House Of Cornaro
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House Of Cornaro
The House of Cornaro or Corner were a Venetian patrician family in the Republic of Venice and included many Doges and other high officials. The name ''Corner'', originally from the Venetian dialect, was adopted in the eighteenth century. The older standard Italian ''Cornaro'' is no longer common in Italian sources referring to earlier members of the family, but remains so in English. History The family and name Cornaro are said to descend from the gens Cornelia, a patrician family of Ancient Rome. The Cornari were among the twelve tribunal families of the Republic of Venice and provided founding members of the Great Council in 1172. In the 14th century, the family separated into two distinct branches, Cornaro of the Great House and Cornaro Piscopia. The latter name derived from the 1363 grant of the fief of Piscopia in the Kingdom of Cyprus to Federico Cornaro. When Caterina Cornaro married king James II of Cyprus in 1468, the Lusignan royal arms were added to the fami ...
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Coat Of Arms Of The House Of Corner
A coat is typically an outer clothing, garment for the upper body, worn by any gender for warmth or fashion. Coats typically have long sleeves and are open down the front, and closing by means of Button (clothing), buttons, zippers, Hook-and-loop fastener, hook-and-loop fasteners (AKA velcro), toggles, a belt (clothing), belt, or a combination of some of these. Other possible features include Collar (clothing), collars, shoulder straps, and hood (headgear), hoods. Etymology ''Coat'' is one of the earliest clothing category words in English language, English, attested as far back as the early Middle Ages. (''See also'' Clothing terminology.) The Oxford English Dictionary traces ''coat'' in its modern meaning to , when it was written ''cote'' or ''cotte''. The word coat stems from Old French and then Latin ''cottus.'' It originates from the Proto-Indo-European language, Proto-Indo-European word for woolen clothes. An early use of ''coat'' in English is Mail (armour), coat of mai ...
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James II Of Cyprus
James II (; /1439 or 1440 – 10 July 1473) was the penultimate King of Cyprus (usurper), reigning from 1460/1464 until his death. Archbishop of Nicosia James was born in Nicosia as the illegitimate son of John II of Cyprus and Marietta de Patras. He was a great favourite of his father, and in 1456, at the age of 16, he was appointed to the archbishopric of Nicosia. After murdering Iacopo Urri, the royal chamberlain, on 1 April 1457, he was deprived of the archbishopric and fled to Rhodes on a ship of the Catalan Juan Tafures. He was pardoned by his father, and the archbishopric was returned to him. King of Cyprus In 1458, his father died and his half-sister Charlotte became Queen of Cyprus. Then in 1460, with support from the Egyptian Mamluk sultan Sayf ad-Din Inal, James challenged her right to the throne, blockading her and her husband, Louis of Savoy, in the castle of Kyrenia for three years. Charlotte fled to Rome in 1463. With the fall of Kyrenia before the ...
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Venetian Cyprus
The island of Cyprus was a overseas possession of the Venetian from 1489, when the independent Kingdom of Cyprus ended, until 1571, when the island was conquered by the Ottoman. History Acquisition Venice had sought control of Cyprus for centuries, and Venetian merchants were active on the island beginning around 1000 AD, when Venetian commercial and military expansion in the eastern Mediterranean began. In 1468, James II of Cyprus of the House of Lusignan became King of Cyprus. In 1468, he chose Catherine Cornaro (born in Venice from the noble Corner family) as his wife and Queen consort of Cyprus. This choice greatly pleased the Republic of Venice, as it could henceforth secure Venice's commercial rights and other privileges in Cyprus. They married by proxy in Venice on July 30, 1468, when she was 14 years old. James died shortly after the wedding from a sudden illness, and, according to his will, Caterina, who was pregnant at the time, acted as regent. She became mon ...
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Sugar Plantation
Plantations are farms specializing in cash crops, usually mainly planting a single crop, with perhaps ancillary areas for vegetables for eating and so on. Plantations, centered on a plantation house, grow crops including cotton, cannabis, tobacco, coffee, tea, cocoa, sugar cane, opium, sisal, oil seeds, oil palms, fruits, rubber trees and forest trees. Protectionist policies and natural comparative advantage have sometimes contributed to determining where plantations are located. In modern use, the term usually refers only to large-scale estates. Before about 1860, it was the usual term for a farm of any size in the southern parts of British North America, with, as Noah Webster noted, "farm" becoming the usual term from about Maryland northward. The enslavement of people was the norm in Maryland and states southward. The plantations there were forced-labor farms. The term "plantation" was used in most British colonies but very rarely in the United Kingdom itself in this sense ...
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Classical Age Of The Ottoman Empire
The Classical Age of the Ottoman Empire () concerns the history of the Ottoman Empire from the conquest of Constantinople in 1453 until the second half of the sixteenth century, roughly the end of the reign of Suleiman the Magnificent (r. 1520–1566). During this period a system of patrimonial rule based on the absolute authority of the sultan reached its apex, and the empire developed the institutional foundations which it would maintain, in modified form, for several centuries. The territory of the Ottoman Empire greatly expanded, and led to what some historians have called the '' Pax Ottomana''. The process of centralization undergone by the empire prior to 1453 was brought to completion in the reign of Mehmed II. Territory The Ottoman Empire of the Classical Age experienced dramatic territorial growth. The period opened with the conquest of Constantinople by Mehmed II (r. 1451–1481) in 1453. Mehmed II went on to consolidate the empire's position in the Balkans and Anato ...
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Kasos
Kasos (; , ), also Casos, is a Greek island municipality in the Dodecanese. It is the southernmost island in the Aegean Sea, and is part of the regional unit Karpathos-Kasos. The capital of the island is Fri. , its population was 1,223. Names There are several references to the island in the works of ancient authors, including as Amphe (), Astrabe (), and Achni (). Concerning Kasos (), Samuel Bochart (1674) and Victor Bérard (1902) suggested that it could derive from the Canaanite word ''kas'' , and that it is a doublet with Greek Achni (). The island is also known in Italian as Bertarelli, 139 and in Turkish as or (). Geography Kasos lies southwest of Karpathos, and east of Crete. The island lies within the subtropical zone, being at 35ºN latitude. Adjacent to the island is the Strait of Kasos, through which some of the Modified Atlantic Water enters the Sea of Crete. Its shape is elliptic and resembles that of Rhodes. The main island has a surface of , bein ...
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Scarpanto
Karpathos (, ), also Carpathos, is the second largest of the Greek Dodecanese islands, in the southeastern Aegean Sea. Together with the neighboring smaller Saria Island it forms the municipality of Karpathos, which is part of the regional unit Karpathos-Kasos. Because of its remote location, Karpathos has preserved many peculiarities of dress, customs and dialect, the last resembling those of Crete and Cyprus. The island has also been called Carpathus in Latin and Scarpanto in Italian. Etymology Homer calls the island Krapathos, with metathesis of two letters in the first syllable. Other names of the island include Tetrapolis and Anemoessa. Municipality The present municipality of Karpathos was formed at the 2011 local government reform, by the merger of the following two former municipalities, that became municipal units:
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Santa Maria Della Vittoria, Rome
Santa Maria della Vittoria (, ) is a Catholic titular minor basilica and Discalced Carmelite conventual church dedicated to Our Lady of Victories in Rome, Italy, famously the home of Gian Lorenzo Bernini‘s masterpiece the ''Ecstasy of Saint Teresa''. The church is in the Rione Sallustiano, on number 98 via XX Settembre, where this street intersects with Largo Santa Susanna. It is located next to the Fountain of Moses and mirrors the Church of Santa Susanna across the Largo. It is about two blocks northwest of the Piazza della Repubblica and Teatro dell'Opera metro station. History The land for the church was purchased on April 20, 1607, and the church was built from 1608 to 1620 as a chapel dedicated to Saint Paul for the Discalced Carmelites. After the Catholic victory at the Battle of White Mountain in 1620, which reversed the Reformation in Bohemia, the church was rededicated to the Virgin Mary. Ottoman standards captured at the 1683 Battle of Vienna were later hung in ...
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Ecstasy Of St Theresa
The ''Ecstasy of Saint Teresa'' (also known as ''Saint Teresa in Ecstasy''; or ) is a sculptural altarpiece group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome. It was designed and carved by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the chapel in marble, stucco and paint. The commission was completed in 1652. The ensemble includes at the sides two sets of donor portraits of members of the Cornaro family, who watch the main central group as though in boxes in a theatre. The group is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture over the altar shows Saint Teresa of Ávila, a Spanish Carmelite nun (1515–1582), swooning in a state of religious ecstasy, while an angel holding a spear stands over her, following her own account of a vision she had. Commission The entire ensemble was overseen and completed b ...
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Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, a ...
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Palazzo Loredan Dell'Ambasciatore
A palace is a large residence, often serving as a royal residence or the home for a head of state or another high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palats'', ''palais'', ''palazzo'', ''palacio'', etc.) and many use it to describe a broader range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy. It is also used for some large official buildings that have never had a residential function; for example in French-speaking countries ''Palais de Justice'' is the usual name of important courthouses. Many historic palaces such as parliaments, museums, hotels, or office buildings are now put to other uses. The word is also sometimes used to describe an elaborate building used for public entertainment or ...
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