th century the decoration of the pottery gradually changed in style, becoming looser and more flowing. Additional colours wer ...
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Mimar Kemaleddin
Ahmed Kemaleddin (; 187013 July 1927), widely known as Mimar Kemaleddin (''Architect Kemaleddin'') was a Turkish architect, and one of the leading figures of the first national architectural movement, First National architectural movement, alongside Vedat Tek. Early years Ahmed Kemaleddin was born in 1870 to a middle-class Ottoman family in the Acıbadem, Kadıköy, Acıbadem neighborhood of Istanbul. His father was Miralay Ali Bey, a naval captain (naval), captain, and his mother was Sadberk Hanım. In 1875, he began with his primary education at the İbrahim Ağa Primary School. He continued his secondary education in 1881 in Crete, then part of the Ottoman Empire, due to his father's assignment. Returning soon after to Istanbul, he graduated from high school. In 1887, at the age of 17, he enrolled in the School of Civil Engineering (, now Istanbul Technical University). Kemaleddin graduated as an engineer with honours in 1891. He then remained at his alma mater and worked a ...
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First National Architectural Movement
The First national architecture movement (), also referred to in Turkey as the National architecture Renaissance (), or Turkish Neoclassical architecture (), was a period of Turkish architecture that was most prevalent between 1908 and 1930 but continued until the end of the 1930s. Inspired by Ottomanism, the movement sought to capture classical elements of Ottoman and Anatolian Seljuk architecture and use them in the construction of modern buildings. Despite the style focusing on Ottoman aspects, it was most prevalent during the first decade of the Republic of Turkey. The most important architects of the movement were Ahmet Kemaleddin and Vedat Tek, who pioneered the movement, as well as Arif Hikmet Koyunoğlu and Ottoman-born architect of Italian descent Giulio Mongeri. History The movement began in the early 20th-century in the capital of the Ottoman Empire, Constantinople, with the goal of bringing back Turkish elements in the construction and design of new buildings. ...
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Dolmabahçe Palace
Dolmabahçe Palace ( ) is a 19th-century imperial palace located in Istanbul, Turkey, along the European shore of the Bosporus, which served as the main administrative center of the Ottoman Empire from 1856 to 1887 and from 1909 to 1922. History Dolmabahçe Palace was ordered by the empire's 31st sultan, Abdülmecid I, and built between the years 1843 and 1856. Previously, the sultan and his family had lived at the Topkapı Palace, but as the medieval Topkapı was lacking in contemporary style, luxury, and comfort, as compared to the palaces of the European monarchs, Abdülmecid decided to build a new modern palace near the site of the former Beşiktaş Sahil Palace, which was demolished. Hacı Said Ağa was responsible for the construction works, while the project was realized by architects Garabet Balyan, his son Nigoğayos Balyan and Evanis Kalfa (members of the Armenian Balyan family of Ottoman court architects). , the construction cost the equivalent of ca. US$3 bill ...
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Eclecticism In Architecture
Eclecticism in architecture is a 19th and 20th century architectural style in which a single piece of work incorporates eclecticism, a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other Country, countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20 (number), 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically Revivalism (architecture), revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likel ...
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Neoclassical Architecture
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassicism, Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of Roman architecture, ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman archi ...
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Empire Style
The Empire style (, ''style Empire'') is an early-nineteenth-century design movement in architecture, furniture, other decorative arts, and the visual arts, representing the second phase of Neoclassicism. It flourished between 1800 and 1815 during the Consulate and the First French Empire periods, although its life span lasted until the late-1820s. From France it spread into much of Europe and the United States. The Empire style originated in and takes its name from the rule of the Emperor Napoleon I in the First French Empire, when it was intended to idealize Napoleon's leadership and the French state. The previous fashionable style in France had been the Directoire style, a more austere and minimalist form of Neoclassicism that replaced the Louis XVI style, and the new Empire style brought a full return to ostentatious richness. The style corresponds somewhat to the '' Biedermeier style'' in the German-speaking lands, Federal style in the United States, and the Regency st ...
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Balyan Family
The Balyan family (; ) was a prominent Armenians, Armenian family in the Ottoman Empire of court architects in the service of List of Sultans of the Ottoman Empire, Ottoman sultans and other members of the Ottoman dynasty during the 18th and 19th centuries. For five generations, they designed and constructed numerous major buildings in the Ottoman Empire, including palaces, mansions, konak (residence), konaks, kiosks, yalı, yalis, mosques, church (building), churches, and various public buildings, mostly in Ottoman Constantinople, Constantinople (present-day Istanbul). Ancestors Bali the Mason Bali or Balen the Mason ( or ''Meremmetçi Balen Kalfa''), a masonry artisan, craftsman from the Belen village of Karaman in central Anatolia, was the founder of the dynasty. He moved to Istanbul, where he learned of an Armenian palace architect of Sultan Mehmed IV (1648–1687), whom he met and replaced, being Armenian himself. When Bali died in 1725, his son Magar took his place a ...
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Ottoman Architecture In The 19th–20th Centuries
This article covers the history of Ottoman architecture from the 19th century up to the Dissolution of the Ottoman Empire, end of the Ottoman Empire in the early 20th century. The 19th century saw an increase of architectural influences from Western Europe in Ottoman culture. The Ottoman Baroque style, which emerged in the 18th century, continued to be evident in the early 19th century under the reigns of Selim III and Mahmud II. Empire style and Neoclassical architecture, Neoclassical motifs also began to be introduced around this time. Subsequently, a trend towards Eclecticism in architecture, eclecticism became prominent in many types of buildings, particularly during the Tanzimat period (1839 and after), as exemplified by the Dolmabahçe Palace, Dolmabaçe Palace and many mosques of this era designed by architects of the Balyan family. In the late 19th century, an Orientalism, Orientalist fashion mixed neo-Ottoman and other traditional Islamic architecture, Islamic architectur ...
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Nuruosmaniye Mosque
The Nuruosmaniye Mosque () is an 18th-century Ottoman mosque located in the Çemberlitaş neighbourhood of Fatih district in Istanbul, Turkey, which was inscribed in the Tentative list of World Heritage Sites in Turkey in 2016. Designed by a Greek non-Muslim architect named , the Nuruosmaniye mosque was the first monumental Ottoman building to exemplify the new Ottoman baroque style, which introduced baroque and neoclassical elements from Europe. The mosque's ornamentation and its curved courtyard display its baroque influences. The dome of the mosque is one of the largest in Istanbul. The mosque is part of a larger religious complex, or ''külliye'', acting as a centre of culture, religion, and education for the neighborhood. In Constantinople, the area of the Nurosmaniye Mosque was close to the Forum of Constantine, where the Column of Constantine () still stands. Surrounding the mosque is Istanbul's Grand Bazaar (). After the construction of the Sultan Ahmed Mosque, t ...
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Ottoman Baroque Style
Ottoman Baroque architecture, also known as Turkish Baroque, was a period in Ottoman architecture in the 18th century and early 19th century which was influenced by European Baroque architecture. Preceded by the changes of the Tulip Period and Tulip Period architecture, the style marked a significant departure from the classical style of Ottoman architecture and introduced new decorative forms to mostly traditional Ottoman building types. It emerged in the 1740s during the reign of Mahmud I () and its most important early monument was the Nuruosmaniye Mosque, completed in 1755. Later in the 18th century, new building types were also introduced based on European influences. The last fully Baroque monuments, such as the Nusretiye Mosque, were built by Mahmud II () in the early 19th century, but during this period new European-influenced styles were introduced and supplanted the Baroque. Background From the 18th century onward European influences were introduced into Ottoman archi ...
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